When Samantha Schutz first left home for college, she was excited by the possibilities -- freedom from parents, freedom from a boyfriend who was reckless with her affections, freedom from the person she was supposed to be. At first, she revelled in the independence. . . but as pressures increased, she began to suffer anxiety attacks that would leave her mentally shaken and physically incapacitated. Thus began a hard road of discovery and coping, powerfully rendered in this poetry memoir.

    The problem with that: she’s not. She’s smart and creative and a little bit funky. She’s also an unwilling player in her parents’ modern-hippy, let’s-live-on-a-goat-farm experiment (regretfully, instigated by a younger, much more enthusiastic Janie). This, to put it simply, is not helping Janie reach that “normal target.” She has to milk goats every day…and endure her mother’s pseudo celebrity in the homemade-life, crunchy mom blogosphere. Goodbye the days of frozen lasagna and suburban living, hello crazy long bus ride to high school and total isolation--and hovering embarrassments of all kinds. The fresh baked bread is good…the threat of homemade jeans, not so much. It would be nice to go back to that old suburban life…or some grown up, high school version of it, complete with nice, normal boyfriends who wear crew neck sweaters and like social studies. So, what’s wrong with normal? Well, kind of everything. She knows that, of course, why else would she learn bass and join Jam Band, how else would she know to idolize infamous wild-child and high school senior Emma (her best friend Sarah’s older sister), why else would she get arrested while doing a school project on a local freedom school (jail was not part of the assignment). And, why else would she kind of be falling in "like" with a boy named Monster—yes, that is his real name. Janie was going for normal, but she missed her mark by about ten miles…and we mean that as a compliment. Frances O’Roark Dowell’s fierce humor and keen eye make her YA debut literary and wise. In the spirit of John Green and E. Lockhart, Dowell’s relatable, quirky characters and clever, fluid writing prove that growing up gets complicated…and normal is WAY overrated.

    Sadie’s lover calls her as he drives to meet his wife at marriage counseling. Gwen pines for her roommate, a man who will hold her hand but then tells her that her palm is sweaty. And Sasha agrees to have a drink with her married lover’s wife and then immediately regrets it. These are the women of Single, Carefree, Mellow, and in these eleven sublime stories they are grappling with unwelcome houseguests, disastrous birthday parties, needy but loyal friends, and all manner of love, secrets, and betrayal. In “Cranberry Relish” Josie’s ex—a man she met on Facebook—has a new girlfriend he found on Twitter. In “Blue Heron Bridge” Nina is more worried that the Presbyterian minister living in her garage will hear her kids swearing than about his finding out that she’s sleeping with her running partner. And in “The Rhett Butlers” a teenager loses her virginity to her history teacher and then outgrows him. In snappy, glittering prose that is both utterly hilarious and achingly poignant, Katherine Heiny chronicles the ways in which we are unfaithful to each other, both willfully and unwittingly. Maya, who appears in the title story and again in various states of love, forms the spine of this linked collection, and shows us through her moments of pleasure, loss, deceit, and kindness just how fickle the human heart can be.

    What's the point? There's so much else to read. With these essays, Lizzie Skurnick has answered those questions. It's as if a kindly psychiatrist suddenly appeared with a sheaf of missing brain scans. Does the mere mention of a mink-trimmed coat make you secretly swoon, even though you are rabidly anti-fur? You have 'A Little Princess' complex. Do you long to cover your enemies with leeches? You're having a 'Little House' flashback... So stretch out on Dr. Lizzie's couch and find out why you think it would be kind of cozy to be locked up in an attic with your brother. Or learn to dissect the subtle class consciousness of Judy Blume's New Jersey. Ponder the way that Lois Duncan's characters come into unexpected powers, natural and supernatural alike, as they enter adolesence. And most of all, enjoy.

    ‘Question 1. What would you say to your ex, without judgement?’Seeking closure after a tough break-up, Will Darbyshire was driven to strike up an intimate conversation with his online audience. Posting a series of questions via his YouTube, Twitter and Instagram channels, Will asked his followers to share their innermost thoughts about their relationship experiences, in the form of hand-written letters, poems, photographs, and emails.After 6 months and over 15,000 heartfelt submissions later, from over 100 countries, This Modern Love collects these letters together to form a compendium of 21st century love, structured into the beginning, middle and end of a relationship.Tender, funny and cathartic, This Modern Love is a compelling portrait of individual desires, resentments and fears that reminds us that, whether we're in or out of love, we're not alone.

    Jasmine finds the ideal room in an oceanfront house, but she needs to convince the three guys living there that she's the perfect roommate and lead guitarist for their band, C-Side. Too bad she has major stage fright and the cute bassist doesn't think a spoiled girl from over the hill can hack it. . . In this fresh new novel by critically acclaimed author Tara Kelly, Jasmine finds out what happens when her life gets Amplified.

    The one she creates after coming face to face with the devastating, lonely-making butt-kicking phenomenon known as heartbreak.Heartbreak comes in all forms: There’s Keats, the charmingly handsome new guy who couldn’t be more perfect for her. There’s possibly the worst person in the world, Cherisse, whose mission in life is to make Penelope miserable. There’s Penelope’s increasingly distant best friend Audrey. And then there’s Penelope’s other best friend, the equal-parts-infuriating-and-yet-somehow-amazing Eph, who has been all kinds of confusing lately.But sometimes the biggest heartbreak of all is learning to let go of that wondrous time before you ever knew things could be broken…

    And there’s one more thing. It’s all about feeling comfortable in your own skin-—no matter how you add it up!

    But you are more than just a hero ora villain, cursed or charmed. You are everything in between. You are everything. In fifty poems Christine Heppermann places fairy tales side by side with the modern teenage girl. Powerful and provocative, deadly funny and deadly serious, this collection is one to read, to share, to treasure, and to come back to again and again.

    With saucy detail on every page, this no-nonsense guide reveals why a strong woman is much more desirable than a "yes woman" who routinely sacrifices herself. The author provides compelling answers to the tough questions women often ask: · Why are men so romantic in the beginning and why do they change? · Why do men take nice girls for granted? · Why does a man respect a woman when she stands up for herself? Full of advice, hilarious real-life relationship scenarios, "she says/he thinks" tables, and the author's unique "Attraction Principles," Why Men Love Bitches gives you bottom-line answers. It helps you know who you are, stand your ground, and relate to men on a whole new level. Once you've discovered the feisty attitude men find so magnetic, you'll not only increase the romantic chemistry—you'll gain your man's love and respect with far less effort.

    Sophie claims she stole the idea from two girls in her math class. Courtney still has a death grip on the theory that the notebook was her invention. Lindsey doesn't really care; she's just along for the ride. And Julia never knows what's going on anyway.What we do know is that we started the notebook in freshman year at Stuyvesant High School as a way to keep in contact when our conflicting schedules denied us one another's company. It allowed us to express ourselves and our views of the world in a tone of complete sarcasm, obscenity, and blind honesty. We've spent a significant portion of our adolescence trying to figure out who we are. The notebook is the closest we've come.We're just a group of normal girls with normal lives. Our notebook is meant to make you laugh and make you remember.

    "Horror stories of eating disorders, self-mutilation, abusive relationships floated across the page," Shandler writes of Pipher's book on adolescent girls. "Pipher equated our contemporary adolescent experiences to Shakespeare's ill-fated Ophelia." Shandler identified with the emotional experiences described in the book. "However," she explains, "I did not feel simply spoken to, I felt spoken for."With courage and unselfconscious audacity, Shandler decided to speak for herself. She had her friends write reflections on subjects such as eating disorders, sex, drugs, and child abuse, and scored a book deal. With the help of her publisher, HarperPerennial, Shandler sent queries for firsthand adolescent accounts to high school principals across the country, asking them to enlist the help of English teachers, parents associations, school psychologists, etc. (This letter appears as Appendix A in the book.) Not too shabby for a kid who only recently started getting serious about studying, and drinking lots of coffee.Ophelia Speaks: Adolescent Girls Write About Their Search for Self is the result of Sara Shandler's crusade. Her goal was to bring real voice to Reviving Ophelia. She succeeds. The voices are raw and young and jarring -- sometimes adult-like, sometimes childlike, and more often both, like Shandler's voice.Shandler introduces each chapter -- "Intoxication," "Rape and Sexual Abuse," "Questions of Faith," "Diverse Sexualities," "Mothers, Feminist Pride," etc.-- with personal anecdotes of her own. Through these introductions, it becomes clear that Shandler is like any modern American teenager: She has experimented lightly with drugs, had sex at an early age (one month shy of 15), is mildly infatuated with her weight, and was at one point pretty depressed (as in, the thought of suicide once crossed her mind). Pretty run-of-the-mill teen stuff. Somehow it is surprising that nothing "worse" ever happened to Shandler. It seems too simple that her only motivation to complete this project was to help other teens feel less alone. Then again, maybe it is too simple to think that all books of this kind must be written by damaged teens or once-damaged teens.By definition, Shandler's carefully selected contributions are young words for young ears. But they are also an intense reminder for older ears: When all you have lived is 16 years, thinking once of suicide feels like the biggest thing ever. This is not to belittle Shandler's impressive compilation or her honesty. She is very, very honest. In a chapter entitled "Broken-Hearted Independence," she explains how she got through the tragedy of breaking up with her first love. "[W]ith our separation I forced myself to face the dependence that left me alone and broken with our breakup. That confrontation was frightening. I was not brave in the usual sense. I cried often and hard. But instead of lonely isolation, I read and wrote and thought and thought. I buried myself in Virginia Woolf and Alice Walker, Margaret Atwood and Maya Angelou, Sylvia Plath and Toni Morrison, and I wondered why women I had never met knew me so well. With these women I was not so alone anymore."Each entry in this book is this bare, this open. Which is why Ophelia Speaks works as a book for teens by teens, but also as a tool for parents who want to know -- or remind themselves -- of what lies just around the corner. (Alexandra Zissu)

    In the final weeks of eighth grade, Lauren Wood made a choice. She betrayed her best friend, Helen, in a manner so publicly humiliating that Helen had to move to a new town just to save face. Ditching Helen was worth it, though, because Lauren started high school as one of the It Girls--and now, at the start of her senior year, she's the cheerleading captain, the quarterback's girlfriend, and the undisputed queen bee. Lauren has everything she's ever wanted, and she has forgotten all about her ex-best friend. But Helen could never forget Lauren. After three years of obsessing, she's moving back to her old town. She has a new name and a new look, but she hasn’t dropped her old grudges. She has a detailed plan to bring down her former BFF by taking away everything that's ever been important to Lauren—starting with her boyfriend. Watch out, Lauren Wood. Things are about to get bitchy.

    They're attracted to each other, they grow to love each other. And once they've decided their love is forever, they make love.It's the beginning of an intense and exclusive relationship, with a future all planned. Until Katherine's parents insist that she and Michael put their love to the test with a summer apart...Forever is written for an older age group than Judy Blume's other novels for children. It caused a storm of controversy when it was first published because of its explicit sexual content.

    Meet Tuck Budd, who is happy living in Manhattan with her two moms, Izzy and Anastasia, until she begins to wonder who her father is. Meet La, who faces the loss of her mother with an imaginary androgynous blue friend who lives in her closet. Zingingly bright and dreamily dark, full of wonder and gritty reality, these stories by acclaimed author Francesca Lia Block show the reader that in every girl there truly is a goddess.The cutting-edge author of Weetzie Bat once again breaks new ground with Girl Goddess #9, nine stories about girl goddesses of every age and shape and color and size, wearing combat boots and spiky hair or dressed all in white. One girl has two moms, another has no mother at all but a strange blue skinned creature that lives in her closet. One is a rock star groupie, another loves dancing and reading poetry and having picnics in the backyard when the moon is full. These are stories about girls discovering that the world is not a simple place and that there is more than one way to live'all in Ms. Block's rich, lyrical language that fans have come to adore and that Sassy magazine called ‘a dream.'