In an effort to retrieve his past, he withdraws to the family home somewhere in the hills between Milan and Turin. There, in the sprawling attic, he searches through boxes of old newspapers, comics, records, photo albums, and adolescent diaries. And so Yambo relives the story of his generation: Mussolini, Catholic education and guilt, Josephine Baker, Flash Gordon, Fred Astaire. His memories run wild, and the life racing before his eyes takes the form of a graphic novel. Yambo struggles through the frames to capture one simple, innocent image: that of his first love. A fascinating, abundant novel-wide-ranging, nostalgic, funny, full of heart-from the incomparable Eco.

    But some say that Helen was never in Troy, that she had been conveyed by Zeus to Egypt, and that Greeks and Trojans alike fought for an illusion. A fifty-line fragment by the poet Stesichorus of Sicily (c. 640-555 B.C.), what survives of his Pallinode, tells us almost all we know of this other Helen, and from it H. D. wove her book-length poem. Yet Helen in Egypt is not a simple retelling of the Egyptian legend but a recreation of the many myths surrounding Helen, Paris, Achilles, Theseus, and other figures of Greek tradition, fused with the mysteries of Egyptian hermeticism.

    

    First published in German in 1977, it has now been translated into English with the assistance of the author himself. A clearly structured and readable survey for students and scholars, it will be welcomed as the best modern account of any polytheistic religious system.Burkert draws on archaeological discoveries, insights from other disciplines, and inscriptions in Linear B to reconstruct the practices and beliefs of the Minoan–Mycenaean age. The major part of his book is devoted to the archaic and classical epochs. He describes the various rituals of sacrifice and libation and explains Greek beliefs about purification. He investigates the inspiration behind the great temples at Olympia, Delphi, Delos, and the Acropolis—discussing the priesthood, sanctuary, and oracles. Considerable attention is given to the individual gods, the position of the heroes, and beliefs about the afterlife. The different festivals are used to illuminate the place of religion in the society of the city-state. The mystery cults, at Eleusis and among the followers of Bacchus and Orpheus, are also set in that context. The book concludes with an assessment of the great classical philosophers’ attitudes to religion.Insofar as possible, Burkert lets the evidence—from literature and legend, vase paintings and archaeology—speak for itself; he elucidates the controversies surrounding its interpretation without glossing over the enigmas that remain. Throughout, the notes (updated for the English-language edition) afford a wealth of further references as the text builds up its coherent picture of what is known of the religion of ancient Greece.

    He set himself the task of continuing the histories of Tacitus from A.D. 96 down to his own day. The first thirteen of his thirty-one books are lost; the remainder describe a period of only twenty-five years (A.D. 354-378) and the reigns of the emperors Constantis, Julian, Jovian, Valentinian and Valens, for which he is a prime authority. He was a pagan and an admirer of the apostate Julian, to whose career about half the surviving books are devoted. Nevertheless, his treatment of Christianity is free from prejudice and his impartiality and good judgement have been generally acknowledged.

    The city of Ithaka is overrun with uncouth suitors from the surrounding islands who are vying to win Penelope's hand in marriage, thereby gaining control of the land. When a naked, half-drowned man washes up on the beach, everything changes. . . .Told through the eyes of Klymene, a young girl who is like a daughter to Penelope--and who longs for more than friendship from the young prince Telemachus--Ithaka captures the quiet strength and patience of a woman's enduring love for her husband and the ensuing chaos that threatens all as Penelope is pressured to remarry.

    The audacity.I AM THE OCEAN!I got capacity!Depths! Darkness! Delphic power!So his sweet little planWent big-time sourAnd his wife had a sonBorn with horns and a muzzleWho ended upIn an underground puzzle.What is it with you mortals?You just can’t seem to learn:If you play with fire, babies,You’re gonna get burned.Much like Lin-Manuel Miranda did in Hamilton, the New York Times best-selling author David Elliott turns a classic on its head in form and approach, updating the timeless story of Theseus and the Minotaur for a new generation. A rough, rowdy, and darkly comedic young adult retelling in verse, Bull will have readers reevaluating one of mythology's most infamous monsters.

    Democritus's atomic theory of matter, Zeno's dazzling "proofs" that motion is impossible, Pythagorean insights into mathematics, Heraclitus's haunting and enigmatic epigrams-all form part of a revolution in human thought that relied on reasoning, forged the first scientific vocabulary, and laid the foundations of Western philosophy. Jonathan Barnes has painstakingly brought together the surviving Presocratic fragments in their original contexts, utilizing the latest research and a newly discovered major papyrus of Empedocles.

    . . whom dreamers find always at the end of their dreams."-- Theophile Gautier, 1845Arrestingly beautiful and fiercely intelligent, Cleopatra VII of Egypt was barely more than a teenager when she inherited the richest empire in the world--one that stretched from the scorching deserts of lower Egypt to the shining Mediterranean metropolis of Alexandria, with its famed libraries, storehouses, and treasuries. Imperiled at every turn by court conspiracies and Roman treachery, the young queen was forced to flee Alexandria and live in exile while a foreign army overran her city and her own siblings plotted her downfall. With nothing to lose, Cleopatra brazenly sought a partnership with the only man who could secure Egypt's safety: Julius Caesar, a wily politician and battle-hardened general with a weakness for women. The result was a passionate love affair that scandalized Rome and thrust Cleopatra into the glittering but deadly world of imperial intrigue and warfare-- a world that she would mesmerize and manipulate even after Caesar was gone.At the height of her power and fame, Cleopatra fell in love with Caesar's protégé and successor, Marc Antony, a handsome general known as much for his drunken hedonism as for his victories in  battle. Brash, irresistible, and fatally unreliable, Antony's once-strong hold on the Roman Empire was slipping fast, and with it slipped Cleopatra's fortunes. When the tide had finally, irrevocably turned against her, the proud queen plotted a last, spectacular maneuver that was to save her children, her empire, and her place in the pantheon of gods. Colin Falconer's bold, sensuous prose takes the reader inside the walls of Alexandria's great palaces and into Cleopatra's very heart, creating a vivid portrait of an unforgettable woman who thrived and triumphed in a world ruled by men. This is the story of a legendary woman's most glorious time, a story that blazes through thousands of years of history to capture the imagination of readers today.From the Hardcover edition.

    120-190 CE), the satirist from Samosata on the Euphrates, started as an apprentice sculptor, turned to rhetoric and visited Italy and Gaul as a successful travelling lecturer, before settling in Athens and developing his original brand of satire. Late in life he fell on hard times and accepted an official post in Egypt.Although notable for the Attic purity and elegance of his Greek and his literary versatility, Lucian is chiefly famed for the lively, cynical wit of the humorous dialogues in which he satirises human folly, superstition and hypocrisy. His aim was to amuse rather than to instruct. Among his best works are "A True Story" (the tallest of tall stories about a voyage to the moon), "Dialogues of the Gods" (a 'reductio ad absurdum' of traditional mythology), "Dialogues of the Dead" (on the vanity of human wishes), "Philosophies for Sale" (great philosophers of the past are auctioned off as slaves), "The Fisherman" (the degeneracy of modern philosophers), "The Carousal" or "Symposium" (philosophers misbehave at a party), "Timon" (the problems of being rich), "Twice Accused" (Lucian's defence of his literary career) and (if by Lucian) "The Ass" (the amusing adventures of a man who is turned into an ass).The Loeb Classical Library edition of Lucian is in eight volumes.