A onetime teacher, married to fellow teacher Eleanor, he has retrained and is now a second-year lawyer working at mega-firm Freely Savage Carter Blanche. Despite toiling around the clock to make budget, he’s in imminent danger of being downsized. And to make things worse, Eleanor, sick of single-parenting their two young children thanks to Stephen’s relentless work schedule, has asked him to move out. To keep the job he hates, pay the mortgage and salvage his marriage, he will have to do something strikingly daring, something he never thought himself capable of. But if he’s not careful, it might be the last job he ever has… Warm, dramatic, and at times laugh-out-loud funny, with the narrative pull of a thriller, Maybe the Horse Will Talk is a love story, a reflection on contemporary marriage, and on friendship. It is also an unflinching examination of sexual harassment in the workplace and an exposé of corporate corruption that taps directly into the pulse of our times. ‘Australia’s outstanding social novelist’ (Times Literary Supplement), Elliot Perlman ‘...has many things working in his favor as a novelist: curiosity, erudition, daring and a gift for seducing readers into going along with him for the ride. He’ll get you where you want to go…’ (Washington Post)

    She is taken in by her estranged grandmother, June, a flower farmer who raises Alice on the language of Australian native flowers, a way to say the things that are too hard to speak. But Alice also learns that there are secrets within secrets about her past. Under the watchful eye of June and The Flowers, women who run the farm, Alice grows up. But an unexpected betrayal sends her reeling, and she flees to the dramatically beautiful central Australian desert. Alice thinks she has found solace, until she falls in love with Dylan, a charismatic and ultimately dangerous man.The Lost Flowers of Alice Hart is a story about stories: those we inherit, those we select to define us, and those we decide to hide. It is a novel about the secrets we keep and how they haunt us, and the stories we tell ourselves in order to survive. Spanning twenty years, set between the lush sugar cane fields by the sea, a native Australian flower farm, and a celestial crater in the central desert, Alice must go on a journey to discover that the most powerful story she will ever possess is her own.

    Hope Farm sticks out of the ragged landscape like a decaying tooth, its weatherboard walls sagging into the undergrowth. Silver's mother, Ishtar, has fallen for the charismatic Miller, and the three of them have moved to the rural hippie commune to make a new start. At Hope, Silver finds unexpected friendship and, at last, a place to call home. But it is also here that, at just thirteen, she is thrust into an unrelenting adult world — and the walls begin to come tumbling down, with deadly consequences. Hope Farm is the masterful second novel from award-winning author Peggy Frew, and is a devastatingly beautiful story about the broken bonds of childhood, and the enduring cost of holding back the truth.

    Emotionally starved by her ramshackle family, Teresa searches for fulfilment outside her stultifying life as a working girl in a large city. Obsessed with love and sex she pins her affection on the first possible object, the egotistical Jonathan Crow, a poverty-stricken tutor who coaches her in Latin. Teresa preserves this love in the face of his indifference, contempt and ill-usage, imprisoned by her belief that ‘to love is to give for ever without stint, and not to ask for the slightest thing’. It is only through another man - her ebullient and warm-hearted employer James Quick - that Teresa comes to understand her power as a woman, and emerges from obsession to a real consciousness of sexuality and love. Set in Sydney and London, For Love Alone, first published in 1945, is one of Christina Stead’s finest novels.[Source: http://www.faber.co.uk/work/for-love-...]

    Thomas Keneally was born in Sydney Australia in 1935. He studied to be a Catholic priest but abandoned his vocation to take up teaching and writing. He is the author of numerous works of fiction and non-fiction including "Schindlers Ark" which won the Booker Prize in 1982 and was made into a successful film.

    What he finds at Karnama is a disintegrating community, characterised by government handouts, alcoholism, wife-beating, petrol-sniffing and an indifference to traditional beliefs and practices. It is a depressingly familiar litany of social problems which confirms the smug racial stereotypes of the white community to which Billy initially belongs." "True Country offers no clear-cut solution to the realities of powerlessness. What it leaves us with is Billy's vision of the 'true country' which he shares with the unnamed Aboriginal narrator in the final pages of the novel.

    After lunch, a group of three of the girls climbed into the blaze of the afternoon sun, pressing on through the scrub into the shadows of Hanging Rock. Further, higher, till at last they disappeared.They never returned.Whether Picnic at Hanging Rock is fact or fiction the reader must decide for themselves.

    Evocative novel set in wartime Australia and its aftermath, seen through the childhood eyes of 6-year-old Rob Coram.

    Now it’s her final year at a wealthy Catholic high school. The nuns couldn’t be any stricter—but that doesn’t seem to stop all kinds of men from coming into her life.Caught between the old-world values of her Italian grandmother, the nononsense wisdom of her mom, and the boys who continue to mystify her, Josephine is on the ride of her life. This will be the year she falls in love, the year she discovers the secrets of her family’s past—and the year she sets herself free.Told with unmatched depth and humor, this novel—which swept the pool of Australian literary awards and became a major motion picture—is one to laugh through and cry with, to cherish and remember.

    In this haunting tale of obsessive love and sexual awakening, a young orphan is drawn away from her guardian to the well where the injured voice of a my sterious "dead" creature calls her.

    Estranged from her parents, and living with her grandfather who is drowning in sadness, Oli faces the reality of life beyond university alone. When she wakes on a boat with no recollection of how she got there, she accepts the help of two strangers who change the course of her future forever. With Mac and Maggie, Oli learns to navigate a life upon open ocean and the world flowers into colours she's never seen before. Four years later, Oli, fluent in the language of the sea, is the only woman among men on a yacht delivery from Noumea to Auckland. In the darkness below deck, she learns that at sea, no one can hear you scream. Moving to London, Oli's life at sea is buried. When she meets Hugo, the wind changes, and her memories are dust blown into shapes. Reminding her of everything. Below Deck is about the moments that haunt us, the moments that fan out like ripples through the deep. So that everything else, becomes everything after.

    He lives a quiet life with his two dogs in the tumbledown wreck his family home has become. It's a peaceful existence - ideal for the rehabilitating man. But his recovery is rudely interrupted by a brutal attack on Charles Bourgoyne, a prominent member of the local community. Suspicion falls on three young men from the local Aboriginal community. But Cashin's not so sure and as the case unfolds amid simmering corruption and prejudice, he finds himself holding on to something that it might be better to let go.

    Wise-cracking Kerry Salter is part of an Aboriginal family living on the mid-north coast of New South Wales. She has spent a lifetime avoiding two things - her hometown and prison. But now her Pop is dying and she's an inch away from the lockup, so she heads south on a stolen Harley. Kerry plans to spend 24 hours, tops, over the border.She quickly discovers, though, that Bundjalung country has a funny way of grabbing on to people. Old family wounds open as the Salters fight to stop the development of their beloved river. And the unexpected arrival on the scene of a good-looking dugai fella intent on loving her up only adds more trouble - but then trouble is Kerry's middle name. Gritty and darkly hilarious, Too Much Lip offers redemption and forgiveness where none seemed possible.

    In telling lies, Laura learns both the astonishing allure of fiction and the social costs of stepping beyond the bounds of propriety, gender, class, and family ties.The novel is only in part a fictionalised account of Richardson's school years at the Presbyterian Ladies College, Melbourne, where (unlike her fictional counterpart) she was not only academically successful but also an outstanding student of music. Unusual for stories of school-life, The Getting of Wisdom was clearly aimed at a mature readership able to understand irony and a critique of the colonial educational provision of its day, including a determination to preserve sexual ignorance in young women.

    At once the story of a region, a town and people, it is also the story of Anna Tolley - "leggy, wilful and auburn-haired, always answering back" - who lives through momentous changes and earns the envy, love and hatred of those around her.