Poet, novelist, critic, artist, actor, film-maker, Cocteau was also one of the greatest dramatists Europe has produced, with over a dozen plays which are frequently revived, not only ion France, but in translation in many other countries.For this collection, fine translations of four full-length plays, one short play, and the "Speaker's Text" for the Cocteau-Stravinsky opera Oedipus Rex have been selected. The longer plays (The Infernal Machine, Orpheus, Bacchus, Knights of the Round Table) are re-creations of classic myth and legend—poetic and highly original interpretations of certain timeless themes which have inspired great drama through the ages. The Eiffel Tower Wedding Party is, by contrast, merely a "curtain-raiser," but remarkable as un jeu d'esprit, revealing the wit and psychological penetration for which Cocteau is famous.The Translations:The Infernal Machine by Albert BermelOrpheus by John K. SavacoolThe Eiffel Tower Wedding Party by Dudley FittsThe Knights of the Round table by W.H. AudenBacchus by Mary C. HoeckThe Speaker's Text of Oedipus Rex by E.E. Cummings

    Written in 1935, an exploration of the looming threat of World War II, set against the backdrop of the familiar story of the Trojan War

    His writings, with their richly sensuous texture and air of slyly intangible mystery, perplexed or outraged many early readers; yet no writer has more profoundly influenced the course of modern poetry - in English as well as in French. This is the fullest collection of Mallarme's poetry ever published in the English language, and the only edition in any language that presents his Poesies in the last arrangement known to have been approved by the author. Prose poems, uncollected verse, and the unique, unclassifiable Un Coup de des... (A Dice Throw...) are also present, including over 20 items that have never previously been translated. Original spelling, punctuation, and lineation have been preserved throughout. The lucid, wide-ranging introduction provides a clear survey of Mallarme's work and deals fully with the difficulties that may face readers approaching it for the first time. Collected Poems offers both Mallarme lovers and first-time readers a full understanding of this astonishing poet's work."

    He wrote, and collaboratively wrote, many influential and celebrated books. Besides poetry, Desnos also wrote on a wide range of subjects from film texts and criticism to novels. During WWII he became a poet of the resistance, but was arrested by the Gestapo and sent to several notorious concentration camps for the duration of the war. He died as a result of his internment. This is the most comprehensive anthology of the writings of Robert Desnos ever assembled and translated into the English language. The extensive poetry section is bilingual. The English translations are by the most renowned translators of Robert Desnos.

    

    Now the basis for a hit underground film which was banned in France, Baise-Moi is a searing story of two women on a rampage that is part Thelma and Louise, part Viking conquest. Manu and Nadine have had all they can take. Manu has been brutally raped, and determines it's not worth leaving anything precious lying vulnerable -- including her very self. She teams up with Nadine, a nihilist who watches pornography incessantly, and they enact their own version of les vols et les viols (rape and pillage) -- they lure men sexually, use them up, then rob and kill them. Drawing from the spiky cadences of the Sex Pistols and the murderous eroticism of Georges Bataille or Dennis Cooper, Baise-Moi is a shocking, accomplished, and truly unforgettable novel.

    The grief-stricken author responded with one brief poem ("Nothing"), then fell silent for thirty months. In subsequent years, Roubaud--poet, novelist, mathematician--composed a series of prose poems, a collection that is a profound mediation on the experience of death, the devastation it brings to the lover who goes on living, and the love that remains. Despite the universality of this experience, no other writer has so devoted himself to exploring and recording the many-edged forms of grief, mourning, bewilderment, emptiness, and loneliness that attend death. No other writer has provided a kind of solace while facing with honesty and hardness the intricate ways in which the living are affected by such a loss. Some Thing Black is an ongoing monologue from Roubaud to his wife, as death assaults the mind's failure to comprehend absence. Roubaud both refuses to and cannot surrender his wife to the past ("I always wake up in your voice, your hand, your smell"). The death, having occurred in an instant of time, goes on in him ("But inside me your death proceeds slowly, incomprehensibly"). While acknowledging "death calls for a poetry of meditation," Roubaud is enraged at the limitations of language and words to affect the biological reality. Rather, all that language can do is clarify the exactness of his grief and to recall precisely the image of her life and death. But such recollection--the sight of her dead body, her photographs, her things, the rooms they lived in--becomes a "memory infinitely torturous." And his most anguished recollection is of their making love ("These memories are the darkest of all"), and a sense of guilt for somehow not having prevented her death ("I did not save you from that difficult night"). This is a brave and honest book that does not disguise that pain of loss. Its nobility, grace, and humanity rest in its refusal to falsify death's harsh presence ("This dirty rotten life to be mixed up with death") and in its acceptance of the mind's limitations ("I do not understand"). This moving, compassionate, uncompromising book is one of the most significant works of our time. Included in this edition is a portfolio of photographs made by Roubaud's wife in 1980 entitled "If Some Thing Black."

    It is one of the great love stories, and also one of the most enigmatic: how reliable a witness is Des Grieux, Manon's lover, whose tale he narrates? Is Manon a thief and a whore, the image of love itself, or a thoroughly modern woman? Prevost is careful to leave the ambiguities unresolved, and to lay bare the disorders of passion." This new translation includes the vignette and eight illustrations that were approved by Prevost and first published in the edition of 1753.

    Ashberry reaffirms the poetic powers that have made him such an outstanding figure in contemporary literature. This new book continues his astonishing explorations of places where no one has ever been.

    Long regarded Africa's preeminent Francophone novelist, Laye (1928-80) herein marvels over his mother's supernatural powers, his father's distinction as the village goldsmith, and his own passage into manhood, which is marked by animistic beliefs and bloody rituals of primeval origin. Eventually, he must choose between this unique place and the academic success that lures him to distant cities. More than autobiography of one boy, this is the universal story of sacred traditions struggling against the encroachment of a modern world. A passionate and deeply affecting record, The Dark Child is a classic of African literature.

    One of the original self-styled -bohemians, - Nerval was best known in his own day for parading a lobster on a pale blue ribbon through the gardens of the Palais-Royal, and was posthumously notorious for his suicide in 1855, hanging from an apron string he called the garter of the Queen of Sheba. This hallucinatory document of dreams, obsession, and insanity has fascinated artists such as Joseph Cornell, who cited passages from it to explain his own work; Antonin Artaud, who saw his own madness mirrored by Nerval's; and Andre Breton, who placed Nerval in the highest echelon of Surrealist heroes. Geoffrey Wagner's translation of Aurelia was first published by Grove Press in 1959, but has remained out of print for nearly 20 years. Also included in this volume are previously untranslated stories by Marc Lowenthal, and poet Robert Duncan's version of the sonnet cycle Chimeras, making this the most complete collection of Nerval's influential oeuvre ever published in English.

    Bataille's poetry is definitely the poetry of a philosopher, but it is also a poetry with an obsessively erotic, often scatological edge to it, frequently pushing the boundary of what is or isn't obscene. Bataille believed that everything relates to the workings of desire and death in sexuality, but he also believed that poetry was the product of ""hate"" (and other extreme emotions), just as much as erotic pleasure accedes to self-annihilation. But Bataille was interested in actual action, not just disengaged hypothesis concerning the sexual act. Dufour Editions is pleased to bring Bataille's poetry to print in English. ""This is the audacious, frightful side of surrealism.""-Library Journal "Bataille produced some of the most transcendent, pointedly filthy literature of the century, and these poems, together in English for the first time, are no exception." - Publishers Weekly

    The title of this book is taken from Henry Miller's "Into the Night Life" and expresses the way Lawrence Ferlinghetti felt about these poems when he wrote them during a short period in the 1950's—as if they were, taken together, a kind of Coney Island of the mind—a kind of circus of the soul.

    E. Cummings's biographer, include his most popular poems, spanning his earliest creations, his vivacious linguistic acrobatics, up to his last valedictory sonnets. Also featured are thirteen drawings, oils, and watercolors by Cummings, most of them never before published.The selection includes most of the favorites plus many fresh and surprising examples of Cummings's several poetic styles. The corrected texts established by George J. Firmage have been used throughout.

    Here the first of these volumes is presented in a new and lively translation. Pantagruel recounts the life a popular giant. From his portentous birth and colorful childhood, to his visit to Paris and his travels through Utopia, and not withstanding his enormous appetite, Pantagruel’s history is told with a breathtaking degree of gaiety and wit. Ingeniously coining new expressions, and with an unashamed obsession with bodily functions, Rabelais blends prose and poetry, the sacred and profound, to offer a heady satire of the religious society of his day. The result is a bawdy and brilliant celebration of life.