She'll have to face the whispers and the rumors that have haunted her family since she left. Because when Audrey was thirteen, she and her best friend Maggie killed Maggie's abusive father. Her first night back in town ends in a fight with a drunken Maggie, with her old crush Jake to witness it all. Audrey can't believe it can get worse. Then Maggie turns up dead.Now, Audrey has to find out who the murderer is - before everyone decides that she is to blame. And before the murderer can set their sights on her.

    It’s where reporter Irene Glasson finds herself staring down at a beautiful actress at the bottom of a pool… The dead woman had a red-hot secret about up-and-coming leading man Nick Tremayne, a scoop that Irene couldn’t resist—especially since she’s just a rookie at a third-rate gossip rag. But now Irene’s investigation into the drowning threatens to tear down the wall of illusion that is so deftly built around the famous actor, and there are powerful men willing to do anything to protect their investment. Seeking the truth, Irene finds herself drawn to a master of deception. Oliver Ward was once a world-famous magician—until he was mysteriously injured during his last performance. Now the owner of the Burning Cove Hotel, he can’t let scandal threaten his livelihood, even if it means trusting Irene, a woman who seems to have appeared in Los Angeles out of nowhere four months ago… With Oliver’s help, Irene soon learns that the glamorous paradise of Burning Cove hides dark and dangerous secrets. And that the past—always just out of sight—could drag them both under…

    And her father’s wisdom and empathy are as unusual as his despised profession. It is 1659, the Thirty Years’ War has finally ended, and there hasn’t been a witchcraft mania in decades. But now, a drowning and gruesomely injured boy, tattooed with the mark of a witch, is pulled from a river and the villagers suspect the local midwife, Martha Stechlin.Jakob Kuisl is charged with extracting a confession from her and torturing her until he gets one. Convinced she is innocent, he, Magdalena, and her would-be suitor race against the clock to find the true killer. Approaching Walpurgisnacht, when witches are believed to dance in the forest and mate with the devil, another tattooed orphan is found dead and the town becomes frenzied. More than one person has spotted what looks like the devil—a man with a hand made only of bones. The hangman, his daughter, and the doctor’s son face a terrifying and very real enemy.Page Numbers Source ISBN: 054774501X

    The only difference this time: she’s the final victim.Catching monsters helps FBI agent Kate Hayden keep her nightmares at bay. Now an urgent call brings her back to San Antonio, the scene of her violent past. A brutal new murder shows hallmarks of a serial killer nicknamed the Samaritan. Tricky part is, Kate already caught him.Either Kate made a deadly error, or she’s got a copycat on her hands. Paired with homicide detective Theo Mazur, she quickly realizes this murder is more twisted than it first appeared. Then a second body is found, the mode of death identical to a different case that Kate thought she’d put behind her.Now Kate and Detective Mazur aren’t just working a homicide; the investigative pair is facing a formidable enemy who knows Kate intimately. While Mazur is personally trying to protect Kate, the closer they are drawn to the killer, the clearer it becomes that in this terrifying game, there is only one rule: don’t believe everything you see…

    A brooding stranger seduces her from the remote island onto his yacht. Trapped in a web of intrigue, cruelty, and deceit, she flees to Italy, France, Germany, from Paris garret to mental asylum, from convent to chateau - stalked by obsessed Phillip Tempest.Two years before Little Women, serialized in a magazine under the alias A.M. Barnard in 1866, this was buried among the author's papers over a century.

    The most mysterious is that of Sara Harrison Shea, who, in 1908, was found dead in the field behind her house just months after the tragic death of her daughter.Now, in present day, nineteen-year-old Ruthie lives in Sara's farmhouse with her mother, Alice, and her younger sister. Alice has always insisted that they live off the grid, a decision that has weighty consequences when Ruthie wakes up one morning to find that Alice has vanished. In her search for clues, she is startled to find a copy of Sara Harrison Shea's diary hidden beneath the floorboards of her mother's bedroom. As Ruthie gets sucked into the historical mystery, she discovers that she's not the only person looking for someone that they've lost. But she may be the only one who can stop history from repeating itself.

    Only one person stands in his way: a lonely Englishwoman on an isolated island, who is beginning to love the killer who has mysteriously entered her life. All will come to a terrifying conclusion in Ken Follett's unsurpassed and unforgettable masterwork of suspense, intrigue, and the dangerous machinations of the human heart.

    A yacht. And a disappearance-at-sea that turns paradise into a chilling nightmare. Lana and her best friend Kitty leave home looking for freedom—and that’s exactly what they find when they are invited onto The Blue, a fifty-foot yacht making its way from the Philippines to New Zealand. The crew is made up of a group of young travellers bitten by wanderlust, and it doesn’t take long for Lana and Kitty’s dream of sea-bound romance to turn into reality.Both women fall under the hypnotic spell of The Blue, spending their days exploring remote islands and their rum-filled nights relaxing on deck beneath the stars. But when one of their friends disappears overboard after an argument with another crewmember, the dark secrets that brought each of them aboard start to unravel.At turns gorgeously scenic and entirely haunting, The Blue is a page-turning thriller about friendship, freedom and wanting to leave the past behind.

    So when a stranger appears on her doorstep with a job offer, she finds herself accepting the mysterious yet unique position: caretaker to his mother, Amaris Sinclair, the famous and rather eccentric horror novelist whom Julia has always admired…and who the world believes is dead.When she arrives at the Sinclairs' enormous estate on Lake Superior, Julia begins to suspect that there may be sinister undercurrents to her "too-good-to-be-true" position. As Julia delves into the reasons of why Amaris chose to abandon her successful writing career and withdraw from the public eye, her search leads to unsettling connections to her own family tree, making her wonder why she really was invited to Havenwood in the first place, and what monstrous secrets are still held prisoner within its walls.

    Eliza arrives at her new home and finds herself falling for the mysterious lord of Havenwood, Malcolm Winfield. Despite the sinister rumors that surround him, Eliza is drawn to his melancholy charm and his crumbling, once-beautiful mansion. With enough love, she thinks, both man and manor could be repaired.Not long into their marriage, Eliza fears that she should have listened to the locals. There’s something terribly wrong at Havenwood Manor: Forbidden rooms. Ghostly whispers in the shadows. Strangely guarded servants. And Malcolm’s threatening moods, as changeable as night and day.As Eliza delves deeper into Malcolm’s troubling history, the dark secrets she unearths gain a frightening power. Has she married a man or a monster? For Eliza, uncovering the truth will either save her or destroy her.

    The enigmatic Winter has spent six decades creating various outlandish life histories for herself -- all of them inventions that have brought her fame and fortune but have kept her violent and tragic past a secret. Now old and ailing, she at last wants to tell the truth about her extraordinary life. She summons biographer Margaret Lea, a young woman for whom the secret of her own birth, hidden by those who loved her most, remains an ever-present pain. Struck by a curious parallel between Miss Winter's story and her own, Margaret takes on the commission. As Vida disinters the life she meant to bury for good, Margaret is mesmerized. It is a tale of gothic strangeness featuring the Angelfield family, including the beautiful and willful Isabelle, the feral twins Adeline and Emmeline, a ghost, a governess, a topiary garden and a devastating fire. Margaret succumbs to the power of Vida's storytelling but remains suspicious of the author's sincerity. She demands the truth from Vida, and together they confront the ghosts that have haunted them while becoming, finally, transformed by the truth themselves. The Thirteenth Tale is a love letter to reading, a book for the feral reader in all of us, a return to that rich vein of storytelling that our parents loved and that we loved as children. Diane Setterfield will keep you guessing, make you wonder, move you to tears and laughter and, in the end, deposit you breathless yet satisfied back upon the shore of your everyday life.

    Equal parts modern-day thriller, historical fiction, and love story, with one foot in present-day Rome and New York City, and the other in Rome some 1600 years ago.Photojournalist Josh Ryder survives a terrorist's bomb, only to be haunted by near-hallucinatory memories of a past life in Rome as a pagan priest whose dangerous congress with Sabina, one of the Vestal Virgins, poses a transgression so serious the lovers will face a certain death if exposed. Scents of jasmine and sandalwood and images of furtive liaisons and violence descend on Josh at will, pulling him to an ancient yet strangely familiar Roman burial chamber harboring the remains of a woman clutching a wooden box.A trail of present-day murders takes the reader deeper into a labyrinth at whose heart lies the enigma of a collection of ancient gems, or memory stones, whose origins trace back to both ancient Egypt and India. The stones' promise to "assist the wearer in reaching his next incarnation" sets the ancient and modern worlds on a collision course.The question of who we are cannot be asked without first asking who we were, according to the author. Rose attempts to answer that question based on her own reincarnation research and on the writings of others, spanning thousands of years.

    Banned from reading, Florence devours books in secret and talks to herself—and narrates her story—in a unique language of her own invention. By night, she sleepwalks the corridors and is troubled by a recurrent dream in which a mysterious woman appears to threaten her younger brother Giles.After the sudden violent death of the children's first governess, a second teacher, Miss Taylor, arrives, and immediately strange phenomena begin to occur. Florence becomes convinced that the new governess is a malevolent spirit who means to do Giles harm. Against this powerful enemy, Florence must use all her intelligence and ingenuity to protect her little brother and preserve her private world. This Gothic page-turner in the tradition of The Woman in Black and The Fall of the House of Usher is told in a startlingly different and wonderfully captivating narrative voice.

    Vivian Schuyler, newly graduated from Bryn Mawr College, has recently defied the privilege of her storied old Fifth Avenue family to do the unthinkable for a budding Kennedy-era socialite: break into the Mad Men world of razor-stylish Metropolitan magazine. But when she receives a bulky overseas parcel in the mail, the unexpected contents draw her inexorably back into her family’s past, and the hushed-over crime passionnel of an aunt she never knew, whose existence has been wiped from the record of history.Berlin, 1914. Violet Schuyler Grant endures her marriage to the philandering and decades-older scientist Dr. Walter Grant for one reason: for all his faults, he provides the necessary support to her liminal position as a young American female physicist in prewar Germany. The arrival of Dr. Grant’s magnetic former student at the beginning of Europe’s fateful summer interrupts this delicate détente. Lionel Richardson, a captain in the British Army, challenges Violet to escape her husband’s perverse hold, and as the world edges into war and Lionel’s shocking true motives become evident, Violet is tempted to take the ultimate step to set herself free and seek a life of her own conviction with a man whose cause is as audacious as her own.As the iridescent and fractured Vivian digs deeper into her aunt’s past and the mystery of her ultimate fate, Violet’s story of determination and desire unfolds, shedding light on the darkness of her years abroad . . . and teaching Vivian to reach forward with grace for the ambitious future––and the love––she wants most.

    Her disappearance destroys her mother, who spends the rest of her life at the lake house, hoping in vain that her favorite daughter will walk out of the woods. Emily’s two older sisters stay, too, each keeping her own private, decades-long vigil for the lost child. Sixty years later Lucy, the quiet and watchful middle sister, lives in the lake house alone. Before she dies, she writes the story of that devastating summer in a notebook that she leaves, along with the house, to the only person to whom it might matter: her grandniece, Justine. For Justine, the lake house offers a chance to escape her manipulative boyfriend and give her daughters the stable home she never had. But it’s not the sanctuary she hoped for. The long Minnesota winter has begun. The house is cold and dilapidated, the frozen lake is silent and forbidding, and her only neighbor is a strange old man who seems to know more than he’s telling about the summer of 1935.Soon Justine’s troubled oldest daughter becomes obsessed with Emily’s disappearance, her mother arrives with designs on her inheritance, and the man she left behind launches a dangerous plan to get her back. In a house steeped in the sorrows of the women who came before her, Justine must overcome their tragic legacy if she hopes to save herself and her children.