It is the story of how women's lives were transformed by an eighteen-month strike against the Phelps Dodge Copper Corporation. Set in the small mining towns of Arizona, the story is partly oral history and partly social criticism, exploring the process of empowerment which occurs when people work together as a community. For this new edition, Kingsolver has revised the first chapter and written a new introduction, which explains the book's particular importance. "Holding the Line was a watershed event for me because it taught me to pay attention: to know the place where I lived. Since then I've written other books, most of them set in the vine-scented, dusty climate of Southwestern class struggle.... My hope for you, as a person now holding this book, is that the reading will bring you some of what the writing brought to me. Whether or not you can claim any interest in a gritty little town smack in the middle of nowhere that hosted a long-ago mine strike, I hope in the end you will care about its courage and sagacity."

    In her brief yet fruitful life, she was variously author, editor, literary and social critic, journalist, poet, and revolutionary. She was also one of the few female members of the prestigious Transcendentalist movement, whose ranks included Ralph Waldo Emerson, Henry David Thoreau, Elizabeth Palmer Peabody, Nathaniel Hawthorne, and many other prominent New England intellectuals of the day. As co-editor of the transcendentalist journal, The Dial, Fuller was able to give voice to her groundbreaking social critique on woman's place in society, the genesis of the book that was later to become Woman in the Nineteenth Century. Published in 1843, this essay was entitled "The Great Lawsuit: Man versus Men, Woman versus Women."First published in book form in 1845, Woman in the Nineteenth Century was correctly perceived as the controversial document that it was: receiving acclaim and achieving popular success in some quarters (the first printing sold out within a week), at the same time that it inspired vicious attacks from opponents of the embryonic women's movement. In this book, whose style is characterized by the trademark textual diversity of the transcendentalists, Fuller articulates values arising from her passionate belief in justice and equality for all humankind, with a particular focus on women. Although her notion of basic rights certainly includes those of an educational, economic, and legal nature, it is intellectual expansion and changes in the prevailing attitudes towards women (by men and women) that Fuller cherishes far above the superficial manifestations of liberation. A classic of feminist thought that helped bring about the Seneca Falls Women's Convention three years after its publication, Woman in the Nineteenth Century inspired her contemporaries Elizabeth Cady Stanton and Susan B. Anthony to speak of Fuller as possessing "more influence upon the thought of American women than any woman previous to her time."

    Its eleven "exhibits" undermine black stereotypes old and new, and return to the facts of what being black means. " Mr. Wolfe is the kind of satirist who takes no prisoners. The shackles of the past have been defied by Mr. Wolfe's fearless humor, and it's a most liberating revolt!" - Frank Rich, The New York Times; "Brings forth a bold new voice that is bound to shake up blacks and whites with separate-but-equal impartiality. True satire." - Jack Kroll, Newsweek.

    This book is a revisionist work, attempting to give new direction to liturgical history by treating the experience of worship of the people in the pews as the primary liturgical document. It means liturgical history written facing the other way--that is, looking into the chancel rather than out of it. Relishing the liturgical diversity of recent centuries as firm evidence of Chritianity's ability to adapt to a wide variety of peoples and places, Professor White shows that this tendency has been apparent in Chrisitian worship since its inception in the New Testament churches. Instead of imposing one tradition's criteria on worship, he tries to give a balanced and comprehensive approach to the development of the dozen or more traditions surviving in the modern world.

    The sublime vocation of marriage and the essentials that make it a source of profound happiness and lasting peace. It's a must for anyone who is eager to live worthily this great mystery of love.

    Indeed, in this pioneering exploration of the cinema of fear, Barry Keith Grant and twenty other film critics posit that horror is always rooted in gender, particularly in anxieties about sexual difference and gender politics.The book opens with the influential theoretical works of Linda Williams, Carol J. Clover, and Barbara Creed. Subsequent essays explore the history of the genre, from classic horror such as King Kong and Bride of Frankenstein to the more recent Fatal Attraction and Bram Stoker's Dracula. Other topics covered include the work of horror auteurs David Cronenberg, Dario Argento, and George Romero; the Aliens trilogy; and the importance of gender in relation to horror marketing and reception.Other contributors include Vera Dika, Thomas Doherty, Lucy Fischer, Christopher Sharrett, Vivian Sobchack, Tony Williams, and Robin Wood. Writing across a full range of critical methods from classic psychoanalysis to feminism and postmodernism, they balance theoretical generalizations with close readings of films and discussions of figures associated with the genre.The Dread of Difference demonstrates that horror is hardly a uniformly masculine discourse. As these essays persuasively show, not only are horror movies about patriarchy and its fear of the feminine, but they also offer feminist critique and pleasure.

    Interweaving the personal with the political, she vividly evokes the events and people who participated in our era's most far-reaching social revolution. Rosen's fresh look at the recent past reveals fascinating but little-known information including how the FBI hired hundreds of women to infiltrate the movement. Using extensive archival research and interviews, Rosen challenges readers to understand the impact of the women's movement and to see why the revolution is far from over.

    . . . [I]t relates to all families, tolerance, and love." — Greg Berlanti, writer, producer, director "Raw and unfiltered. . . Lowe breaks new ground, highlighting the dire need for further exploration. 5 Hearts." — Foreword Reviews "[A] powerful eye-opener." — Amanda Hopping-Winn, chief program officer, Family Equality Council  "Raw, personal, and uncensored, this must-read book gives us insight as to what it’s like to be raised by same-gender parents and how that can impact one’s life." —Eric Rosswood, author of The Ultimate Guide for Gay Dads and Journey to Same-Sex Parenthood In recent years, the world has been saturated by endless blogs, articles, and books devoted to the subject of LGBTQ+ parenting. On the flip side, finding stories written by the children of LGBTQ+ parents is akin to searching for a needle in a haystack. Now that the world is more accepting than ever of non-traditional families, it's time to create a literary space for this not-so-unique, shared, but completely individual experience. In Raised by Unicorns: Stories from People with LGBTQ+ Parents, Frank Lowe has carefully edited an anthology that reflects on the upbringing of children in many different forms of LGBTQ+ families. From Baby Boomers to Generation Z, it features diverse stories that express the distinctiveness of this shared journey and of each particular family. It's visceral, raw, and not always pretty, but love is always the common thread. Lowe candidly reveals true accounts of this particular niche of humanity, while simultaneously creating a moving snapshot of the world in which we live. Raised by Unicorns guides the reader through an empathetic journey that is nothing short of compelling and poignant. We've all heard the phrase "raised by wolves." Now we have a window into the complex world of being Raised by Unicorns.

    In this forward-thinking and eye-opening book, feminist bisexual and genderqueer activist Shiri Eisner takes readers on a journey through the many aspects of the meanings and politics of bisexuality, specifically highlighting how bisexuality can open up new and exciting ways of challenging social convention.Informed by feminist, transgender, and queer theory, as well as politics and activism, Bi is a radical manifesto for a group that has been too frequently silenced, erased, and denied—and a starting point from which to launch a bisexual revolution.

    Delany married white poet Marilyn Hacker right out of high school. The interracial couple moved into the city's new bohemian quarter, the Lower East Side, in summer 1961. Through the decade's opening years, new art, new sexual practices, new music, and new political awareness burgeoned among the crowded streets and cheap railroad apartments. Beautifully, vividly, insightfully, Delany calls up this era of exploration and adventure as he details his development as a black gay writer in an open marriage, with tertiary walk-ons by Bob Dylan, Stokely Carmichael, W. H. Auden, and James Baldwin, and a panoply of brilliantly drawn secondary characters.Winner of the 1989 Hugo Award for Non-fictionSamuel R. Delany is the author of numerous science fiction books including Dhalgren, other fiction including The Mad Man, as well as the best-selling nonfiction study Times Square Red, Times Square Blue. He lives in New York City and teaches at Temple University. The Lambda Book Report chose Delany as one of the fifty most significant men and women of the past hundred years to change our concept of gayness, and he is a recipient of the William Whitehead Memorial Award for a lifetime's contribution to lesbian and gay literature.

    The same family appears in Act Two 25 years older and back in London, only now it’s 1979. Cloud 9 is about relationships between women and men, men and men, women and women. It is about sex, work, mothers, Africa, power, children, grandmothers, politics, money, Queen Victoria, and Sex. Cloud 9 premiered in London at the Royal Court Theatre in 1979 and has since been staged all over the world.

    Although no one school has all the answers, this analysis maintains that history has provided the theoretical tools to meet modern challenges, and that great political minds of the past can still guide modern politicians through the confusion of current events.

    Five actual journal articles are reproduced in the appendix as examples of the different research designs.

    From feminist blogging to the popularity of the WNBA, girl culture is on the rise. A lively and compelling look back at the framing of one of the most contentious social movements of our time, Sisterhood, Interrupted exposes the key issues still at stake, outlining how a twenty-first century feminist can reconcile the personal with the political and combat long-standing inequalities that continue today.

    In Reading Comics, critic Douglas Wolk shows us why this is and how it came to be. Wolk illuminates the most dazzling creators of modern comics-from Alan Moore to Alison Bechdel to Dave Sim to Chris Ware-and introduces a critical theory that explains where each fits into the pantheon of art. Reading Comics is accessible to the hardcore fan and the curious newcomer; it is the first book for people who want to know not just what comics are worth reading, but also the ways to think and talk and argue about them.