Eliot’s work, all with an active Table of Contents for easy navigation! The collection is formatted for optimal viewing on the Nook! The collection includes:PRUFROCK AND OTHER OBSERVATIONS, which contains:• The Love Song of J. Alfred Prufrock• Portrait of a Lady• Preludes• Rhapsody on a Windy Night• Morning at the Window• The Boston Evening Transcript• Aunt Helen• Cousin Nancy• Mr. Apollinax• Hysteria• Conversation Galante• La Figlia Che PiangePOEMS, containing:• Gerontion• Burbank with a Baedeker: Bleistein with a Cigar• Sweeney Erect• A Cooking Egg• Le Directeur• Mélange adultère de tout• Lune de Miel• The Hippopotamus• Dans le Restaurant• Whispers of Immortality• Mr. Eliot's Sunday Morning Service• Sweeney Among the NightingalesTHE WASTE LANDEELDROP AND APPLEPEX (short story)THE SACRED WOOD: ESSAYS ON POETRY AND CRICTICISM, containing:• The Perfect Critic• Imperfect Critics• Tradition and the Individual Talent• The Possibility of a Poetic Drama• Euripides and Professor Murray• "Rhetoric" and Poetic Drama• Notes on the Blank Verse of Christopher Marlowe• Hamlet and His Problems• Ben Jonson• Philip Massinger• Swinburne As Poet• Blake• DanteEZRA POUND: HIS METRIC AND POETRY

    In the past year, Almond has won a Pushcart Prize and been a finalist for the National Magazine Award.

    

    In this distinct selection of stories marked by struggle and compassion, Pieces Like Pottery is a powerful examination of the sorrows of life, the strength of character, the steadfast of courage, and the resiliency of love requisite to find redemption. Filled with graceful insight into the human condition, each linked story presents a tale of loss and love mirroring themes from each of the five Sorrowful Mysteries. In Expect Dragons, James Hinri learns that his old high school teacher is dying. Wanting to tell Mr. Smith one last time how much his teaching impacted him, James drives across the country revisiting past encounters with his father's rejection and the pain of his youth. Disillusioned and losing hope, little did James know that Mr. Smith had one final lesson for him. In The Gravesite, Lisa and Mike's marriage hangs in the balance after the disappearance of their only son while backpacking in Thailand. Mike thinks the authorities are right--that Chris fell to his death in a hiking accident--but Lisa has her doubts. Her son was too strong to die this young, and no one can explain to her why new posts continue to appear on her son's blog. Twenty-Two looks in on the lives of a dock worker suffering from the guilt of a life not lived and a bartender making the best of each day, even though he can see clearly how his life should have been different. The two find their worlds collide when a past tragedy shockingly connects them. A collection of nine stories, each exquisitely written and charged with merciful insight into the trials of life, Pieces Like Pottery reminds us of the sorrows we all encounter in life and the kindness we receive, oftentimes from the unlikeliest of places.

    partly by selling enough of my household furniture to satisfy a moiety of their claim, ...

    Based on the accounts of real event that took place in the year 2001, precisely the Royal Massacre, the novel tries to describe and explain the context and the background as well as the activity that took place before, during and after the monstrous act.The story is based on the conversation with a mother and daughter duo, who served as the maids to Queen Mother Ratna Rajya Laxmi and former queen Komal, respectively. To be on the safe side, the writer labeled the book as a novel, although everything written in it is true. He interviewed the ladies and cross examined their answers and descriptions with other palace and security officials.The book gives an account of series of events that took place before and during the massacre which is said to be masterminded by the then Crown Prince Dipendra because he has arguments and fight with his mother, the then queen Aishwarya. Although the people of Nepal and the world are made to believe that the massacre was masterminded by the then Crown Prince, the book suggests otherwise. It mentions that the Crown Prince was framed and the killing had continued even after the prince fell to the ground after he shot himself in chest. Also, the absence of firearms near his body points somewhere else. It also mentions what the Royal family members and their guests were doing when the tragedy struck.The book has revealed many secrets of the palace and the Royal families, not only of that in-fateful night but also those that had happened years ago during the times of King Mahendra as well as King Tribhuvan. It also explains the misdeeds of the previous kings, highlighting the negative aspects and part of the Nepali Royal Family.The novel was published some years after the massacre took place as the informant as well as the writer feared for their safety. Rakta Kunda by Krishna Abiral is a good read if you are curious about what had happened on that night in 2001, however, the mystery still looms and has not been solved although the book opens up many untold stories and accounts of the night.

    Since her death in 1965, her place in the landscape of twentieth-century fiction has grown only more exalted.As we approach the centenary of her birth comes this astonishing compilation of fifty-six pieces—more than forty of which have never been published before. Two of Jackson’s children co-edited this volume, culling through the vast archives of their mother’s papers at the Library of Congress, selecting only the very best for inclusion.Let Me Tell You brings together the deliciously eerie short stories Jackson is best known for, along with frank, inspiring lectures on writing; comic essays about her large, boisterous family; and whimsical drawings. Jackson’s landscape here is most frequently domestic: dinner parties and bridge, household budgets and homeward-bound commutes, children’s games and neighborly gossip. But this familiar setting is also her most subversive: She wields humor, terror, and the uncanny to explore the real challenges of marriage, parenting, and community—the pressure of social norms, the veins of distrust in love, the constant lack of time and space.For the first time, this collection showcases Shirley Jackson’s radically different modes of writing side by side. Together they show her to be a magnificent storyteller, a sharp, sly humorist, and a powerful feminist.This volume includes a foreword by the celebrated literary critic and Jackson biographer Ruth Franklin.

    Told in eloquent, honest prose, Art’s Cello is a story about coming to terms with the past and letting go of the failures we allow to define us — and, in the process, honoring the lives of those we’ve lost. Jim McKean is an international award-winning violinmaker, author, and corresponding editor of Strings Magazine. He is a graduate of the first violinmaking school in America and the former president of the American Federation of Violin and Bow Makers. His novel, Quattrocento, was published in 2002. Cover design by Evan Twohy.

    And when a vicious migraine sends her to a saggy hotel bed and him to the marketing conference in her place, she is first relieved and then thankful.Weeks later, upon discovering she’s pregnant, Claire has no reason for concern. With the help of genetic counselors and fertility specialists, she and her college-sweetheart husband, Tim, have been striving for a sibling for their ten-year-old daughter, Ally. And now they have one: a precious baby boy they name Owen.But all is not well, and soon Claire begins spotting alarming quirks in Owen’s behavior that suggest he may be stricken with Batten Disease, the terminal illness that took her brother, Ricky, back in nineteen seventy-nine. If Claire is right and Owen is sick, other disturbing things may also be true. Things like: Claire has been raped; Owen is not Tim’s son; and Owen is going to die. As events unfold, Claire finds herself confronting unthinkable choices, the consequences of which could jeopardize her career, her marriage, and even her freedom.

    African American Studies. TWERK unveils an identity shaped by popular media and history, code switching and cultural inclusivity. The poems, songs, and myths in this long-awaited first book are as rooted in lyric as in innovation, in Black music as in macaronic satire. TWERK evokes paradox, humor, and vulnerability, and it offers myriad avenues fueled by language, idiom, and vernacular. From a poet unafraid to take risks, this book asks only that we imagine America as it has always existed, an Americana beyond the English language."Here it is: a dope jam of dictions; a remixed, multicultural, polyphonic dance of vocabularies; a language of high stakes, hi-jinx, and hybridity. TWERK is subversive, vulnerable, and volatile. TwERK twists tongues. TwERK tweaks speech. Reading these amazing poems mostly makes me say, Wow! Open your ears to take this music in, open your mouth to say it out loud. And: Wow!"--Terrance Hayes"Tweaking parallel languages, rebooting and putting them to (hard, hard) work, TWERK's non-stop shimmy-shimmy embarks on an anime-iigjag idio-lingual-lectical booty-roll and doesn't come down until the break of dawn. La Reina de Harlem responds to Lorca's Big-Apple-opolis heteroglossia with her own inimitable animations, incantations and ululations, twisting tongues so mellifluously that you don't even realize you've been dancing on Saturn with Sun Ra for hours and still could have begged for more. Welcome LaTasha Diggs: this is her many-splendored night out!"--Maria Damon"From this time forward, TWERK, can refer to a collection of cultural coordinates of a radically transformed Americas. TWERK--is rare poetics, a vine enmeshed onyx slab of gypsum glyphs inscribed. Cut, swirly, and nervy, N. Diggs's fractal-linguistic urban chronicles deftly snip away at the lingering fears of a fugitive English's frisky explorations. In her first major work, N. Diggs doesn't so much 'find' culture as she conjures up the new emerging happy peoples herein. Five thousand updates--download now!"--Rodrigo Toscano

    Take that familiar chestnut, #314, a la Legault: "Hope is kind of like birds. In that I don’t have any.” Or the classic hymn, #615: "God likes to watch.” As Dickinson herself said in #769 (basically, via our translator): This dead person used to be a person!”—and The Emily Dickinson Reader is here to tell you what that person meant.

    Abandoned by her mother at age seven, Ivy is a new single mother who must cope with financial difficulties and a demanding infant.