Most people know one another; if not by name, then by face. And yet neighbours do not ask one another what they did in Liberia, for the question is considered an accusation. Many people here fled Liberia's brutal civil war, a conflict that claimed the lives of one in fourteen Liberians. The question of who is responsible is a bitter one. Jacob Massaquoi arrived on Park Hill Avenue in 2002 limping heavily. Before he had been there a week, a hundred stories abounded about his injury. By this time Rufus Arkoi was the acknowledged leader of New York's Liberians, a man who had sat out the war in America, but who harboured hopes of one day returning home to run for president. Within a year the two men were locked in a conflict that threatened to consume the community. The suspicions and accusations the residents had bottled up for years exploded at once. To observers it appeared that this enclave of exiles was frozen at the time of their flight, restarting a war that had ended back home.Jonny Steinberg spent two years in New York shadowing Rufus and Jacob, eventually journeying to Liberia to piece together their biographies from the people who once knew them. What emerges is a story of a horrific and heart-wrenching civil war, of a deeply troubled relationship between America and West Africa, of personal ambition wrestling with moral responsibility, of memory wrestling with forgetfulness and of the quest to be human in a world losing its humanity. Mixing history, reportage and a wealth of extraordinary personal stories Jonny Steinberg takes up the tale of a fractured African nation and its diaspora to remarkable effect. Little Liberia is a unique and important book, told with clarity and compassion, by one of our best and brightest young writers.

    This beautifully produced catalogue, designed by the renowned Danish graphic designer Michael Jensen, features deluxe tritone printing and varnish on premium paper. It includes 125 reproductions of Avedon's greatest work from the entire range of his oeuvre--including fashion photographs, reportage and portraits--and spans from his early Italian subjects of the 1940s to his 2004 portrait of the Icelandic pop star Bjork. It also features a small number of color images, including what must be one of the most famous photographic portraits of the twentieth century, -Nastassja Kinski and the Serpent- (1981). Texts by Jeffrey Fraenkel, Judith Thurman, Geoff Dyer, Christoph Ribbat, Rune Gade and curator Helle Crenzien offer a sophisticated and thorough composite view of Avedon's career.

    In Me Against My Brother, he brings these events together for the first time to record a collapse that has had an impact far beyond African borders.In Somalia, Peterson tells of harrowing experiences of clan conflict, guns and starvation. He met with warlords, observed death intimately and nearly lost his own life to a Somali mob. From ground level, he documents how the US-UN relief mission devolved into all out war - one that for America has proven to be the most formative post-Cold War debacle. In Sudan, he journeys where few correspondents have ever been, on both sides of that religious front line, to find that outside relief has only prolonged war. In Rwanda, his first-person experience of the genocide and well-documented analysis provide rare insight into this human tragedy.Filled with the dust, sweat and powerful detail of real-life, Me Against My Brother graphically illustrates how preventive action and a better understanding of Africa - especially by the US - could have averted much suffering. Also includes a 16-page color insert.

    British High Commissioner Sir Henry Bartle-Frere seeks to dismantle the powerful neighbouring kingdom of the Zulus and uses an incursion along the disputed border as his justification for war. He issues an impossible ultimatum to the Zulu king, Cetshwayo, demanding he disband his armies and pay massive reparations. With a heavy heart, the king prepares his nation for war against their former allies. Leading the invasion is Lieutenant General Sir Frederic Thesiger, Baron Chelmsford, a highly experienced officer fresh off a decisive triumph over the neighbouring Xhosa tribes. He and Frere are convinced that a quick victory over the Zulus will negate any repercussions from the home government for launching what is, in essence, an illegal war. Recently arrived to South Africa are newly-recruited Privates Arthur Wilkinson and Richard Lowe; members of C Company, 1/24th Regiment of Foot under the venerable Captain Reginald Younghusband. Eager for adventure, they are prepared to do their duty both for the Empire and for their friends. As Frere’s ultimatum expires, the army of British redcoats and allied African auxiliaries crosses the uMzinyathi River at Rorke’s Drift into Zululand. Ten days later, the British and Zulus will meet their destiny at the base of a mountain called Isandlwana.

    Using diaries, letters, travel notes, and the evidence of Flaubert’s traveling companion, Maxime Du Camp, Francis Steegmuller reconstructs his journey through the bazaars and brothels of Cairo and down the Nile to the Red Sea.

    It's also the story of a boy born in poverty Texas who grew up in a single-parent household in the heart of South Central, who was pushed through the school system each year and came out illiterate. His options were few, and he turned to drug dealing. This Untold Autobiography is not only personal, but also historical in its implications. Rick Ross chronicles the times by highlighting the social climate that made crack cocaine so desirable, and he points out that at the time, the "cops in the area didn't know what crack was; they didn't associate the small white rocks they saw on homies as illegal drugs." All Rick Ross knew was people wanted it.

    Pumla Gobodo-Madikizela, a psychologist who grew up in a black South African township, reflects on her interviews with Eugene de Kock, the commanding officer of state-sanctioned death squads under apartheid. Gobodo-Madikizela met with de Kock in Pretoria's maximum-security prison, where he is serving a 212-year sentence for crimes against humanity. In profoundly arresting scenes, Gobodo-Madikizela conveys her struggle with contradictory internal impulses to hold him accountable and to forgive. Ultimately, as she allows us to witness de Kock's extraordinary awakening of conscience, she illuminates the ways in which the encounter compelled her to redefine the value of remorse and the limits of forgiveness.

    The Dogon’s creation story describes how the one true god, Amma, created all the matter of the universe. Interestingly, the myths that depict his creative efforts bear a striking resemblance to the modern scientific definitions of matter, beginning with the atom and continuing all the way to the vibrating threads of string theory. Furthermore, many of the Dogon words, symbols, and rituals used to describe the structure of matter are quite similar to those found in the myths of ancient Egypt and in the daily rituals of Judaism. For example, the modern scientific depiction of the informed universe as a black hole is identical to Amma’s Egg of the Dogon and the Egyptian Benben Stone. The Science of the Dogon offers a case-by-case comparison of Dogon descriptions and drawings to corresponding scientific definitions and diagrams from authors like Stephen Hawking and Brian Greene, then extends this analysis to the counterparts of these symbols in both the ancient Egyptian and Hebrew religions. What is ultimately revealed is the scientific basis for the language of the Egyptian hieroglyphs, which was deliberately encoded to prevent the knowledge of these concepts from falling into the hands of all but the highest members of the Egyptian priesthood. The Science of the Dogon also offers compelling new interpretations for many of the most familiar Egyptian symbols, such as the pyramid and the scarab, and presents new explanations for the origins of religiously charged words such as Jehovah and Satan.

    The Baltimore Sun declared Eprile's "horrifying yet heartrendingly beautiful" prose to be "comparable to his fellow authors of Apartheid Andre Brink and Nadine Gordimer." As the novel builds to a harrowing conclusion, the protagonist, a veteran of the secret war in Angola and Namibia, is forced to appear before the Truth and Reconciliation Committee with astonishing results. Nobel Prize-winning author J. M. Coetzee calls The Persistence of Memory "a story of coming to maturity in South Africa in the bad old days. Always warm-hearted, sometimes comic, ultimately damning."

    So when she returns there after her father's death, for the first time in twenty-five years, it means facing a past she thought she had put behind her. But even as childhood memories threaten to paralyze her, Ellie sets out to discover the dark secret at the heart of her father's life and her parents' marriage, hoping the truth will allow her to break free from the past that has haunted her life.

    In this novel the author takes up the life of the African explorer, H.M.Stanley, and creates an epic novel based on his last dangerous mission into the African interior to rescue the Emin Pasha, the only man holding back the enemy in the outreaches of the British Empire.

    Even though apartheid itself had no virtue, the author, himself a young black man who spent his childhood under apartheid, insists that it was not a vast moral desert in the lives of those living in townships. In this deep meditation on the experiences of those who lived through apartheid, it points out that despite the poverty and crime, there was still art, literature, music, and morals that, when combined, determined the shape of black life during that era of repression.

    A former executive at the WordPerfect Corporation details the company's rise in the computer industry and what compelled him to leave after ten years as a driving force in the company.

    Sheik Al-Jabarti's chronicle is a unique combination of historical narration and reflection combined with daily observations about the atmosphere in Cairo and the mood among the local population. The book is an Arab view of a turning point in modern history. This expanded edition celebrates the 250th anniversary of Al-Jabarti's birth. The French view of these events is described by Napoleon's secretary; Edward W. Said, Columbia University, provides a stinging critique of French preoccupation with Egypt and the resulting cultural "Orientalism"; Robert Tignor (Princeton University) provides a scintillating introduction. An additional chapter by editor Shmuel Moreh examines the Arabic interpretation of Al-Jabarti's writings. Illustrated.

    His life changes inexplicably after he meets a mysterious man who leaves him a series of profound writings. One of the writings is a firsthand account of Judas’s life with Jesus and the events leading up to his betrayal. The writings also contain extraordinary insights into the lives of Judas, Jesus, and the Disciples, which seem to correlate with the recently discovered Gospel of Judas. Could these be the teachings of Judas Iscariot and his account of his relationship with Jesus? Could this be Judas’s attempt to clear his name in an effort to change the world’s perceptions and help humanity in its spiritual quest?