Moving effortlessly between the war-torn homeland and Orange County's "Little Saigon," Phan chronicles the journeys of four such orphans. Passionate and beautifully written, We Should Never Meet is an utterly fresh reconsideration of the Vietnam War for a new generation and heralds the arrival of one of "the very best of the new wave of Asian-American authors" (David Wong Louie).

    It is the story of a proper man, an upstanding citizen who comes to epitomize the decorous values of his New York suburban town. Yet as his story unfolds, precipitated by events that take place around him, we see his life begin to unravel. Courteous, honest, hardworking, and impenetrable, Franklin Hata, a Japanese man of Korean birth, is careful never to overstep his bounds. He makes his neighbors feel comfortable in his presence, keeps his garden well tended, bids his customers good-bye at the doorway to his medical supply shop, and ignores the taunts of local boys. Now facing his retirement years alone, Hata begins to reflect on the price he's had to pay for living this quiet "gesture life."After suffering minor injuries in an accidental fire, he remembers the painful, failed relationships of his past; with Mary Burns, a widow with whom he had an affair, and with Sunny, a Korean girl he adopted when she was seven, who is now a grown woman he hasn't spoken to or seen in years. As Hata recalls the strained, troubled relationship with Sunny, he begins to understand why his daughter, unlike himself, "felt no more at home in this town, or in this house of mine, or perhaps even with me, than when she first arrived at Kennedy Airport."Unknown to Sunny, there is a secret that has shaped the core of Hata's being; his terrible, forbidden love for a young Korean woman from his past. Serving as a medic in the Japanese army during World War II, Hata was assigned the task of overseeing the female "volunteers; women taken against their will to provide sexual favors for the men in the battalion. One of these "comfort women" he came to love. These remembrances, tinged with grief and regret, ultimately draw Hata once again to his daughter; and help him begin to attain a more truthful understanding of himself.

    Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

    In this, his second work of fiction about Vietnam, O'Brien's unique artistic vision is again clearly demonstrated. Neither a novel nor a short story collection, it is an arc of fictional episodes, taking place in the childhoods of its characters, in the jungles of Vietnam and back home in America two decades later.

    forces battle to possess the Philippine Islands, the Karangalan family hides with their neighbors in a cramped cellar, where they glean hope from the family stories and folktales they tell each other. These stories of love, survival, and family blend the supernatural with the rich, little known history of the Philippines, the centuries of Spanish colonization, the power of the Catholic church, and the colorful worlds of the Spanish, Mestizo, and Filipino cultures.As the villagers tell their stories in the darkened cellar below, Holthe masterfully weaves in the stories of three brave Filipinos--a teenage brother and sister and a guerilla fighter--as they become caught in the battle against the vicious Japanese forces above ground.Inspired by her father's firsthand accounts of this period, Tess Uriza Holthe brings to magical and terrifying life a story of the hope and courage needed to survive in wartime.

    Revolves around the two main characters; Amelita and Mauro, both teachers, who are husband and wife.Tells of how Amelita and Mauro engage themselves in answering the needs of their community and succeed in its upliftment and development.

    Because of this we have no memory of ourselves: we remember only the last deluge, the last seismic upheaval. Two friends are hired by Marcos to rewrite Philippine history. Their mission: to make it appear that Marcos was destined to rule the country in perpetuity. Working from an office called Agency for the Scientific Investigation of the Absurd, they embark on a journey that will take them across a surreal panorama of Philippine politics and history, and in the process question all their morals and beliefs. This landscape includes mythological sultans, mercenaries, the Beatles, messianic Amerasian rock stars, faith healers, spies, torturers, sycophants, social climbers, sugar barons, millenarian vigilantes, generals and communists--the dizzying farrago of lovers and sinners who populate the country's incredible story. By the end of their project--and this breathtaking novel--the reader emerges from a world that is at once familiar and unbelievable. It's what real life might look like if both heaven and hell were crammed into it, and all its creatures were let loose.

    William Paulinha, a Filipino street hustler, is in the early days of self-imposed reform when he meets Shem C. A failed writer now ostracized by his wife and New York City's literati, Shem recruits Paulinha to retaliate against the community that has spurned him. Under Shem's guidance, Paulinha becomes Master Chao, a revered practitioner of Feng Shui--the Chinese art of creating a harmonious environment. As this latter-day confidence man cuts a swath through upper-crust society, his biting observations form a comic picaresque of class resentment and revenge.

    This bestselling book inspired the play, motion picture, and television series I Remember Mama.

    . . . Carver is a writer of astonishing compassion and honesty. . . . his eye set only on describing and revealing the world as he sees it. His eye is so clear, it almost breaks your heart” (Jonathan Yardley, Washington Post Book World).From the eBook edition.

    The stories blend into one masterly and moving whole: poignant, compassionate, and profound in emotional impact.In this fourth book of the five-volume Manawaka series, Vanessa MacLeod takes her rightful place alongside the other unforgettable heroines of Manawaka: Hagar Shipley in The Stone Angel, Rachel Cameron in A Jest of God, Stacey MacAindra in The Fire-Dwellers, and Morag Gunn in The Diviners.

    These 22 interlinked tales are narrated by characters raised on humiliation and government-issue cheese, and yet are filled with passion and affection, myth and dream. There is Victor, who as a nine-year-old crawled between his unconscious parents hoping that the alcohol seeping through their skins might help him sleep. Thomas Builds-the-Fire, who tells his stories long after people stop listening, and Jimmy Many Horses, dying of cancer, who writes letters on stationary that reads "From the Death Bed of James Many Horses III," even though he actually writes them on his kitchen table. Against a backdrop of alcohol, car accidents, laughter, and basketball, Alexie depicts the distances between Indians and whites, reservation Indians and urban Indians, men and women, and most poetically, between modern Indians and the traditions of the past.

    Here are exiles, emigrants, and wanderers uprooting their families from the Philippines to begin new lives in the Middle East, the United States, and elsewhere—and, sometimes, turning back again. A pharmacist living in New York smuggles drugs to his ailing father in Manila, only to discover alarming truths about his family and his past. In Bahrain, a Filipina teacher drawn to a special pupil finds, to her surprise, that she is questioning her own marriage. A college student leans on her brother, a laborer in Saudi Arabia, to support her writing ambitions, without realizing that his is the life truly made for fiction. And in the title story, a journalist and a nurse face an unspeakable trauma amidst the political turmoil of the Philippines in the 1970s and ’80s.In the Country speaks to the heart of everyone who has ever searched for a place to call home. From teachers to housemaids, from mothers to sons, Alvar’s powerful debut collection explores the universal experiences of loss, displacement, and the longing to connect across borders both real and imagined. Deeply compassionate and richly felt, In the Country marks the emergence of a formidable new writer.

    In this story of a wealthy Indian Brahmin who casts off a life of privilege to seek spiritual fulfillment. Hesse synthesizes disparate philosophies--Eastern religions, Jungian archetypes, Western individualism--into a unique vision of life as expressed through one man's search for true meaning.

    An advocate of the literature of the imagination, he is the publisher of the Philippine Speculative Fiction anthologies, an annual showcasing Filipino fictionists that he began in 2005.