Her landlady, Sylvia Slythe, takes an interest in Bonnie, encouraging her to finish one of her stories, in which a young woman moves to the seaside, where she comes under strange influences. As summer approaches, Sylvia suggests to Bonnie that, as neither of them has anyone else to go on holiday with, they should go away together – to the seaside, perhaps.The new novel from the author of the Man Booker-shortlisted The Lighthouse is a tense and moreish confection of semiotics, suggestibility and creative writing with real psychological depth and, in Bonnie Falls and Sylvia Slythe, two unforgettable characters.

    As a young girl growing up in an affluent suburb bordering Detroit, Alice Townley witnesses a tragic accident at her parents' lavish party. In the years that follow, Alice is left mostly in the care of the household staff, free to forge friendships with other pampered and damaged teens. When she and her friend Mike decide to pin a crime on another student at their exclusive high school, the consequences will reverberate for years to come.Set between 1974 and 2012, Fordon's intricately woven stories follow Alice and Mike through high school, college, and into middle age, but also skillfully incorporate stories of their friends, family, acquaintances, and even strangers who are touched by the same themes of privilege, folly, neglect, and resilience. A WWII veteran sleepwalks out of his home at night, led by vivid flashbacks. A Buddhist monk is assaulted by a robber while seated in meditation. A teenaged girl is shot walking home from the corner store with a friend. A lifelong teacher of blind children is targeted by vandals at the school she founded.Garden for the Blind visits suburban and working-class homes, hidden sanctuaries and dangerous neighborhoods, illustrating the connections between settings and relationships (whether close or distant) and the strange motivations that keep us moving forward. All readers of fiction will enjoy the nimble unfolding of Fordon's narrative in this collection.

    . . It’s honest to god the basic human playbook”These are some of the thousands of messages that Kate Baer has received online. Like countless other writers—particularly women—with profiles on the internet, as Kate’s online presence grew, so did the darker messages crowding her inbox. These missives from strangers have ranged from “advice” and opinions to outright harassment. At first, these messages resulted in an immediate delete and block. Until, on a whim, Kate decided to transform the cruelty into art, using it to create fresh and intriguing poems. These pieces, along with ones made from notes of gratitude and love, as well as from the words of public figures, have become some of her most beloved work.  I Hope This Finds You Well is drawn from those works: a book of poetry birthed in the darkness of the internet that offers light and hope. By cleverly building on the harsh negativity and hate women often receive—and combining it with heartwarming messages of support, gratitude, and connection, Kate Baer offers us a lesson in empowerment, showing how we too can turn bitterness into beauty.

    Set half in Doncaster, half in London, this is a very funny riff on modern values, featuring hamsters, cockroaches, poodles, a chicken and multiplying rabbits, told by Marina Lewycka in her unique and brilliant combination of irony, farce and wit.

    It meant nearly freezing when sleeping outside in 50-below-zero weather. It meant canoeing upstream for hundreds of miles to reach remote Indian villages. It meant eating wild cat and other stranger things, or eating nothing for days at a time. But it also meant you were privileged to present the good news of the true Great Spirit to those who were often misunderstood and mistreated. The adventures in this book are rivaled only by the incredible conversions of those who saw the Creator in nature and then worshipped Him too. You will be challenged and inspired by the results of one man who went where the Lord led, with little regard for himself. About the Author Egerton Ryerson Young was a teacher, pastor, author, and a brave missionary to remote Canadian Indians. Young’s mother died in 1842, and consequently he was raised by his stepmother, Maria Farley. After a brief stint as a school teacher, Young was ordained and called to a pastorate of the First Methodist Church in Hamilton. In 1868, however, he was invited to become a missionary to the natives of Rupert’s Land. After praying over this with his new wife, Elizabeth, he asked her what she thought about this call. “I think it is from God and we will go,” was her reply. What happens next is the compelling story of this book.

    The weather is perfect and outwardly all is well, but the harmony is disturbed when Simon Lampton's brother Ford arrives for a visit. Ford casts a cold eye over the company, barely disguising his contempt for David Hallwright. To add to Simon's discomfort a young man called Arthur Weeks makes contact, asking about Simon's secret past affair, while Roza tells her small son Johnnie a continuous story about a group of fantasy creatures a story that contains uncomfortable parallels with their current lives. When Simon agrees to meet secretly with Arthur Weeks, the result will threaten the security of them all... Charlotte Grimshaw's exhilaratingly gripping and clever narrative traces the lives of its beautiful people 'moral imbeciles' in Ford's words as they jostle for position in their leader's court.

    Although long neglected, the four plays collected in this critical edition reveal the thoroughly modern nature of her concerns. Trifles (1916) develops a feminist critique of social role, while The Outside (1917) stages a debate between the life force and a perverse celebration of death. In The Verge (1921), Glaspell presented an experimental work of considerable proportions, more daring in many ways than anything attempted by O'Neill. And though Inheritors (1921) is far more conventional, it nonetheless questions the nature and reality of American pieties. Long known for a single play, Glaspell now emerges as a significant figure in the history of American drama, a woman of genuine creative innovation.

    McPhee unravels the complex story behind the public facts of the Boston Marathon bombing. She examines the bombers' roots in Dagestan and Chechnya, their struggle to assimilate in America, and their growing hatred of the United States—a deepening antagonism that would prompt federal prosecutors to dub Dzhokhar Tsarnaev “America's worst nightmare.” The difficulties faced by the Tsarnaev family of Cambridge, Massachusetts, are part of the public record. Circumstances less widely known are the FBI's recruitment of the older brother, Tamerlan Tsarnaev, as a “mosque crawler” to inform on radical separatists here and in Chechnya; the tracking down and killing of radical Islamic separatists during the six months he spent in Russia—travel that raised eyebrows, since he was on several terrorist watchlists; the FBI's botched deals and broken promises with regard to his immigration; and the disenchantment, rage, and growing radicalization of Tamerlan and Dzhokhar, along with their mother, sisters, and Tamerlan's wife, Katherine.Maximum Harm is also a compelling examination of the Tsarnaev brothers' movements in the days leading up to the Boston Marathon bombing on April 15, 2013, the subsequent investigation, the Tsarnaevs' murder of MIT police officer Sean Collier, the high-speed chase and shootout that killed Tamerlan, and the manhunt in which the authorities finally captured Dzhokhar, hiding in a Watertown backyard. McPhee untangles the many threads of circumstance, coincidence, collusion, motive, and opportunity that resulted in the deadliest attack on the city of Boston to date.“McPhee nails it. Happiness, fear, tragedy, anger, heroism, and hope are all on display in this riveting new book about terror in Boston. A must-read, so we never forget, and learn from, the lessons of that historic day.”—Scott Brown, former United States senator and author of Against All Odds: My Life of Hardship, Fast Breaks, and Second Chances“Maximum Harm is a riveting, eye-opening page-turner that takes you into the real world of international terrorism and the difficulties for local, state, and federal law enforcement. . . . It raises the question: Are we prepared?”—Bernard B. Kerik, New York City police commissioner (retired)“No single reporter has covered the Boston bombing as thoroughly as Michele McPhee. She knows Boston—its streets, its cops, and its corridors of power. Maximum Harm is riveting—a tribute to the first responders, and, startlingly, a troubling exposé of the FBI’s botched handling of the Tsarnaev brothers. You may think you know this story, but until you read this book, you don’t.”—T. J. English, New York Times–bestselling author of Where the Bodies Were Buried and The Westies“In Maximum Harm, Michele McPhee uncovers shocking new truths about the Boston Marathon bombers and those in government, law enforcement, and their own community who gave them free rein to plot and execute one of the most vicious terror attacks ever carried out on American soil. This book will grab you, shake you, and will not let you go!”—Casey Sherman, New York Times–bestselling author of The Finest Hours and Boston Strong<

    When she’s almost killed at a shopping mall, her grandmother decides that enough is enough and hires a bodyguard. Even though she’s immediately attracted to Dylan, a bodyguard is the last thing she needs as she’s trying desperately to blend in.What most people don’t know is that Luanne belongs to a family of vampires. But not just any vampires; they are known as the BORN breed because they were born into their heritage. They are a sort of vampire evolution and Dylan is a member of the Protector Order of the BORN breed.Forging a tentative bond, Luanne and Dylan come together and both face those that have been haunting Luanne for over four years. They had murdered her entire family and now they’re after her. Survival has suddenly turned into a very dangerous game. Will Dylan succeed in saving her or will she have to look inward and find the strength to save herself? What is her connection to the stone in the pendant around her neck?

    However, since all of the letters referenced in the film did exist, we decided to publish this gorgeous keepsake ourselves.Love Letters of Great Men follows hot on the heels of the film and collects together some of history's most romantic letters from the private papers of Beethoven, Mark Twain, Mozart, and Lord Byron. For some of these great men, love is a delicious poison (William Congreve); for others, a nice soft wife on a sofa with good fire, & books & music (Charles Darwin). Love can scorch like the heat of the sun (Henry VIII), or penetrate the depths of one's heart like a cooling rain (Flaubert). Every shade of love is here, from the exquisite eloquence of Oscar Wilde and the simple devotion of Robert Browning, to the wonderfully modern misery of the Roman Pliny the Younger, losing himself in work to forget how much he misses his beloved wife, Calpurnia.Taken together, these letters show that perhaps men haven't changed all that much over the last 2,000 years--passion, jealousy, hope and longing still rule their hearts and minds. In an age of e-mail and texted i luv us, this timeless and unique collection reminds us that nothing can compare to the simple joy of sitting down to read a letter from the one you love.

    Minneapolis Madams is the surprising and riveting account of the Minneapolis red-light district and the powerful madams who ran it. Penny Petersen brings to life this nearly forgotten chapter of Minneapolis history, tracing the story of how these “houses of ill fame” rose to prominence in the late nineteenth century and then were finally shut down in the early twentieth century.In their heyday Minneapolis brothels were not only open for business but constituted a substantial economic and political force in the city. Women of independent means, madams built custom bordellos to suit their tastes and exerted influence over leading figures and politicians. Petersen digs deep into city archives, period newspapers, and other primary sources to illuminate the Minneapolis sex trade and its opponents, bringing into focus the ideologies and economic concerns that shaped the lives of prostitutes, the men who used their services, and the social-purity reformers who sought to eradicate their trade altogether. Usually written off as deviants, madams were actually crucial components of a larger system of social control and regulation. These entrepreneurial women bought real estate, hired well-known architects and interior decorators to design their bordellos, and played an important part in the politics of the developing city.Petersen argues that we cannot understand Minneapolis unless we can grasp the scope and significance of its sex trade. She also provides intriguing glimpses into racial interactions within the vice economy, investigating an African American madam who possibly married into one of the city’s most prestigious families. Fascinating and rigorously researched, Minneapolis Madams is a true detective story and a key resource for anyone interested in the history of women, sexuality, and urban life in Minneapolis.

    Considering everything from Edith Wharton's novels through to Alan Bennett's diaries, Virginia Woolf and the writings of twelfth century monk Aelred of Rievaulx, Susan Hill charts a year of her life through the books she has read, reread or returned to the shelf. From beneath a shady tree in a hot French summer, or the warmth of a kitchen during an English winter, Hill reflects on what her reading throws up, from writing and writers to politics and religion, as well as the joy of dandies or the pleasure of watching a line of geese cross a meadow. Full of wry observations and warm humour, as well as strong opinions freely aired, this is a rare and wonderful insight into the rich world of reading from one of the nation's most accomplished authors.

    Since its premiere in May 2009, Glee has exploded as one of the most popular hours on TV, earning an astounding 19 Emmy nominations in its first season. In addition to the show’s staggering success, Glee’s songs have been heating up the music charts, with 25 tracks on the 2009 hot 100 list, a hit-rate topped only by the Beatles when they had 31 hits in 1964. Don’t Stop Believin’ pays tribute to the glorious mash-up of music, comedy, drama and social commentary that has put Glee and its band of misfits in the spotlight. Written by gleeks extraordinaire Erin Balser and Suzanne Gardner, the book is jam-packed with: • an in-depth episode-by-episode exploration of the show, focusing on themes, storylines and main characters • all the details on the hit songs in every episode, behind-the-scenes happenings and the show’s entertainment and cultural references • exclusive interviews with Glee actors including Stephen Tobolowsky (Sandy Ryerson), Heather Morris (Brittany), and Ken Avenido (Howard Bamboo) • personal stories from fellow gleeks about what the show means to them • biographies of the principal players and guest stars • the story of the making of Glee and how it was brought to life by creator Ryan Murphy • fun and informative sidebars • terrific on- and off-set photos of the cast Capturing all the highs and lows of this ground-breaking series, Don’t Stop Believin’ is a show-stopping guide to Glee’s journey — the perfect companion for fans who demand an encore once the curtain falls.

    To her shock, she learns that Nick’s mother, Cora, is not dead as he always claimed—rather, she is living as a recluse in the family’s gloomy nineteenth-century mansion. Desperate to understand why her husband lied to her for so many years, Mackenzie accepts Cora’s invitation to stay as her guest.As the women come together in the same house, their stories entwine, each driven by an agenda. Cora clings to her memories and will do anything to protect her family’s secrets, while Mackenzie struggles to uncover a terrible truth long denied. But as she brings to light the darkness in her husband’s past, is Mackenzie putting her own future at risk? Revised edition: This edition of The Book of James includes editorial revisions.

    A Midsummer Night's Dream, Romeo and Juliet, Henry V, and all of the Shakespearan classics are efficiently organized into comedies, tragedies, and histories. This compact tome is perfect for either digesting small bites of information or devouring in one sitting. It features synopses, character profiles, and illustrations certain to entertain both novices and Shakespeare lovers alike.