Sophia is twenty-one years old, carries a newt -- Great Warty -- around in her pocket and marries -- in haste -- a young artist called Charles. Swept into bohemian London of the thirties, Sophia is ill-equipped to cope. Poverty, babies (however much loved) and her husband conspire to torment her. Hoping to add some spice to her life, Sophia takes up with the dismal, ageing art critic, Peregrine, and learns to repent her marriage -- and her affair -- at leisure. But in this case virtue is more than its own reward, for repentance brings an abrupt end to a life of unpaid bills, unsold pictures and unwashed crockery ...

    For Cal, some choices are devastatingly simple: he can work in an abattoir that nauseates him or join the dole queue; he can brood on his past or plan a future with Marcella.Springing out of the fear and violence of Ulster, Cal is a haunting love story that unfolds in a land where tenderness and innocence can only flicker briefly in the dark.

    Central to the trilogy is Chris Guthrie, one of the most remarkable female characters in modern literature. In Sunset Song, Gibbon's finest achievement, the reader follows Chris through her girlhood in a tight-knit Scottish farming community: the seasons, the weddings, the funerals, the grind of work, the gossip. As the Great War takes its toll, machines replace the old way of life. Cloud Howe and Grey Granite take Chris from her rural homeland to life in an industrial Scotland and the desperate years of the Depression. The trilogy as a whole is a major achievement, a picture of a society undergoing traumatic and far-reaching transformation. Always readable, never sentimental, A Scots Quair is one of the most important works of modern Scottish literature.

    My Idea of Fun is Will Self’s highly acclaimed first novel. The story of a devilishly clever international financier/marketing wizard and his young apprentice, My Idea of Fun is both a frighteningly dark subterranean exploration of capitalism run rampant and a wickedly sharp, technically acute display of linguistic pyrotechnics that glows with pure white-hot brilliance. Ian Wharton is a very ordinary young man until he is taken under the wing of a gentleman known variously as Mr. Broadhurst, Samuel Northcliff, and finally and simply the Fat Controller. Loudmouthed, impeccably tailored, and a fount of bombastic erudition, the Fat Controller initiates Ian into the dark secrets of his arts -- of marketing, money, and the human psyche -- and takes Ian, and the reader, on a wild voyage around the edges of reality. As we careen into the twenty-first century, Self perfectly captures the zeitgeist of our times: money is the only common language; consumerism, violence, and psychosis (drug-induced and otherwise) prevail; and the human soul has become the ultimate product.

    Corduroy Mansions is the affectionate nickname given to a genteel, crumbling mansion block in London's vibrant Pimlico neighborhood and the home turf of a captivating collection of quirky and altogether McCall-Smithian characters. There's the middle-aged wine merchant William, who is trying to convince his reluctant twenty-four-year-old son, Eddie, to leave the nest; and Marcia, the boutique caterer who has her sights set on William. There's also the (justifiably) much-loathed Member of Parliament Oedipus Snark; his mother, Berthea, who's writing his biography and hating every minute of it; and his long-suffering girlfriend, Barbara, a literary agent who would like to be his wife (but, then, she'd like to be almost anyone's wife). There's the vitamin evangelist, the psychoanalyst, the art student with a puzzling boyfriend and Freddie de la Hay, the Pimlico terrier who insists on wearing a seat belt and is almost certainly the only avowed vegetarian canine in London.Filled with the ins and outs of neighborliness in all its unexpected variations, Corduroy Mansions showcases the life, laughter and humanity that have become the hallmarks of Alexander McCall Smith's work.

    Times are harsh, and Barbara's bank account has seen better days. Stumped for ideas, Barbara draws inspiration from fellow residents of her quaint English village, writing a revealing novel that features the townsfolk as characters. The smashing bestseller is published under the pseudonym John Smith, which is a good thing because villagers recognize the truth. But what really turns her world around is when events in real life start mimicking events in the book. Funny, charming, and insightful, this novel reveals what happens when people see themselves through someone else's eyes.

    Phoebe is obsessed with the memory and death of her sister Faith, a beautiful idealistic hippie who died in Italy in 1970. In order to find out the truth about Faith’s life and death, Phoebe retraces her steps from San Francisco across Europe, a quest which yields both complex and disturbing revelations about family, love, and Faith’s lost generation. This spellbinding novel introduced Egan’s remarkable ability to tie suspense with deeply insightful characters and the nuances of emotion.

    At its heart is Romola, the devoted daughter of a blind scholar, married to the clever but ultimately treacherous Tito whose duplicity in both love and politics threatens to destroy everything she values, and she must break away to find her own path in life. Described by Eliot as 'written with my best blood', the story of Romola's intellectual and spiritual awakening is a compelling portrayal of a Utopian heroine, played out against a turbulent historical backdrop.

    But when an old sailor lands a rowing boat containing a fresh corpse with a stab wound to the chest, the Inspector's investigation immediately comes up against several obstacles. The vicar, whose boat the body was found in, is clearly withholding information, and the victim's niece has disappeared. There is clearly more to this case than meets the eye - even the identity of the victim is called into doubt. Inspector Rudge begins to wonder just how many people have contributed to this extraordinary crime and whether he will ever unravel it. . .In 1931 Agatha Christie, Dorothy L. Sayers, and 10 other crime writers from the newly formed Detection Club collaborated in publishing a unique crime novel. In a literary game of consequences, each author would write one chapter, leaving G.K. Chesterton to write a typically paradoxical prologue and Anthony Berkeley to tie up all the loose ends. In addition, all of the authors provided their own solutions in sealed envelopes, all of which appeared at the end of the book, with Agatha Christie's ingenious conclusion acknowledged at the time to be 'enough to make the book worth buying on its own'. The authors of this novel are G.K. Chesterton, Canon Victor Whitechurch, G.D.H. Cole and Margaret Cole, Henry Wade, Agatha Christie, John Rhode, Milward Kennedy, Dorothy L. Sayers, Ronald Knox, Freeman Wills Crofts, Edgar Jepson, Clemence Dane and Anthony Berkeley.©1931, 2011 The Detection Club (P)2017 HarperCollins Publishers

    His struggle to succeed and his conquest of Henrietta, the spirited daughter of a rich manufacturer, drive a richly woven tale that takes the reader from the dusty plains of India to the teeming slums of nineteenth-century London, from the chaos of the great industrial cities to the age of the peaceful certainties of the English countryside. Filled with epic scenes and memorable characters, God is an Englishman triumphs in its portrayal of human strength and weakness, and in its revelations of the power of love.

    A few of the things which cross the path and mind of its narrator (who both is and is not Sebald) are lonely eccentrics, Sir Thomas Browne's skull, a matchstick model of the Temple of Jerusalem, recession-hit seaside towns, wooded hills, Joseph Conrad, Rembrandt's "Anatomy Lesson," the natural history of the herring, the massive bombings of WWII, the dowager empress Tzu Hsi, and the silk industry in Norwich.

    He is captivated by a painting she owns of a busy Caribbean port overlooked by a volcano and, in time, she shares the story of her youth there in the early twentieth century. Set in the tropical luxury of the island of Saint-Jacques, hers is a tale of romantic intrigue and decadence amongst the descendents of slaves and a fading French aristocracy. But on the night of the annual Mardi Gras ball, catastrophe overwhelms the island and the world she knew came to an abrupt and haunting end. The Violins of Saint-Jacques captures the unforeseen drama of forces beyond human control. Originally published in 1953, it was immediately hailed as a rare and exotic sweep of colour across the drab monochrome of the post-war years, and it has lost nothing of its original flavour.

    Idolising her parents, she learns from childhood to equate love with self-sacrifice, so that when she falls in love with the fiance of her closest friend, there is only one way to confront such an unworthy passion. Or so it seems...Ironic, brief and intensely realised, The Life and Death of Harriett Frean (1922) is a brilliant study of female virtue seen as vice, and stands with the work of Virgina Woolf and Dorothy Richardson as one of the great innovative novels of the century.

    Phased out. Home had never appealed. All his life he had dreamed about a plush flat somewhere in the West End of London. So now he would make the leap from poverty street into the affluent society. In one gigantic jump. Fresh out of stir after kicking a police sergeant’s head in, former skinhead Joe Hawkins is heading for the big time – a job in a firm of stockbrokers, a swanky flat and (hopefully) plenty of money. A whole new style is called for – so Joe becomes a Suedehead. The hair is a few millimetres longer, the uniform a velvet-collared crombie coat, bowler hat and neatly-furled umbrella – with razor sharp tip. For while Joe might be playing the establishment pet, he remains the unrepentently vicious, cunning hooligan from Skinhead, intent on pulling women, stealing and putting the boot in. It’s not long before he finds some other Suedes willing to commit mayhem under cover of respectability... but can Joe and respectability ever really get along? Suedehead is the second of Richard Allen’s era-defining cult novels featuring anti-hero Joe Hawkins. First published in 1971, this new edition features an introduction by Andrew Stevens.

    In a remote corner of Poland a modest canon is practicing medicine and studying the heavens, preparing a theory that will shatter the medieval view of the universe. In this astonishing work of historical imagination, John Banville offers a vivid portrait of a man of painful reticence, haunted by a malevolent brother and baffled by the conspiracies that rage around him and his ideas. For, in a world that is equal parts splendor and barbarism, an obscure cleric who seeks "the secret music of the universe" poses a most devastating threat.