This collection summons multiple hauntings--ghosts of matriarchs that came before, those that were slain, and those that continue to speak to us, but also those horrors women of color strive to put to rest. Ghost in a Black Girl's Throat examines the haunting feeling of facing past demons while grappling with sexism, racism, and bigotry. They are all present: ancestral ghosts, societal ghosts, and spiritual, internal hauntings. This book calls out for women to speak their truth in hopes of settling the ghosts or at least being at peace with them.

    From the 60?s to the 90?s she?s been the craziest, the most extreme queen ever to hit a rock ?n? roll stage. She?s known and worked with Warhol, Bowie and Derek Jarman, been an actress, a singer and a prostitute. She?s the world?s original and only rock ?n? roll transsexual, crossing the genders in the full glare of publicity. Man Enough to be a Woman is the wild, hilarious and shameless account of Jayne?s life from her cissy-boy childhood in Georgia to her current 90s renaissance, as a new wave of superstars claim her as their inspiration.

    His critically acclaimed collection Woodcuts of Women is now available in paperback and features ten moving and heartbreaking stories of lust, love, and longing among men and women struggling to find their way in the world. Written in Gilb's spare, humid language, each of these haunting stories is crafted with a poetic, aching beauty. At turns powerful and resonant, hopeful and humorous, Woodcuts of Women is a tour de force by one of America's foremost Latino writers. The sheer intensity and bravado of [Gilb's] vision make this collection succeed. -- Jean Thompson, The New York Times Book Review Lonely, tough stories -- stories that force us to confront what's difficult in us, and in the people we love. -- Adrienne Miller, Esquire Gilb's stories read like verbal woodcuts deliberately unrefined and carefully unadorned, clear in their intent but without undue elaboration.... -- Sean Glennon, The Hartford Courant ...Gilb writes of the gritty passions of man for women, grand delusions and tender mercies.... -- Oscar C. Villalon, San Francisco Chronicle

    Every Body Looking is a debut novel in verse tells the story of Ada--daughter of an immigrant father and an African American mother--and her struggle to find a place for herself in America and in her own family.Every Body Looking is a heavily autobiographical novel of a young woman's struggle to carve a place for herself--for her black female body--in a world of deeply conflicting messages.Told entirely in verse, Ada's story encompasses her earliest memories as a child, including her abuse at the hands of a young cousin, her mother's rejection and descent into addiction, and her father's attempts to create a home for his American daughter more like the one he knew in Nigeria.

    Drawing on intimate personal experience, A History of My Brief Body is a meditation on grief, joy, love, and sex at the intersection of indigeneity and queerness.Billy-Ray Belcourt’s debut memoir opens with a tender letter to his kokum and memories of his early life in the hamlet of Joussard, Alberta, and on the Driftpile First Nation. Piece by piece, Billy-Ray’s writings invite us to unpack and explore the big and broken world he inhabits every day, in all its complexity and contradiction: a legacy of colonial violence and the joy that flourishes in spite of it; first loves and first loves lost; sexual exploration and intimacy; the act of writing as a survival instinct and a way to grieve.What emerges is not only a profound meditation on memory, gender, anger, shame, and ecstasy, but also the outline of a way forward. With startling honesty, and in a voice distinctly and assuredly his own, Belcourt situates his life experiences within a constellation of seminal queer texts, among which this book is sure to earn its place.Eye-opening, intensely emotional, and excessively quotable, A History of My Brief Body demonstrates over and over again the power of words to both devastate and console us. Lambda Literary Award, Finalist / "A Best Book of 2020" ―Kirkus Reviews, Book Riot, CBC, Globe and Mail, Largehearted Boy."Stunning... Happiness, this beautiful book says, is the ultimate act of resistance." ―Michelle Hart, O, The Oprah Magazine

    Drawing upon her own experiences, as well as interviews and surveys collected from more than 500 Latina women, Molinary provides a powerful understanding of the inner conflicts and powerful triumphs of Latinas. The women profiled in this book are Caribbean, Mexican, Central American, and South American. These first, second and third-generation Latinas have all grappled with the experience of coming of age within not one but two cultures: that of the United States, and that of their familial homelands. Hijas Americanas addresses experiences that are uniquely female and Latin, focusing on themes of body image, standards of beauty, ethnic identity, and sexuality. In doing so, Molinary gives voice to the struggles and successes of Latinas across racial, sexual, and cultural identities, emphasizing that the challenges inherent in growing up between two cultures can positively shape Latinas' lives.

    The particular poetic phrasing of Wendy Treviño, personal and geopolitical, immediate and speculative, manages to give shape to the multiple ghosts of the future transnational insurrection. "Hugo García Manríquez

    His new work, Hip Logic, is full of poetic tributes to the likes of Paul Robeson, Big Bird, Balthus, and Mr. T, as well as poems based on the anagram principle of words within a word. Throughout, Hayes's verse dances in a kind of homemade music box, with notes that range from tender to erudite, associative to narrative, humorous to political. Hip Logic does much to capture the nuances of contemporary male African American identity and confirms Hayes's reputation as one of the most compelling new voices in American poetry.

    She spends the next six years moving from house to house and living hand-to- mouth; at first with her lover, and then alone.And The Walls Come Crumbling Down parallels three events in the author’s life: the physical deterioration of the house in which she lives, the emotional disintegration of a couple once in love, and the unearthing of childhood ghosts that can’t seem to be cast off. Part memoir and part poetic rumination, it is an ode to love, loss and the people and places we call home.

    The collection is about the ways idealization leads to dehumanization, perception versus reality, sexism, feminism, mania, love, and Oregon. Dream Girl features poems that have gone viral on tumblr and Button Poetry, as well as 30 new poems, and illustrations by the author. This book is the much-anticipated second collection by Clementine von Radics. 80 pages, 6x9, Glossy cover.

    Ada Limon's first full-length poetry book--startling and funny--Limon is a poet to keep your eye on.

    Don't Call Us Dead opens with a heartrending sequence that imagines an afterlife for black men shot by police, a place where suspicion, violence, and grief are forgotten and replaced with the safety, love, and longevity they deserved here on earth. Smith turns then to desire, mortality the dangers experienced in skin and body and blood and a diagnosis of HIV positive. "Some of us are killed / in pieces," Smith writes, some of us all at once. Don't Call Us Dead is an astonishing and ambitious collection, one that confronts, praises, and rebukes America--"Dear White America"--where every day is too often a funeral and not often enough a miracle.

    And best of all, the poetry that helps forge her identity.July 24My mother named me Gabriella, after my grandmother who, coincidentally, didn't want to meet me when I was born because my mother was unmarried, and therefore living in sin. My mom has told me the story many, many, MANY, times of how, when she confessed to my grandmother that she was pregnant with me, her mother beat her. BEAT HER! She was twenty-five. That story is the basis of my sexual education and has reiterated why it's important to wait until you're married to give it up. So now, every time I go out with a guy, my mom says, "Ojos abiertos, piernas cerradas." Eyes open, legs closed. That's as far as the birds and the bees talk has gone. And I don't mind it. I don't necessarily agree with that whole wait until you're married crap, though. I mean, this is America and the 21st century; not Mexico one hundred years ago. But, of course, I can't tell my mom that because she will think I'm bad. Or worse: trying to be White. Gabi is Isabel Quintero's debut novel.Named to Kirkus Reviews Best Books of 2014Named to School Library Journal Best Books of 2014

    

    In typical Acker fashion, he's including a text exchange with one of Acker's fictional heroines, Janey Smith, along with stories of their friendship and what Acker would think of everything now, today, "as the world begins to burn."