Join Willa Chance bookstore owner and the cats of Mystic Notch in three magical twisty mysteries. Book 1 Ghostly Paws Middle age can be murder ... At least that’s how it seems to former crime journalist, Wilhelmina Chance, whose near-fatal accident has given her a strange side effect ... she sees ghosts. After a messy divorce sends her fleeing back to her hometown of Mystic Notch, nestled in the White Mountains of New Hampshire, Willa finds herself haunted by the tenacious ghost of the town librarian who insists Willa solve her murder. Luckily, she has lots of help, including a quirky cast of small-town characters, the cat she’s inherited from her grandmother, and her best friend, Pepper, who claims her herbal teas can work magic. But just when Willa thinks she’s discovered who the killer is, she finds out that things are not what they seem in Mystic Notch, and the case takes a strange turn that has Willa adding even some of her long-time friends to her suspect list. Can Willa find the real killer in time to keep the magical balance in Mystic Notch on the side of good, or will evil prevail? Book 2 - A Spirited Tail Middle-aged bookstore owner Willa Chance is looking forward to the opportunity of appraising a valuable private library that hasn't seen the light of day for fifty years ... until she finds a dead body in the backyard and the ghost of the home's previous owner anxiously waiting for her inside. Hampered by the persistent ghost who insists on keeping secrets from her, Willa navigates a sea of confusing clues as she struggles to uncover the connection between the recent murder and two murders fifty years ago. Is the answer contained in the secret she found in the library? Or the unusual bequest left by the long-dead owner of the house? Or maybe it has something to do with the mysterious journal that everyone seems to be after. Once again, Willa's cat Pandora has to help her figure out the clues, while she and the other cats of Mystic Notch try to keep vital mystical knowledge from getting into the wrong hands. Can Willa discover the identity of the killer in time or will she end up being the fourth victim? Book 3 - A Mew To A Kill When the ghost of a murder victim appears in Last Chance Books, middle-aged bookstore owner, Willa Chance, must find the ghost's killer or risk being haunted with its unwanted advice forever. Too bad the ghost suffers from amnesia and only has a few scant clues as to the identity of the killer. That's okay, though, because Willa has a pretty good idea who did it ... until her investigation turns up additional suspects with curious motives. Meanwhile her cat, Pandora, is on the hunt for a mystical kitten that the cats of Mystic Notch must bring into the fold before the kitten is enticed to the side of evil by a powerful foe. When Willa's own life is threatened, she enters into a race against time to figure out the identity of the killer before she becomes the next victim.

    Author of pervious studies of Joyce, T.S. Eliot, Wyndham Lewis and Pound (to name a few), Kenner bestrides modern literature if not like a colossus then at least a presence of formidable proportions. A new book by him is certainly an event....A demanding, enticing book that glitters at the same time it antagonizes...."The Pound Era presents us with an idiosyncratic but sharply etched skeletal view of our immediate literary heritage."—The New York Times

    In this important study, Richard D. Altick moves us toward an understanding of the social, intellectual, and theological crises that Carlyle and Dickens, Tennyson and Arnold were daily struggling to solve. And the issues were many: the revolution in class structure and class attitudes; the rise of utilitarianism and the evangelical spirit; the crisis in religion, including the Oxford movement and Darwinism; the democratization of culture; the place of art and the artist in an industrial, bourgeois society; the effects of industrialism, especially on the way people live. Altick brings to the discussion of these complicated questions the lively and sensitive intelligence that his many readers have come to expect. He includes contemporary illustrations and a full reference index.

    It provides clear, simple explanations and concrete examples of complex concepts, making a wide variety of commonly used critical theories accessible to novices without sacrificing any theoretical rigor or thoroughness.This new edition provides in-depth coverage of the most common approaches to literary analysis today: feminism, psychoanalysis, Marxism, reader-response theory, new criticism, structuralism and semiotics, deconstruction, new historicism, cultural criticism, lesbian/gay/queer theory, African American criticism, and postcolonial criticism. The chapters provide an extended explanation of each theory, using examples from everyday life, popular culture, and literary texts; a list of specific questions critics who use that theory ask about literary texts; an interpretation of F. Scott Fitzgerald's The Great Gatsby through the lens of each theory; a list of questions for further practice to guide readers in applying each theory to different literary works; and a bibliography of primary and secondary works for further reading.

    In the 40 essays that constitute this collection, Guy Davenport, one of America's major literary critics, elucidates a range of literary history, encompassing literature, art, philosophy and music, from the ancients to the grand old men of modernism.

    A general theoretical section introduces recent work on fantasy, notably Tzventan Todorov's The Fantastic: A Structural Approach to a Literary Genre (1973). Dr Jackson, however, extends Todorov's ideas to include aspects of psychoanalytical theory. Seeing fantasy as primarily an expression of unconscious drives, she stresses the importance of the writings of Freud and subsequent theorists when analysing recurrent themes, such as doubling or multiplying selves, mirror images, metamorphosis and bodily disintegration.^l Gothic fiction, classic Victorian fantasies, the 'fantastic realism' of Dickens and Dostoevsky, tales by Mary Shelley, James Hogg, E.T.A. Hoffmann, George Eliot, Henry James, Joseph Conrad, R.L. Stevenson, Franz Kafka, Mervyn Peake and Thomas Pynchon are among the texts covered. Through a reading of thse frequently disquieting works, Dr Jackson moves towards a definition of fantasy expressing cultural unease. These issues are discussed in relation to a wide range of fantasies with varying images of desire and disenchantment.

    Today the general wealth of social life finds itself confronted by mutations in the mechanisms of control, from the proliferation of capitalist logistics through governance by credit and management of pedagogy. Working from and within the social poesis of life in the undercommons Moten and Harney develop and expand an array of concepts: study, debt, surround, planning, and the shipped. On the fugitive path of an historical and global blackness, the essays in this volume unsettle and invite the reader to the self-organised ensembles of social life that are launched every day and every night amid the general antagonism of the undercommons.

    There'd be the occasional elephant stampede and water balloon fight with the chimpanzees, of course, but when Henry the Hippo dies from not-so-natural causes, Teddy suspects foul play. And that was just the beginning. He begins to realize that the zoo is far more exciting than he thought it was, and soon the mysteries at FunJungle are piling up...This collectible boxed set includes hardcover editions of Belly Up, Poached, and Big Game.

    Supernatural sightings at the old house increase along with Jerica's terror. As the former nurse ponders her future, she has to work to help other ghosts at Summerleigh...and save herself. The Ghost of Jeopardy Belle is Book Two in The Ghosts of Summerleigh series. Scroll up and grab your copy of this haunting tale today! The Ghost of Jeopardy Belle is Book Two in The Ghosts of Summerleigh series.

    As Anna Mae grows up, she finds herself subject to blackouts, and she’s not sure why. Her psychiatrist thinks she might have traumatic amnesia, but all the diagnosis does is complicate her already troubled life, affecting her relationships involving family, friends, and love. At first she tries to deal with it, but she soon discovers that she will have to overcome it once and for all. For she can’t remember the crucial information she witnessed during a recent blackout. And her life depends on it.

    The job is simple, to kill a man and get out of town immediately. Why would he stay? He hates Christmas, and hanging around after the crime could be dangerous, but a stranger's compassion forces him to question everything he's always believed, tempting him to stay just another day longer... First published in the Christmas edition of Ellery Queen's Mystery Magazine (Jan, 2004), this story was subsequently reviewed in Mystery Scene, which described it as "bordering on the magnificent". (Please note - this is a short story of approximately 45 Kindle pages.)

    As a novelist and icon, Rushdie has embraced both 'popular' and 'high' culture; reflecting this, the Guide brings together both academic criticism and journalism to investigate the passions and preoccupations of Rushdie's many critics, steering the reader through the inflamed debates and rhetoric surrounding this much admired but controversial author.

    He is the enemy.Stewart hatches a plan to destroy the evidence against him, but what he finds inside those files, is evidence of a vile paedophile ring operating under McCauley’s nose.Now three people are dead and Dave Stewart is the prime suspect.

    Intrigued by the evocative relationship between technologies of inscription and psychic processes, Derrida offers for the first time a major statement on the pervasive impact of electronic media, particularly e-mail, which threaten to transform the entire public and private space of humanity. Plying this rich material with characteristic virtuosity, Derrida constructs a synergistic reading of archives and archiving, both provocative and compelling."Judaic mythos, Freudian psychoanalysis, and e-mail all get fused into another staggeringly dense, brilliant slab of scholarship and suggestion."—The Guardian"[Derrida] convincingly argues that, although the archive is a public entity, it nevertheless is the repository of the private and personal, including even intimate details."—Choice"Beautifully written and clear."—Jeremy Barris, Philosophy in Review"Translator Prenowitz has managed valiantly to bring into English a difficult but inspiring text that relies on Greek, German, and their translations into French."—Library Journal

    Emma Donoghue brings to bear all her knowledge and grasp to examine how desire between women in English literature has been portrayed, from schoolgirls and vampires to runaway wives, from cross-dressing knights to contemporary murder stories. Donoghue looks at the work of those writers who have addressed the “unspeakable subject,” examining whether such desire between women is freakish or omnipresent, holy or evil, heartwarming or ridiculous as she excavates a long-obscured tradition of (inseparable) friendship between women, one that is surprisingly central to our cultural history.Donoghue writes about the half-dozen contrasting girl-girl plots that have been told and retold over the centuries, metamorphosing from generation to generation. What interests the author are the twists and turns of the plots themselves and how these stories have changed—or haven’t—over the centuries, rather than how they reflect their time and society. Donoghue explores the writing of Sade, Diderot, Balzac, Thomas Hardy, H. Rider Haggard, Elizabeth Bowen, and others and the ways in which the woman who desires women has been cast as not quite human, as ghost or vampire.She writes about the ever-present triangle, found in novels and plays from the last three centuries, in which a woman and man compete for the heroine’s love . . . about how—and why—same-sex attraction is surprisingly ubiquitous in crime fiction, from the work of Wilkie Collins and Dorothy L. Sayers to P. D. James.Finally, Donoghue looks at the plotline that has dominated writings about desire between women since the late nineteenth century: how a woman’s life is turned upside down by the realization that she desires another woman, whether she comes to terms with this discovery privately, “comes out of the closet,” or is publicly “outed.”She shows how this narrative pattern has remained popular and how it has taken many forms, in the works of George Moore, Radclyffe Hall, Patricia Highsmith, and Rita Mae Brown, from case-history-style stories and dramas, in and out of the courtroom, to schoolgirl love stories and rebellious picaresques. A revelation of a centuries-old literary tradition—brilliant, amusing, and until now, deliberately overlooked.