Mary Ruefle is of their number. Her poems discover the full beauty and anguish of life that most of us dare not see, much less depict in luminous detail for the ages.

    Hayes was then an undergrad at a small South Carolina college. He has since published four highly honored books of poetry, is a professor of poetry at the University of Pittsburgh, has appeared multiple times in the series, and is one of today’s most decorated poets. His brazen, restless poems capture the diversity of American culture with singular artistry, grappling with facile assumptions about identity and the complex repercussions of race history in this country. Always eagerly anticipated, the 2014 volume of The Best American Poetry begins with David Lehman’s “state-of-the-art” foreword followed by an inspired introduction from Terrance Hayes on his picks for the best American poems of the past year. Following the poems is the apparatus for which the series has won acclaim: notes from the poets about the writing of their poems.

    George Oppen's New Collected Poems gathers in one volume all of the poems published in books during his lifetime (1908-84), as well as previously uncollected poems and also a selection of his unpublished work. Oppen, who won a Pulitzer Prize in 1969, has long been acknowledged as one of America's foremost modernists. A member of the Objectivist group that flourished in the 1930s (which also included William Carlos Williams, Charles Reznikoff, Carl Rakosi, and Louis Zukofsky), he was hailed by Ezra Pound as "a serious craftsman, a sensibility which is not every man's sensibility and which has not been got out of any other man's book." Oppen's New Collected Poems (which replaces New Direction's earlier, smaller Collected Poems of 1975) is edited by Michael Davidson of the University of California at San Diego, who also writes an introduction to the poet's life and work and supplies generous notes that will give interested readers an understanding of the background of the individual books as well as references in the poems.

    Later this dark man would come to be known around the world as one of King's greatest villains, Randall Flagg, but at the time King only had simple questions on his mind: where was this man going? What had he seen and done? What terrible things...?i have ridden rails...More than forty years after Stephen King first wrote his breathtaking poem "The Dark Man," Glenn Chadbourne set out to answer those questions in this World's First Edition hardcover featuring more than 70 full-page illustrations from the talented artist behind The Secretary of Dreams.i have slept in glaring swamps...This Cemetery Dance Publications hardcover is a true marriage of words and art, with Chadbourne pulling the images from King's imagination and illustrating them in magnificent detail. This incredible blending of King's words with Chadbourne's art creates a unique page turning experience you can return to again and again, always finding new details hidden on every page. You'll discover hidden layers and mysterious secrets for years to come.i am a dark man...So who is the Dark Man and why is he traveling the country? The answers are terrifying....

    For fans stirred by the cerebral lyrics of SOAD albums Hypnotize, Mesmerize, Steal This Album!, Toxicity, and their first, self-titled breakthrough—and for everyone enthusiastic about Serj’s solo album, Imperfect Harmonies—this essential, one-of-a-kind collection of Tankian’s innermost thoughts and feelings is a must-read. Unique illustrations punctuate nearly 70 poems—almost none of which have ever been published before. Glaring through Oblivion is an indispensable find for any true fan.

    Proposing models of hybridity, each of the book's major sequences develops a unique subject, rhythm, and form. Bringing to light the molten potential at the core of personality, the poems illuminate ways that language, as history read by anthropologists, discourse between lovers, gestures between parent and child, graffiti in temples, or even language as an event in itself (the very experience of words at play), incarnates presence. Addressing father and son relationships, and venerating erotic love, Gander's poems surge with vitality: the energy of active discovery.

    Dorn is one of the few political poets in America; this fantasy about a demigod cowboy, a saloon madam, and a talking horse named Claude Levi-Strauss, who travel the Southwest in search of Howard Hughes, has become a minor classic.

    Determined to save her love, she sets out on a love expedition, where she learns that the road to love can be rocky and full of twists and turns, but if we have the courage to stick with it, or perhaps even to forge our own path, it might just lead us to exhilarating heights and astonishing synchronicity in love. Through all the seasons of the heart, this beautifully illustrated book candidly relates the "exquisite bubble" of new love, followed by the perils of "the insidious zone of complacency" where the shower of passion dries up and silence ensues. Finally, the girl realizes that the only guarantee of keeping the love she wants is to create the map for it herself.A Gorgeous Sense of Hope is a quirky and profound keepsake for new, promising relationships, for tired, troubled relationships, and for anyone who appreciates the fragility of love. It's for everyone who has been in love and those who might be, someday. After all, couldn't everyone use a gorgeous sense of hope?

    Dunn's landscape at the end of the century embraces the spectrum of urgencies and obsessions that we live with and for. It's a landscape that we share with citizens and spies, revelers and mourners, women who weep, men who keep secrets, and especially with the poet himself.

    As one of the first counter-cultural collections of American verse, this volume fits in Robert Lowell's famous definition of the raw in American poetry. Many of the contributors once derided in the mainstream press of the period are now part of the postmodern canon: Olson, Duncan, Creeley, Guest, Ashbery, Ginsberg, Kerouac, Levertov, O'Hara, Snyder, Schuyler, and others. Donald Allen's The New American Poetry delivered the first taste of these remarkable poets, and the book has since become an invaluable historical and cultural record, now available again for a new generation of readers.

    The Holy Forest, now spanning five decades, is Blaser's highly acclaimed lifelong serial poem. This long-awaited revised and expanded edition includes numerous published volumes of verse, the ongoing "Image-Nation" and "Truth Is Laughter" series, and new work from 1994 to 2004. Blaser's passion for world making draws inspiration from the major poets and philosophers of our time—from friends and peers such as Robert Duncan, Jack Spicer, Charles Olson, Charles Bernstein, and Steve McCaffery to virtual companions in thought such as Hannah Arendt, Maurice Merleau-Ponty, Michel Foucault, and Jacques Derrida, among others. This comprehensive compilation of Blaser's prophetic meditations on the histories, theories, emotions, experiments, and countermemories of the late twentieth century will stand as the definitive collection of his unique and luminous poetic oeuvre.

    When identical twins arrive at an unnamed fishing port, they become the focus of the residents' attention and gossip. The stories they tell about the young men uncover a dizzying web of connections, revealing passion, sex, and murder. Fates are surprisingly intertwined, and the result is a moving, often hilarious, novel that questions our assumptions about life and literature.

    Hejinian's characteristic linguistic intensity and philosophical approach are present in this book- length poem. "Reading Lyn Hejinian's HAPPILY can make one imagine a second, somewhat happier Stein telling stories in single long or short lines that are aware of one another as they go about their own affairs."--Bob Perelman "HAPPILY"...is a series of aphoristic statements interrogating 'hap' or, more prosaically, one's lot in life, one's fortune. This notion of chance as it is expressed through its root form, as in to happen, happenstance, happenings, haphazard, happenchance, happily, and happy happiness, becomes the generator that enlivens this ontological exploration of language's relationship to experience."--Claudia Rankine

    Among the poems he left behind are a particularly unsettling four that feature the mysterious Robinson: both a prototypical member of the smart set—masking his desperation with urbane savoir-faire—and an alter ego for the troubled Kees himself.In ROBINSON ALONE, Kathleen Rooney performs a bold act of literary mediumship, conjuring Kees through his borrowed character to sketch his restless journey across locales and milieus—New York, San Francisco, the highways between—and to evoke his ambitions, his frustrations, and his skewed humor. The product of a decade-long engagement with Kees and his work, this novel in poems is not only a portrait of an under-appreciated genius and his era, but also a beam flashed into haunted boiler-rooms that still fire the American spirit, rooms where energy and optimism are burnt down to ash.

    Onstage he wore a cape, clamped a bone to his nose, and carried a staff topped with a human skull. Offstage, he insisted he'd been raised by a tribe of Blackfoot Indians, that he'd joined the army at fourteen, that he'd defeated the middleweight boxing champion of Alaska, that he'd fathered seventy-five illegitimate children.The R&B wildman Screamin' Jay Hawkins only had a single hit, the classic "I Put a Spell On You," and was often written off as a clownish novelty act -- or worse, an offense to his race -- but his myth-making was legendary. In his second novel, Mark Binelli embraces the man and the legend to create a hilarious, tragic, fantastical portrait of this unlikeliest of protagonists. Hawkins saw his life story as a wild picaresque, and Binelli's novel follows suit, tackling the subject in a dazzling collage-like style.At Rolling Stone, Binelli has profiled some of the greatest musicians of our time, and this novel deftly plays with the inordinate focus on "authenticity" in so much music writing about African-Americans. An entire novel built around a musician as deliberately inauthentic as Screamin' Jay Hawkins thus becomes a sort of subversive act, as well as an extremely funny and surprisingly moving one.