A vital document of black modernism and one of the earliest overtly queer fictions in the African American tradition. Published for the first time.Buried in the archive for almost ninety years, Claude McKay's Romance in Marseille traces the adventures of a rowdy troupe of dockworkers, prostitutes, and political organizers--collectively straight and queer, disabled and able-bodied, African, European, Caribbean, and American. Set largely in the culture-blending Vieux Port of Marseille at the height of the Jazz Age, the novel takes flight along with Lafala, an acutely disabled but abruptly wealthy West African sailor. While stowing away on a transatlantic freighter, Lafala is discovered and locked in a frigid closet. Badly frostbitten by the time the boat docks, the once-nimble dancer loses both of his lower legs, emerging from life-saving surgery as what he terms "an amputated man." Thanks to an improbably successful lawsuit against the shipping line, however, Lafala scores big in the litigious United States. Feeling flush after his legal payout, Lafala doubles back to Marseille and resumes his trans-African affair with Aslima, a Moroccan courtesan. With its scenes of black bodies fighting for pleasure and liberty even when stolen, shipped, and sold for parts, McKay's novel explores the heritage of slavery amid an unforgiving modern economy. This first-ever edition of Romance in Marseille includes an introduction by McKay scholars Gary Edward Holcomb and William J. Maxwell that places the novel within both the "stowaway era" of black cultural politics and McKay's challenging career as a star and skeptic of the Harlem Renaissance.

    Edward III is at war with Scotland. Nineteen-year-old Sir Harry de Lyon yearns to prove himself, and jumps at the chance when a powerful English baron, William Montagu, invites him on a secret mission with a dozen elite knights. They ride north, to a crumbling Scottish keep, capturing the feral, half-starved boy within and putting the other inhabitants to the sword.But nobody knows why the flower of English knighthood snuck over the border to capture a savage, dirty teenage boy. Montagu gives the boy to Harry as his squire, with only two rules: don't let him escape, and convert him to the English cause.At first, it's hopeless. The Scottish boy is surly and violent, and eats anything that isn't nailed down. Then Harry begins to notice things: that, as well as Gaelic, the boy speaks flawless French, with an accent much different from Harry's Norman one. That he can read Latin too. And when Harry finally convinces the boy – Iain mac Maíl Coluim – to cut his filthy curtain of hair, the face revealed is the most beautiful thing Harry has ever seen.With Iain as his squire, Harry wins tournament after tournament and becomes a favourite of the King. But underneath the pageantry smoulder twin secrets: Harry and Iain's growing passion for each other, and Iain's mysterious heritage. As England hurtles towards war once again, these secrets will destroy everything Harry holds dear.

    Destroyed by the death of his former schoolmate yet unable to show it publicly, Giles Fullerton has taken to walking the streets of London in the middle of the night, the only time he can safely mourn the only person he’s ever loved—until one chance meeting with a lamplighter changes everything…. But You Can Walk Toward It... Widower John Banks knows a thing or two about grief, and immediately recognizes a kindred spirit when he finally meets the handsome, haunted gentleman he’s admired from afar. And in fact, the two men discover shared passions and the possibility of a forever love—if they can overcome social taboos, and their own fears….

    a visionary work that bridges the history and culture of two worlds."--Frank Rich, New York TimesBased on a true story that stunned the world, and inspired by Giacomo Puccini's opera Madama Butterfly, M. Butterfly was an immediate sensation when it premiered in 1988. It opens in the cramped prison cell where diplomat Rene Gallimard is being held captive by the French government--and by his own illusions. He recalls a time when Song Liling, the beautiful Chinese diva, touched him with a love as vivid, as seductive--and as elusive--as a butterfly.How could he have known that his true love was, in fact, a spy for the Chinese government--and a man disguised as a woman? The diplomat relives the twenty-year affair from the temptation to the seduction, from its consummation to the scandal that ultimately consumed them both.M. Butterfly is one of the most compelling, explosive, and slyly humorous dramas ever to light the Broadway stage, a work of unrivaled brilliance, illuminating the conflict between men and women, the differences between East and West, racial stereotypes--and the shadows we cast around our most cherished illusions.The original cast included John Lithgow as Gallimard and BD Wong as Song Liling. During the show's 777-performance run, David Dukes, Anthony Hopkins, Tony Randall, and John Rubinstein were also cast as Gallimard. Hwang adapted the play for a 1993 film directed by David Cronenberg, starring Jeremy Irons and John Lone.TEXT OF THE BROADWAY REVIVAL

    Encompassing over one hundred years of German history, from the nineteenth century to the Weimar Republic, from World War II to the Socialist German Democratic Republic, and finally reunification and its aftermath, Visitation offers the life stories of twelve individuals who seek to make their home in this one magical little house. The novel breaks into the everyday life of the house and shimmers through it, while relating the passions and fates of its inhabitants. Elegant and poetic, Visitation forms a literary mosaic of the last century, tearing open wounds and offering moments of reconciliation, with its drama and its exquisite evocation of a landscape no political upheaval can truly change.

    Carson presents all the extant fragments of Sappho's verse, employing brackets and white space to denote missing text - allowing the reader to imagine the poems as they were written.

    Their passionate and tragic tale is one of the greatest and earliest gay love stories ever told. But in the "Iliad" Homer also hints at another love story: that of the handsome Prince Antilochus who also loves for Achilles."Achilles: A Love Story," a gay novel of the Trojan War, movingly creates their erotic and tragic passion as it plays out against the legendary battles of the Trojan war.

    Toland’s story is both deeply personal and epic in scope, as his search for identity plays out against the brutal fight over segregation, an unplanned pregnancy and small-town bigotry, aided by an unforgettable supporting cast.

    M. Forster's secret novel of a happy same-sex love affair, tells the story of Alec Scudder, the gamekeeper Maurice Hall falls in love with in Forster's classic, published only after the author's death.Di Canzio follows their story past the end of Maurice to the front lines of battle in World War I and beyond. Forster, who tried to write an epilogue about the future of his characters, was stymied by the radical change that the Great War brought to their world. With the hindsight of a century, di Canzio imagines a future for them and a past for Alec--a young villager possessed of remarkable passion and self-knowledge.Alec continues Forster's project of telling stories that are part of "a great unrecorded history." Di Canzio's debut novel is a love story of epic proportions, at once classic and boldly new.

    Outlaws. Hell Cats.As the old sailor's adage goes, a woman on board invites bad luck, a superstition that turned out to be true for the enemies of notorious pirates Anne Bonny and Mary Read. As quick to draw their cutlasses as they were to fall in love, Anne and Mary sailed the Caribbean leaving a trail of looted treasure, outfoxed law enforcement, and treacherous ex-lovers (suitably dealt with) in their wake.Born hundreds of miles apart, both Anne and Mary were disguised as boys in their childhoods to escape poverty, propriety and disgrace, only to find freedom on the high seas. Anne, a poor fit for polite society, kicks her treacherous husband to the curb to turn pirate with the dashing Captain Jack. Meanwhile, Mary endures navy and army life disguised as a boy before being captured by pirates.When Mary and Anne’s worlds collide a love affair between the two ensues and adventure beckons - the Governor and Anne’s spurned husband continue to hunt them across the oceans, but even the shadow of the gallows couldn’t darken the blazing spirits of these incredible women somehow mostly forgotten by history.This series explores themes of equality, freedom, love and survival. Ultimately it is a story about the determination to live fully and freely without the limitation of gender, class or society - a life without restraint.This Audible Original Podcast tells the lost story of history’s most progressive pirates, Anne Bonny and Mary Read. Their tale of cutthroat adventure and an enduring love affair remains largely forgotten – overlooked by historians who prioritised the achievements of their male peers. Until now.Starring Erin Doherty as Mary Read, Michelle Fox as Anne Bonny, Fisayo Akinade as Pierre Bouspeut and Jonathan Bailey as Captain Jack Rackham.

    Three brothers and a sister comprise the Tanner family—Simon, Kaspar, Klaus, and Hedwig: their wanderings, meetings, separations, quarrels, romances, employment and lack of employment over the course of a year or two are the threads from which Walser weaves his airy, strange and brightly gorgeous fabric. “Walser’s lightness is lighter than light,” as Tom Whalen said in Bookforum: “buoyant up to and beyond belief, terrifyingly light.”Robert Walser—admired greatly by Kafka, Musil, and Walter Benjamin—is a radiantly original author. He has been acclaimed “unforgettable, heart-rending” (J.M. Coetzee), “a bewitched genius” (Newsweek), and “a major, truly wonderful, heart-breaking writer” (Susan Sontag). Considering Walser’s “perfect and serene oddity,” Michael Hofmann in The London Review of Books remarked on the “Buster Keaton-like indomitably sad cheerfulness [that is] most hilariously disturbing.” The Los Angeles Times called him “the dreamy confectionary snowflake of German language fiction. He also might be the single most underrated writer of the 20th century....The gait of his language is quieter than a kitten’s.”“A clairvoyant of the small” W. G. Sebald calls Robert Walser, one of his favorite writers in the world, in his acutely beautiful, personal, and long introduction, studded with his signature use of photographs.

    He has a sensitive heart and wants nothing more than to write poetry. Instead, he is apprenticing for Neville Wighton the Great, an aging magician who has become somewhat crazed over the years in his pursuit of fame. With Thomas’ help, Wighton is about to premiere the greatest illusion seen by man, for Thomas possesses something no other illusionist has: real magic. Many in the theatrical world are desperate to learn Wighton’s big secret. One such magician is Paolo il Magnifico. His apprentice, Saverio Moretti, is also seeking the answer. He has a scheme to get close to Wighton by seducing Thomas but seduction turns to real feelings. Now the young men must struggle to keep the secret of their romance, as well as the secret of Thomas’ magic, as both of these things could cost Thomas his life. Through journal entries, posters, letters, and other documents, ILLUSIONS is a story of love, betrayal, and of course, magic.