Along the way he has written major stories for American outlets, including a remarkable New York Times Magazine cover story. Now comes the powerful new work that has always been his ultimate goal, The Way to the Spring.We are familiar with brave journalists who travel to bleak or war-torn places on a mission to listen and understand, to gather the stories of people suffering from extremes of oppression and want: Katherine Boo, Ryszard Kapuściński, Ted Conover, and Philip Gourevitch among them. Palestine is, by any measure, whatever one's politics, one such place. Ruled by the Israeli military, set upon and harassed constantly by Israeli settlers who admit unapologetically to wanting to drive them from the land, forced to negotiate an ever more elaborate and more suffocating series of fences, checkpoints, and barriers that have sundered home from field, home from home, this is a population whose living conditions are unique, and indeed hard to imagine. In a great act of bravery, empathy and understanding, Ben Ehrenreich, by placing us in the footsteps of ordinary Palestinians and telling their story with surpassing literary power and grace, makes it impossible for us to turn away.

    It is not true that there are some good colonists and others who are wicked. There are colonists and that is it'Jean-Paul Sartre

    Piercing the fog of mysticism and sentimentality that engulfs art, the essays in The Romantic Manifesto explain why, since time immemorial, man has created and consumed works of art.Ayn Rand argues that objective standards in art are possible because art is not a subjective luxury, but rather a critical need of human life—not a material need, but a need of man’s rational mind, the faculty on which his material survival depends.Ayn Rand explains the indispensable function of art in man’s life (ch. 1), the objective source of man’s deeply personal, emotional response to art (ch. 2), and how an artist’s fundamental, often unstated view of man and of the world shapes his creations (ch. 3).Turning to her own field of artistic creation, Rand elaborates (ch. 5) on her distinctive theory of literature and identifies principles by which to judge an artwork objectively. “What is Romanticism?” (ch. 6) sheds new light on the nature and philosophy of the school of literature under which Rand classified her own work. Later essays explain how contemporary art reveals the debased intellectual state of our culture (ch. 7, 8 and 9).In the final essay Rand articulates the goal of her own fiction writing as “the projection of an ideal man, as an end in itself”—and explains that she originated her philosophy as a means to this end.Table of ContentsIntroductionThe Psycho-Epistemology of ArtPhilosophy and Sense of LifeArt and Sense of LifeArt and CognitionBasic Principles of LiteratureWhat Is Romanticism?The Esthetic Vacuum of Our AgeBootleg RomanticismArt and Moral TreasonIntroduction to Ninety-ThreeThe Goal of My WritingThe Simplest Thing in the WorldIndex

    The author shows that no matter how bizarre a people's behavior may seem, it always stems from concrete social and economic conditions. It is by isolating and identifying these conditions that we will be able to understand and cope with some of our own apparently senseless life styles. In a devastating attack on the shamans of the counterculture, the author states the case for a return to objective consciousness and a rational set of political commitments.

    Why is the relative patriotism of the two parties the only issue that is out of bounds for rational discussion?”In a stunning follow-up to her number one bestseller Slander, leading conservative pundit Ann Coulter contends that liberals have been wrong on every foreign policy issue, from the fight against Communism at home and abroad, the Nixon and the Clinton presidencies, and the struggle with the Soviet empire right up to today’s war on terrorism. “Liberals have a preternatural gift for always striking a position on the side of treason,” says Coulter. “Everyone says liberals love America, too. No, they don’t.” From Truman to Kennedy to Carter to Clinton, America has contained, appeased, and retreated, often sacrificing America’s best interests and security. With the fate of the world in the balance, liberals should leave the defense of the nation to conservatives.Reexamining the sixty-year history of the Cold War and beyond—including the career of Senator Joseph McCarthy, the Whittaker Chambers–Alger Hiss affair, Ronald Reagan’s challenge to Mikhail Gorbachev to “tear down this wall,” the Gulf War, and our present war on terrorism—Coulter reveals how liberals have been horribly wrong in all their political analyses and policy prescriptions. McCarthy, exonerated by the Venona Papers if not before, was basically right about Soviet agents working for the U.S. government. Hiss turned out to be a high-ranking Soviet spy (who consulted Roosevelt at Yalta). Reagan, ridiculed throughout his presidency, ended up winning the Cold War. And George W. Bush, also an object of ridicule, has performed exceptionally in responding to America’s newest threats at home and abroad.Coulter, who in Slander exposed a liberal bias in today’s media, also examines how history, especially in the latter half of the twentieth century, has been written by liberals and, therefore, distorted by their perspective. Far from being irrelevant today, her clearheaded and piercing view of what we’ve been through informs us perfectly for challenges today and in the future. With Slander, Ann Coulter became the most recognized and talked-about conservative intellectual of the year. Treason, in many ways an even more controversial and prescient book, will ignite impassioned political debate at one of the most crucial moments in our history.From the Hardcover edition.

    Kennedy's choice to forgo the fedora at his inauguration to John Kerry's decision to get Botoxed for the 2004 race; from the Golden Age of Facial Hair (1860-1912) to the Age of the Banker (1912-1960); from Washington's false teeth to George W. Bush's workout regimen, Project President tells the story of America's love affair with presidential looks and appearance, why that often matters more than a politico's positions on the issues, and what might well be coming next."I'm constantly citing the power of dress. It's semiology: our clothes send a message about how we want to be perceived, and where is this more powerful and evident than in elected offices. In Project President, Ben Shapiro captures presidential semiotics with a potent narrative and deft analysis.  It's simultaneously fascinating and hilarious!"-Tim GunnProject Runway, Liz Claiborne, Inc. "Ben Shapiro takes a romp through American history and shows how personality--and even haircuts--have elected or defeated presidential candidates.  It's a tour through history that fans of both parties will enjoy-and can learn from."-Michael BaroneResident scholar, American Enterprise InstituteSenior Writer, U.S. News & World ReportCo-author, The Almanac of American Politics "Presidential politics has always been more superficial than we'd like to admit. With a stylish and likeable touch befitting a strong candidate, Ben Shapiro takes us deep into the shallowness that has shaped American history."-Jonathan AlterNewsweek "Shapiro deftly explains how height, hair and handsomeness can affect a candidate's campaign as much as issues. A fun, informative read." -Glenn BeckNationally syndicated talk show hostHost of CNN's The Glenn Beck Show"A hilarious and illuminating journey through America's centuries-long fascination with presidential image-making. Whether you're left, right, moderate or apathetic, this lively book will get you ready for the packaging of the '08 races."-Jim Hightower"This is a perceptive, witty-sometimes hilarious-look at the realities behind the faces and the facades, the slogans and the character assassinations, of each presidential campaign from George Washington to today - with much for us to ponder for tomorrow." -Sir Martin GilbertOfficial biographer of Winston Churchill "An entertaining and illuminating romp through the politics of symbolism and personality in our presidential politics. If you're thinking of running for president, read this book before you spend a dime on a political consultant."-Rich LowryNational Review COLMES: Who do you want [for the Supreme Court]?ANN COULTER: Thank you for asking. I want Ben Shapiro.COLMES: Ben Shapiro.ANN COULTER: Yes. He just finished his first year at Harvard Law, 21 years old.COLMES: You mean for a date or for the court?ANN COULTER: No, for the court. He's my candidate. He's very bright. He's already written one best-selling book. (CROSSTALK)COLMES: You want to put a 21-year-old guy on the court?ANN COULTER: Twenty-one, and he's just finished first year of Harvard Law.COLMES: So you want someone who's going to be on the court for 50, 60 years? Is that - is that the whole idea?ANN COULTER: No, I just happen to like Ben Shapiro.Hannity and Colmes Fox News ChannelJuly 8, 2005

    And he's ringing the changes. In a contest of change, which century from the past millennium would come up trumps? Imagine the Black Death took on the female vote in a pub brawl, or the Industrial Revolution faced the internet in a medieval joust - whose side would you be on? In this hugely entertaining book, celebrated historian Ian Mortimer takes us on a whirlwind tour of Western history, pitting one century against another in his quest to measure change. We journey from a time when there was a fair chance of your village being burnt to the ground by invaders, and dried human dung was a recommended cure for cancer, to a world in which explorers sailed into the unknown and civilisations came into conflict with each other on an epic scale. Here is a story of godly scientists, shrewd farmers, cold-hearted entrepreneurs and strong-minded women - a story of discovery, invention, revolution and cataclysmic shifts in perspective. Bursting with ideas and underscored by a wry sense of humour, this is a journey into the past like no other. Our understanding of change will never be the same again - and the lessons we learn along the way are profound ones for us all.

    After years of stagnant wages, volatile job markets, and an unwillingness by those in power to deal with profound threats such as climate change, there is a mounting sense that the system is fixed, serving only those select few with enough money to secure a controlling stake. With the characteristic clarity and passion that has made him a central civil voice, Robert B. Reich shows how wealth and power have interacted to install an elite oligarchy, eviscerate the middle class, and undermine democracy. Using Jamie Dimon, the chairman and CEO of JPMorgan Chase as an example, Reich exposes how those at the top propagate myths about meritocracy, national competitiveness, corporate social responsibility, and the free market to distract most Americans from their accumulation of extraordinary wealth, and power over the system. Instead of answering the call to civic duty, they have chosen to uphold self-serving policies that line their own pockets and benefit their bottom line. Reich's objective is not to foster cynicism, but rather to demystify the system so that we might instill fundamental change and demand that democracy works for the majority once again.

    The twentieth century has become "history" at an unprecedented rate. The world of 2007 is so utterly unlike that of even 1987, much less any earlier time, that we have lost touch with our immediate past even before we have begun to make sense of it. In less than a generation, the headlong advance of globalization, with the geographical shifts of emphasis and influence it brings in its wake, has altered the structures of thought that had been essentially unchanged since the European industrial revolution. Quite literally, we don't know where we came from. The results have proved calamitous thus far, with the prospect of far worse. We have lost touch with a century of social thought and socially motivated social activism. We no longer know how to discuss such concepts and have forgotten the role once played by intellectuals in debating, transmitting, and defending the ideas that shaped their time. In Reappraisals, Tony Judt resurrects the key aspects of the world we have lost in order to remind us how important they still are to us now and to our hopes for the future. Reappraisals draws provocative connections between a dazzling range of subjects, from the history of the neglect and recovery of the Holocaust and the challenge of "evil" in the understanding of the European past to the rise and fall of the "state" in public affairs and the displacement of history by "heritage." With his trademark acuity and Žlan, Tony Judt takes us beyond what we think we know to show us how we came to know it and reveals how many aspects of our history have been sacrificed in the triumph of mythmaking over understanding, collective identity over truth, and denial over memory. His book is a road map back to the historical sense we so vitally need.

    Stories of how revolutionary writing is smuggled from the Naqab Prison; about what it is like to write with only two hours of electricity each day; and stories from the Gallery Café, whose opening three thousand creative intellectuals gathered to celebrate.Pay No Heed to the Rockets offers a window into the literary heritage of Palestine that transcends the narrow language of conflict. Paying homage to the memory of literary giants like Mahmoud Darwish and Ghassan Kanafani and the contemporary authors they continue to inspire, this evocative, lyrical journey shares both the anguish and inspiration of Palestinian writers at work today.

     The facts of the tragedy are established: On April 15, 2013, two homemade bombs fashioned from pressure cookers exploded near the finish line of the Boston Marathon, killing three people and wounding 264 others. The elder of the brothers suspected of committing this atrocity, Tamerlan Tsarnaev, died in the ensuing manhunt; Dzhokhar will stand trial in January 2015. What we don’t know is why. How did such a nightmare come to pass?This is a probing and powerful story of dislocation, and the longing for clarity and identity that can reach the point of combustion. Bestselling Russian-American author Masha Gessen is uniquely endowed with the background, access, and talent to tell it. She explains who the brothers were and how they came to do what they appear to have done. From their displaced beginnings, as descendants of ethnic Chechens deported to Central Asia in the Stalin era, Gessen follows them as they are displaced again, from strife-ridden Kyrgyzstan to war-torn Dagestan, and then, as émigrés to the United States, into an utterly disorienting new world. Most crucially, she reconstructs the struggle between assimilation and alienation that ensued for each of the brothers, fueling their apparent metamorphosis into a new breed of homegrown terrorist, with their feet on American soil but their loyalties elsewhere—a split in identity that seems to have incubated a deadly sense of mission. Like Dave Cullen’s Columbine, this will be the enduring account of an indelible tragedy.

    Should we believe in God? In this new book, written for a new generation, the brilliant science writer and author of The God Delusion, explains why we shouldn't.Should we believe in God? Do we need God in order to explain the existence of the universe? Do we need God in order to be good? In twelve chapters that address some of the most profound questions human beings confront, Dawkins marshals science, philosophy and comparative religion to interrogate the hypocrisies of all the religious systems and explain to readers of all ages how life emerged without a Creator, how evolution works and how our world came into being.For anyone hoping to grapple with the meaning of life and what to believe, Outgrowing God is a challenging, thrilling and revelatory read.

    Lawrence, Winston Churchill and Charles de Gaulle - 'A Line in the Sand' tells the story of the short but crucial era when Britain and France ruled the Middle East.

    Now also an Oscar-nominated documentaryIn Dirty Wars, Jeremy Scahill, author of the New York Times bestseller Blackwater, takes us inside America’s new covert wars. The foot soldiers in these battles operate globally and inside the United States with orders from the White House to do whatever is necessary to hunt down, capture or kill individuals designated by the president as enemies.Drawn from the ranks of the Navy SEALs, Delta Force, former Blackwater and other private security contractors, the CIA’s Special Activities Division and the Joint Special Operations Command (JSOC), these elite soldiers operate worldwide, with thousands of secret commandos working in more than one hundred countries. Funded through black budgets, Special Operations Forces conduct missions in denied areas, engage in targeted killings, snatch and grab individuals and direct drone, AC-130 and cruise missile strikes. While the Bush administration deployed these ghost militias, President Barack Obama has expanded their operations and given them new scope and legitimacy.Dirty Wars follows the consequences of the declaration that “the world is a battlefield,” as Scahill uncovers the most important foreign policy story of our time. From Afghanistan to Yemen, Somalia and beyond, Scahill reports from the frontlines in this high-stakes investigation and explores the depths of America’s global killing machine. He goes beneath the surface of these covert wars, conducted in the shadows, outside the range of the press, without effective congressional oversight or public debate. And, based on unprecedented access, Scahill tells the chilling story of an American citizen marked for assassination by his own government.As US leaders draw the country deeper into conflicts across the globe, setting the world stage for enormous destabilization and blowback, Americans are not only at greater risk—we are changing as a nation. Scahill unmasks the shadow warriors who prosecute these secret wars and puts a human face on the casualties of unaccountable violence that is now official policy: victims of night raids, secret prisons, cruise missile attacks and drone strikes, and whole classes of people branded as suspected militants. Through his brave reporting, Scahill exposes the true nature of the dirty wars the United States government struggles to keep hidden.

    Yet for nearly all of its six million years of existence, human society had none of these things. While the gulf that divides us from our primitive ancestors may seem unbridgeably wide, we can glimpse much of our former lifestyle in those largely traditional societies still or recently in existence. Societies like those of the New Guinea Highlanders remind us that it was only yesterday—in evolutionary time—when everything changed and that we moderns still possess bodies and social practices often better adapted to traditional than to modern conditions.The World Until Yesterday provides a mesmerizing firsthand picture of the human past as it had been for millions of years—a past that has mostly vanished—and considers what the differences between that past and our present mean for our lives today.This is Jared Diamond’s most personal book to date, as he draws extensively from his decades of field work in the Pacific islands, as well as evidence from Inuit, Amazonian Indians, Kalahari San people, and others. Diamond doesn’t romanticize traditional societies—after all, we are shocked by some of their practices—but he finds that their solutions to universal human problems such as child rearing, elder care, dispute resolution, risk, and physical fitness have much to teach us. Provocative, enlightening, and entertaining, The World Until Yesterday is an essential and fascinating read.