In an exemplary interpretation of the novel, this volume integrates theoretical concepts from narrotology, visual culture and cultural history into a close reading of the aesthetic and structural features of the novel. Interpretative insight into a postmodern novel is thus combined with the provision of transferable conceptual knowledge.

    Now, after a half-century separation, the filming of a TV documentary forces them to relive the past. Woven into their 50 years of separation are a shoe-horn and the threads of loyalty and love which form their 'uncommon bond'.

    

    In the late 1960s, in the hollow of an ancient oak tree beyond a derelict cottage in Cork, were found the bones of a three-year-old girl. It was thought that they dated back to the time of the great potato famine of the mid 1800s. The bones were discovered by an American woman, who had inherited the cottage which had lain empty and broken for forty years. Local searches reveal that the house had originally belonged to The Quinns. Eliza Quinn was their baby.This is a story that speaks of generations and of landscapes: abandoned villages, famine graves, old potato ridges sinking back into the earth, traces of a population that fell by two and a half million in less than ten years. It is also about hunger, both physical and emotional. But above all, it is the story of the Quinn family. And it is Carol Birch's tour de force.'Deeply rooted humanity and highly intelligent understanding of the simulataneous complexity and simplicity of individual lives' Alex Clark. TLS

    Unable to understand each other, they embarked on one of the most unusual experiments in British art as the pitmen learned to become painters. Within a few years the most avant-garde artists became their friends, their work was taken for prestigious collections and they were celebrated throughout the British art world; but every day they worked, as before, down the mine.The Pitmen Painters premiered at Live Theatre, Newcastle-upon-Tyne, in September 2007, before transferring to the National Theatre in 2008.

    Roddy Doyle's winning trio of comic novels depicting the daily life and times of the Rabbitte family in working-class Dublin.The CommitmentsStill one of the freshest and funniest rock 'n' roll novels ever written, Doyle's first book portrays a group of aspiring musicians on a mission: to bring soul to Dublin.The SnapperDoyle's sparkling second novel observes the progression of twenty-year-old Sharon's pregnancy and its impact on the Rabbitte family - especially on her father, Jimmy Sr - with with, candor, and surprising authenticity.The VanSet during the heady days of Ireland's brief, euphoric triumphs in the 1990 World Cup, this Booker Prize nominee is a tender and hilarious tale of male friendship, midlife crisis, and family life.--back cover

    Toibin's portrayal of the intricacy and drama of ordinary lives brings to mind of the work of Alice Munro.      Set in Wexford, Ireland, and in breathtaking Ballyconnigar by the sea, Colm Toibin's tour de force eighth novel introduces the formidable, memorable Nora Webster. Widowed at 40, with four children and not enough money, Nora has lost the love of her life, Maurice, the man who rescued her from the stifling world she was born into. Wounded and self-centred from grief and the need to provide for her family, she struggles to be attentive to her children's needs and their own difficult loss. In masterfully detailing the intimate lives of one small family, Toibin has given us a vivid portrait of a time and an intricately woven tapestry of lives in a small town where everyone knows everyone's business, and where well-meaning gestures often have unforeseen consequences. Toibin has created one of contemporary fiction's most memorable female characters, one who has the strength and depth of Ibsen's Hedda Gabler. In Nora Webster, Colm Toibin is writing at the height of his powers.

    This play which won the author a Pulitzer Prize and a Tony award presents the lead character, Willy Loman (played over time by Lee J Cobb, George C Scott, Dustin Hoffman, and Brian Dennehy, among others), who has come to represent the middle-class struggle.

    As violence flares, the characters face a battle between public persona and inner desires. Through a chorus of unique voices, each struggling to tell their own kind of truth, a single authentic tale unfolds. The Spinning Heart speaks for contemporary Ireland like no other novel. Wry, vulnerable, all-too human, it captures the language and spirit of rural Ireland and with uncanny perception articulates the words and thoughts of a generation. Technically daring and evocative of Patrick McCabe and J.M. Synge, this novel of small-town life is witty, dark and sweetly poignant.

    Harry Blamires helps readers to negotiate their way through this formidable, remarkable novel and gain an understanding of it which, without help, it might have take several readings to achieve. The New Bloomsday Book is a crystal clear, page-by-page, line-by-line running commentary on the plot of Ulysses which illuminates symbolic themes and structures along the way. It is a highly accessible, indispensible guide for anyone reading Joyce's masterpiece for the first time.

    It embraces a wide range of social milieux, from the miseries of the tenements to the cultivated, bourgeois Bradshaws. It introduces a memorable cast of characters: the main protagonist, Fitz, a model of the hard-working, loyal and abused trade unionist; the isolated, well-meaning and ineffectual Fr O'Connor; the wretched and destitute Rashers Tierney. In the background hovers the enormous shadow of Jim Larkin, Plunkett's real-life hero.Strumpet City's popularity derives from its realism and its naturalistic presentation of traumatic historical events. There are clear heroes and villians. The book is informed by a sense of moral outrage at the treatment of the locked-out trade unionists, the indifference and evasion of the city's clergy and middle class and the squalor and degradation of the tenement slums.

    This book, which won raves at its first publication, shows all the hallmarks of the writer who became the award-winning film director so well known today.

    This is a glorious book that bears all the marks of a classic."When I look back on my childhood I wonder how I managed to survive at all. It was, of course, a miserable childhood: the happy childhood is hardly worth your while. Worse than the ordinary miserable childhood is the miserable Irish childhood, and worse yet is the miserable Irish Catholic childhood." So begins the Pulitzer Prize winning memoir of Frank McCourt, born in Depression-era Brooklyn to recent Irish immigrants and raised in the slums of Limerick, Ireland. Frank's mother, Angela, has no money to feed the children since Frank's father, Malachy, rarely works, and when he does he drinks his wages. Yet Malachy—exasperating, irresponsible and beguiling—does nurture in Frank an appetite for the one thing he can provide: a story. Frank lives for his father's tales of Cuchulain, who saved Ireland, and of the Angel on the Seventh Step, who brings his mother babies. Perhaps it is story that accounts for Frank's survival. Wearing rags for diapers, begging a pig's head for Christmas dinner and gathering coal from the roadside to light a fire, Frank endures poverty, near-starvation and the casual cruelty of relatives and neighbors—yet lives to tell his tale with eloquence, exuberance and remarkable forgiveness. Angela's Ashes, imbued on every page with Frank McCourt's astounding humor and compassion, is a glorious book that bears all the marks of a classic.

    "A highly ambitious, engaging, and evocative novel and a hauntingly captivating read." -The Sunday IndependentWhat happens when a woman is haunted by the sins of her foremothers–and the men who betrayed them?Facing the birth of her child, and single motherhood, Jo Devereux has spent the last six months in Mucknamore, the Irish village she fled twenty years ago.A trunk of letters and diaries left by her grandmother and great-aunt has revealed a heartbreaking legacy of bitter secrets that have haunted the women of her family for four generations.Now she must find out the ultimate truth: What other secrets and lies lie under her mother’s and grandmother’s unshakeable silence? How does it connect with her failed life as a gender-bending agony aunt in San Franciso? And what of Rory… her lost love, son of her family’s sworn enemies?Will Jo’s mission to uncover the past unlock a possible future together? Or are they about to lose everything all over again?As she pieces together the poisonous fragments of the past, Jo must now face into the guilt and shame that were her legacy and see how she might best redeem them in her own life.

    A Catholic schoolboy playing football has a theological debate with a Protestant policeman; a chess game in Spain is a catalyst for grief and redemption; in the haunting title story a Belfast man out walking his dog is kidnapped at gunpoint.As always, MacLaverty's writing is vivid, exact, and pellucid, his characters perfectly observed, the surface of the prose deceptively still. It is only after we enter the world of the stories that we begin to make out the huge shapes that move there: loss, love, disappointment, fierce joy. This is a powerful, honest, and moving book by one of the great storytellers of our age.