The impact is at once harrowing and thrilling.An elderly inventor, burning with manic creativity, tries to reconcile with his estranged gay son. A bereaved boy draws a thuggish classmate into a relationship of escalating guilt and violence. A genteel middle-aged woman, a long-time resident of a psychiatric hospital, becomes the confidante of a lovelorn teenaged volunteer. Told with Chekhovian restraint and compassion, and conveying both the sorrow of life and the courage with which people rise to meet it, You Are Not a Stranger Here is a triumph of storytelling.

    A university professor studying racism by conducting a secret social experiment on his own son. A single mother desperate to buy her first home even as the world hurtles toward catastrophe. Each fighting to survive in America.Tough-minded, vulnerable, and brave, Jocelyn Nicole Johnson’s precisely imagined debut explores burdened inheritances and extraordinary pursuits of belonging. Set in the near future, the eponymous novella, “My Monticello,” tells of a diverse group of Charlottesville neighbors fleeing violent white supremacists. Led by Da’Naisha, a young Black descendant of Thomas Jefferson and Sally Hemings, they seek refuge in Jefferson’s historic plantation home in a desperate attempt to outlive the long-foretold racial and environmental unravelling within the nation.In “Control Negro,” hailed by Roxane Gay as “one hell of story,” a university professor devotes himself to the study of racism and the development of ACMs (average American Caucasian males) by clinically observing his own son from birth in order to “painstakingly mark the route of this Black child too, one whom I could prove was so strikingly decent and true that America could not find fault in him unless we as a nation had projected it there.” Johnson’s characters all seek out home as a place and an internal state, whether in the form of a Nigerian widower who immigrates to a meager existence in the city of Alexandria, finding himself adrift; a young mixed-race woman who adopts a new tongue and name to escape the landscapes of rural Virginia and her family; or a single mother who seeks salvation through “Buying a House Ahead of the Apocalypse.”United by these characters’ relentless struggles against reality and fate, My Monticello is a formidable book that bears witness to this country’s legacies and announces the arrival of a wildly original new voice in American fiction.

    In 1983 Little, Brown and Company's posthumous publication of this book electrified the literary world with a force that still resounds across two decades. A collection of stories that depict the world of Pancake's native rural West Virginia with astonishing power and grace, The Stories of Breece D'J Pancake has remained continuously in print and is a perennial favorite among aspiring writers, participants in creative writing programs, and students of contemporary American fiction. "Trilobites", the first of Pancake's stories to be published in The Atlantic, elicited an extraordinary immediate response from readers and continues to be widely anthologized.

    A New Yorker, trying not to be jaded, accompanies a cash-strapped pot grower to a “clothing optional resort” in California. A nerdy high-schooler has her first sexual experience at Geology Camp. A college student, on the night of her father’s funeral, watches a video of her bat mitzvah, hypnotized by the image of the girl she used to be . . . Frank and irreverent, Rebecca Schiff’s stories offer a singular view of growing up (or not) and finding love (or not) in today’s ever-uncertain landscape. In its bone-dry humor, its pithy observations, and its thrilling ability to unmask the most revealing moments of human interaction—no matter how fleeting—The Bed Moved announces a new talent to be reckoned with.

    . . or not.Joining these haunting works are stories linked to Tremblay’s previous novels. The tour de force metafictional novella Notes from the Dog Walkers deconstructs horror and publishing, possibly bringing in a character from A Head Full of Ghosts, all while serving as a prequel to Disappearance at Devil’s Rock. “The Thirteenth Temple” follows another character from A Head Full of Ghosts—Merry, who has published a tell-all memoir written years after the events of the novel. And the title story, Growing Things, a shivery tale loosely shared between the sisters in A Head Full of Ghosts, is told here in full.From global catastrophe to the demons inside our heads, Tremblay illuminates our primal fears and darkest dreams in startlingly original fiction that leaves us unmoored. As he lowers the sky and yanks the ground from beneath our feet, we are compelled to contemplate the darkness inside our own hearts and minds.Growing things --Swim wants to know if it's as bad as swim thinks --Something about birds --The getaway --Nineteen snapshots of Dennisport --Where we all will be --The teacher --Notes for "The Barn in the Wild" --_______ --Our town's monster --A haunted house is a wheel upon which some are broken --It won't go away --Notes from the dog walkers --Further questions for the somnambulist --The ice tower --The society of the monsterhood --Her red right hand --It's against the law to feed the ducks --The thirteenth temple --Notes --Acknowledgments --Credits

    Migration. Betrayal. Family secrets. Doomed love. Uncertain futures. In Daniel Alarcon's hands, these are transformed into deeply human stories with high stakes. In -The Thousands, - people are on the move and forging new paths; hope and heartbreak abound. A man deals with the fallout of his blind relatives' mysterious deaths and his father's mental breakdown and incarceration in -The Bridge.- A gang member discovers a way to forgiveness and redemption through the haze of violence and trauma in -The Ballad of Rocky Rontal.- And in the tour de force novella, -The Auroras-, a man severs himself from his old life and seeks to make a new one in a new city, only to find himself seduced and controlled by a powerful woman. Richly drawn, full of unforgettable characters, The King is Always Above the People reveals experiences both unsettling and unknown, and yet eerily familiar in this new world.The thousands --The ballad of Rocky Rontal --The king is always above the people --Abraham Lincoln has been shot --The provincials --Extinct anatomies --República and Grau --The bridge --The lord rides a swift cloud --The auroras

    Alone in his apartment, he reads stories aloud to the point he has them memorized. Sometimes he fantasizes that he wrote them. Sometimes, when they’re his very favorite stories, he’ll fantasize about reading them in front of an audience and taking credit for them. The audience in these fantasies always loves him and gives him the respect he deserves.David Sedaris didn’t write the stories in Children Playing Before a Statue of Hercules . But he did read them. And he liked them enough to hand pick them for this collection of short fiction. Featuring such notable writers as Lorrie Moore, Alice Munro, Joyce Carol Oates, Jean Thompson, and Tobias Wolff, Children Playing Before a Statue of Hercules includes some of the most influential and talented short story writers, contemporary and classic.Perfect for fans who suffer from Sedaris fever, Children Playing Before a Statue of Hercules will tide them over and provide relief.2 hrs 56 mins

    In fact, you get paid big money—more than you've ever dreamed of—to spend a few seasons in this luxurious locale. The catch? For nine months, you belong to the Farm. You cannot leave the grounds; your every move is monitored. Your former life will seem a world away as you dedicate yourself to the all-consuming task of producing the perfect baby for your überwealthy clients.Jane, an immigrant from the Philippines and a struggling single mother, is thrilled to make it through the highly competitive Host selection process at the Farm. But now pregnant, fragile, consumed with worry for her own young daughter's well-being, Jane grows desperate to reconnect with her life outside. Yet she cannot leave the Farm or she will lose the life-changing fee she'll receive on delivery—or worse.Heartbreaking, suspenseful, provocative, The Farm pushes our thinking on motherhood, money, and merit to the extremes, and raises crucial questions about the trade-offs women will make to fortify their futures and the futures of those they love.

    Here are exiles, emigrants, and wanderers uprooting their families from the Philippines to begin new lives in the Middle East, the United States, and elsewhere—and, sometimes, turning back again. A pharmacist living in New York smuggles drugs to his ailing father in Manila, only to discover alarming truths about his family and his past. In Bahrain, a Filipina teacher drawn to a special pupil finds, to her surprise, that she is questioning her own marriage. A college student leans on her brother, a laborer in Saudi Arabia, to support her writing ambitions, without realizing that his is the life truly made for fiction. And in the title story, a journalist and a nurse face an unspeakable trauma amidst the political turmoil of the Philippines in the 1970s and ’80s.In the Country speaks to the heart of everyone who has ever searched for a place to call home. From teachers to housemaids, from mothers to sons, Alvar’s powerful debut collection explores the universal experiences of loss, displacement, and the longing to connect across borders both real and imagined. Deeply compassionate and richly felt, In the Country marks the emergence of a formidable new writer.

    The absurdity of both life and death are on full display; in "Zombies," the best and brightest of a high school prep school become tragically addicted to the latest drug craze: electric shocks from cardiac defibrillators. In "Knock, Knock," a son hopes to tell one last off-color joke to a father in his final moments, while in "Tunnel of Love," a massage therapist runs the curious practice of providing 'relief' to dying clients. And in "Expedition," fans will be thrilled to find to see a side of Tyler Durden never seen before in a precursor story to Fight Club.Funny, caustic, bizarre, poignant; these stories represent everything readers have come to love and expect from Chuck Palahniuk. They have all the impact of a sharp blow to the solar plexus, with considerable collateral damage to the funny bone.

    Le Guin has, in each story and novel, created a provocative, ever-evolving universe filled with diverse worlds and rich characters reminiscent of our earthly selves. Now, in The Birthday of the World, this gifted artist returns to these worlds in eight brilliant short works, including a never-before-published novella, each of which probes the essence of humanity.

    A golden couple, their seemingly effortless devotion has long been the envy of their circle of friends and acquaintances. Graham is a bookseller, a big, gregarious man with large appetites—curious, eager to please, a lover of life, and the convivial host of frequent, lively parties at his and Annie’s comfortable house in Cambridge. Annie, more reserved and introspective, is a photographer. She is about to have her first gallery show after a six-year lull and is worried that the best years of her career may be behind her. They have two adult children; Lucas, Graham’s son with his first wife, Frieda, works in New York. Annie and Graham’s daughter, Sarah, lives in San Francisco. Though Frieda is an integral part of this far-flung, loving family, Annie feels confident in the knowledge that she is Graham’s last and greatest love. When Graham suddenly dies—this man whose enormous presence has seemed to dominate their lives together—Annie is lost. What is the point of going on, she wonders, without him?  Then, while she is still mourning him intensely, she discovers that Graham had been unfaithful to her; and she spirals into darkness, wondering if she ever truly knew the man who loved her.

    Each of the portraits in Close Range reveals characters fiercely wrought with precision and grace. These are stories of desperation and unlikely elation, set in a landscape both stark and magnificent.The half-skinned steer --The mud below --55 miles to the gas pump --The bunchgrass edge of the world --A lonely coast --Job history --Pair a spurs --People in Hell just want a drink of water --The governors of Wyoming --The blood bay --Brokeback Mountain

    As A.S. Byatt renders this relationship with a powerful combination of erudition and passion, she makes the interaction of the natural and the supernatural seem not only convincing, but inevitable.The companion stories in this collection each display different facets of Byatt's remarkable gift for enchantment. They range from fables of sexual obsession to allegories of political tragedy; they draw us into narratives that are as mesmerizing as dreams and as bracing as philosophical meditations; and they all us to inhabit an imaginative universe astonishing in the precision of its detail, its intellectual consistency, and its splendor.

    Her name became an adjective: Beattiesque. Subtle, wry, and unnerving, she is a master observer of the unraveling of the American family, and also of the myriad small occurrences and affinities that unite us. Her characters, over nearly four decades, have moved from lives of fickle desire to the burdens and inhibitions of adulthood and on to failed aspirations, sloppy divorces, and sometimes enlightenment, even grace. Each Beattie story, says Margaret Atwood, is "like a fresh bulletin from the front: we snatch it up, eager to know what’s happening out there on the edge of that shifting and dubious no-man’s-land known as interpersonal relations." With an unparalleled gift for dialogue and laser wit, she delivers flash reports on the cultural landscape of her time. Ann Beattie: The New Yorker Stories is the perfect initiation for readers new to this iconic American writer and a glorious return for those who have known and loved her work for decades.