Like the magazine's issues on India and Australia, its release will be a watershed moment critically and a chance to celebrate the corona of talent which has burst onto the English language publishing world in recent years.

    They are bons vivants. They are three young Pakistani men in New York City at the turn of the millennium: AC, a gangsta-rap-spouting academic; Jimbo, a hulking Pushtun DJ from the streets of Jersey City; and Chuck, a wideeyed kid, fresh off the boat from the homeland, just trying to get by. Things start coming together for Chuck when he unexpectedly secures a Wall Street gig and begins rolling with socialites and scenesters flanked by his pals, who routinely bring down the house at hush-hush downtown haunts. In a city where origins matter less than the talent for self-invention, the three Metrostanis have the guts to claim the place as their own. But when they embark on a road trip to the hinterland weeks after 9/11 in search of the Shaman, a Gatsbyesque compatriot who seemingly disappears into thin air, things go horribly wrong. Suddenly, they find themselves in a changed, charged America.Rollicking, bittersweet, and sharply observed, Home Boy is at once an immigrant’s tale, a mystery, and a story of love and loss, as well as a unique meditation on Americana and notions of collective identity. It announces the debut of an original, electrifying voice in contemporary fiction.

    An office worker feels empowered through sex, shunning her inhibitions but not her hijab ... until she realizes that the real veil is drawn across her desires and not her body. A British-Asian Muslim girl finds herself drawn to the jihad in Syria only to realize the real fight is inside her. A young Pakistani bride in the West asserts her identity through the hijab in her new and unfamiliar surroundings, leading to unexpected consequences. The hijab constricts as it liberates. Not just a piece of garment, it is a worldview, an emblem of the assertion of a Muslim woman's identity, and equally a symbol of oppression. Set in Pakistan and the UK, this unusual and provocative collection of short stories explores the lives of women crushed under the weight of the all-encompassing veil and those who feel sheltered by it.

    As the British Commissioner in charge insisted, “No vestige will remain to distinguish where the last of the Great Moghuls rests.” Bahadur Shah Zafar II, the last Mughal Emperor, was a mystic, an accomplished poet and a skilled calligrapher. But while his Mughal ancestors had controlled most of India, the aged Zafar was king in name only. Deprived of real political power by the East India Company, he nevertheless succeeded in creating a court of great brilliance, and presided over one of the great cultural renaissances of Indian history.Then, in 1857, Zafar gave his blessing to a rebellion among the Company’s own Indian troops, thereby transforming an army mutiny into the largest uprising any empire had to face in the entire course of the nineteenth century. The Siege of Delhi was the Raj’s Stalingrad: one of the most horrific events in the history of Empire, in which thousands on both sides died. And when the British took the city—securing their hold on the subcontinent for the next ninety years—tens of thousands more Indians were executed, including all but two of Zafar’s sixteen sons. By the end of the four-month siege, Delhi was reduced to a battered, empty ruin, and Zafar was sentenced to exile in Burma. There he died, the last Mughal ruler in a line that stretched back to the sixteenth century.Award-winning historian and travel writer William Dalrymple shapes his powerful retelling of this fateful course of events from groundbreaking material: previously unexamined Urdu and Persian manuscripts that include Indian eyewitness accounts and records of the Delhi courts, police and administration during the siege. The Last Mughal is a revelatory work—the first to present the Indian perspective on the fall of Delhi—and has as its heart both the dazzling capital personified by Zafar and the stories of the individuals tragically caught up in one of the bloodiest upheavals in history.

    As Bonamy Dobree said, "It releases us into a different and quite complete world. Mr. Ahmed Ali makes us hear and smell Delhi...hear the flutter of pigeons’ wings, the cries of itinerant vendors, the calls to prayer, the howls of mourners, the chants of qawwals, smell jasmine and sewage, frying ghee and burning wood." The detail, as E.M. Forster said, is "new and fascinating," poetic and brutal, delightful and callous. First published by the Hogarth Press in 1940. Twilight in Delhi was widely acclaimed by critics and hailed in India as a major literary event. Long since considered a landmark novel, it is now available in the U.S. as a New Directions Classic. Twilight in Delhi has also been translated into French, German, Portuguese, Spanish, and Urdu.

    Tanya's got a pretty good life, working for Karachi's Daily Image newspaper and smoking-drinking-flirting her way through minor romantic escapades. Sure, there are a few tiny problems. But, so far, she's been handling them well enough - in fact, she's even managed to neatly sidestep the rishtaas her mother's match-making friends keep bringing in. Arranged marriage? No, thank you. She'd like some knee-shaking love instead. But Tanya's carefree life quickly gets complicated after her (erstwhile) best friend Sonia's shaadi is called off when the groom runs away with another woman - the same groom Tanya once got intimate with on a drunken night she would rather not remember. Now it's up to Tanya to set things right. Will Tanya manage to save Sonia's wedding? And will she finally find true love?

    . . pitch-perfect prose. . . . In language of terrible beauty, she takes India's everyday tragedies and reminds us to be outraged all over again."written in response to new developments in India that have seen the government launch a full scale war, "Operation Green Hunt," against the tribal community of Naxals defending their land in central India), and a previously unpublished essay also dealing with the government's response to the tribals' demands for greater land rights. Arundhati Roy's writings on the Naxals and her public support for their cause have led to a government investigation and threats of imprisonment, engendering worldwide petitions and outcry in her defense.

    . . . We found bodies of our dear guests, colleagues, friends: faces I recognized, faces I had worked with and smiled at. The sight that stunned me was the crater—60 feet wide and 20 feet deep. It had been created by over 1000 kg of RDX. The hotel had not been attacked, it had been brutalized. Dead bodies and dismembered limbs, little pools of blood—it was a massacre. I had thought of myself as a hardened man who had seen violence and gristly sights—but what I saw that day left me shaken.’Truth Always Prevails is the memoir of one of Pakistan’s most prominent businessmen, Sadruddin Hashwani, chairman of the internationally renowned Hashoo Group. From sleeping in the back of trucks in the cold deserts of Balochistan to now owning a brand of luxury hotels as well as numerous other businesses, Sadruddin Hashwani has led a remarkable life. He has struggled against corrupt politicians and uncooperative government officials to build and sustain an extensive business empire. He has faced near-death experiences, most remarkably the 2008 bombing of his own hotel, the Marriott Islamabad, and has overcome seemingly insurmountable odds. Filled with fascinating anecdotes and telling sketches of prominent Pakistani personalities, his is an extraordinary story that will inspire and entertain readers.

    This tongue-in-cheek guide is full of advice designed to help you manage Aunty meddling and encourages you to pursue your passions—from someone who has been through it all. Qamar confesses to throwing sweatshirts over crop-tops to get out of the house without being questioned, hiding her boyfriend in a closet, and enduring overbearing parents endless pressuring her to become a doctor, lawyer, or engineer. Holding onto your cultural identity is tough. Always interfering Aunties make it even harder. But ultimately, Aunties keep our lives interesting. As an Aunty-survivor and a woman who has lived the cross-cultural experience, Qamar defied the advice of her aunties almost every step of the way, and she is here to remind you: Trust No Aunty.

    Once back in Yorkshire, he writes through the night to his young wife Becka and baby daughter Noor, and tries to explain, in a story full of affection and yearning, what has happened to him -- and why he has a devastating new sense of home. 'What Sahota creates is not an exploration of the psyche of a suicide bomber, but an exploration of a man' Yorkshire Post 'Startling. This book successfully humanizes one of the great demons of contemporary society, and for that, Sunjeev Sahota should be given a high five off the Queen or something' Dazed and Confused, 'Book of the Month' 'Imtiaz's journey to Pakistan, and his sense of belonging, gives the novel much of its eloquence. Great literary promise' Independent 'Excruciatingly well-written' Guardian 'The book's great force lies in its voice: that of a young man straining to express instincts, fears and emotional conflicts, lending his writing a distinctive vibrancy' Observer 'An acute debut. What is most chilling, and most successful, is that it all seems so familiar, so close and so easy' Sunday Times

    Built by the Moghul emperor Shah Jahan as a memorial to his beloved wife, Mumtaz Mahal, its flawless symmetry and gleaming presence have for centuries dazzled everyone who has seen it, and the story of its creation is a fascinating blend of cultural and architectural heritage. Yet, as Diana & Michael Preston vividly convey in the first narrative history of the Taj, it also reflects the magnificent history of the Moghul Empire itself, for it turned out to mark the high point of the Empire's glory at the same time as it became a tipping point in Moghul fortunes.The roots of the Moghul Empire lie with the legendary warriors Genghis Khan and Tamburlaine; at its height it contained 100 million people, from Afghanistan in the north and present-day Pakistan in the west, to Bengal in the east and southwards deep into central India.. With the storytelling skills that characterize their previous books, Diana & Michael Preston bring alive both the grand sweep of Moghul history and the details that make it memorable: the battles and dynastic rivalries that forged the Empire alongside an intimate chronicle of daily life within the imperial palace. A tale of overwhelming passion, the story of the Taj has the cadences of Greek tragedy and the ripe emotion of grand opera, and puts a memorable human face on the marble masterpiece.

    For some he is a saint, for others the embodiment of human weakness, an archetypal politician willing to sacrifice one man for the sake of stability. In this dazzlingly conceived biography, a finalist for the Samuel Johnson Prize, Ann Wroe brings man and myth to life. Working from classical sources, she plunges us into the world of biblical Judaea under the reign of the erratic and licentious emperor Tiberius and lets us see the trial of Jesus, in all its confusion, from the point of view of his executioner.

    As an Ahmadi Muslim growing up in Pakistan, she faced regular threats from Islamic extremists who believed the small, dynamic sect to be blasphemous. From her parents, she internalized the lesson that revealing her identity could put her in grave danger.When her family came to Canada as refugees, Samra encountered a whole new host of challenges: bullies, racism, the threat of poverty, and an arranged marriage. Backed into a corner, her need for a safe space--in which to grow and nurture her creative, feminist spirit--became dire. The men in her life wanted to police her, the women in her life had only shown her the example of pious obedience, and her body was a problem to be solved.So begins an exploration of faith, art, love, and queer sexuality, a journey that takes her to the far reaches of the globe to uncover a truth that was within her all along. A triumphant memoir of forgiveness and family, both chosen and not, We Have Always Been Here is a rallying cry for anyone who has ever felt out of place and a testament to the power of fearlessly inhabiting one's truest self.

    In Urdu, basti means any space, from the most intimate to the most universal, in which groups of people come together to try to live together, and the universal question at the heart of the book is how to constitute a common world. What brings people together? What tears them apart? “When the world was still all new, when the sky was fresh and the earth not yet soiled, when trees breathed through centuries and ages spoke around in the voices of birds, how astonished he was that everything was so new and yet looked so old”—so the book begins, with a mythic, even mystic, vision of harmony, as the hero, Zakir, looks back on his childhood in a subcontinent that had not yet been divided between Muslims and Hindus. But Zakir is abruptly evicted from this paradise—real or imagined—into the maelstrom of history. The new country of Pakistan is born, separating him once and for all from the woman he loves, and in a jagged and jarring sequence of scenes we witness a nation and a psyche torn into existence only to be torn apart again and again by political, religious, economic, linguistic, personal, and sexual conflicts—in effect, a world of loneliness. Zakir, whose name means “remember,” serves as the historian of this troubled place, while the ties he maintains across the years with old friends—friends who run into one another in cafés and on corners and the odd other places where history takes a time-out—suggest that the possibility of reconciliation is not simply a dream. The characters wait for a sign that minds and hearts may still meet. In the meantime, the dazzling artistry of Basti itself gives us reason to hope against hope.

    M. Ironside's saga of the Thutmosides of ancient Egypt. This set contains: The Sekhmet Bed: Book 1 Thirteen-year-old Ahmose is given as Great Royal Wife to the new king, to legitimize his rule. But her elder sister Mutnofret has been raised to expect the privileged station. As Ahmose fights the currents of Egypt's politics and Mutnofret's vengeful anger, her youth and inexperience carry her beyond her depth and into the realm of sacrilege. To right her wrongs and save Egypt from the gods' wrath, Ahmose must face her most visceral fear: bearing an heir. But the gods of Egypt are exacting, and even her sacrifice may not be enough to restore the Two Lands to safety. The Crook and Flail: Book 2 Hatshepsut longs for power, but a woman on the throne defies the sacred order. As God's Wife of Amun, she believes she has found the perfect balance of peace and order. But when the powerful men of Egypt plot to replace her, she must decide whether to surrender her birthright to a man, or take for herself the throne of the Pharaoh. Sovereign of Stars: Book 3 Never in Egypt's long history has a woman reigned as king. As Hatshepsut wrestles with foreign enemies and domestic politics, her heart grows ever more troubled, for her daughter Neferure is haunted by a brutal and demanding god. Hatshepsut's fight to retain her hold on power, peace, and Neferure will carry her on an incomparable journey to the legendary kingdom of Punt. There, in the god's own valley, she must confront the bleakness of fate and the terrible frailty of eternity. The Bull of Min: Book 4 Conspiracy and treason simmer in the Two Lands. When an unexpected challenger to the succession arises, the royal family must face impossible choices. To protect what she most loves, the young queen Meryet will match wits against a demon from the past. Hatshepsut stands on the brink of the ultimate sacrifice. And Thutmose, torn between throne and family, must commit an unthinkable act against Hatshepsut...or allow Egypt to fall into the hands of an unpredictable killer.