Banks learns that one of the young men he has seen occasionally about the house is about to become his son-in-law. Daughter Kay announces the engagement out of nowhere. Mrs. Banks and her sons are happy, but Mr. Banks is in a dither. The groom-to-be, Buckley Dunstan, appears on the scene and Mr. Banks realizes that the engagement is serious. Buckley and Kay don't want a "big" wedding just a simple affair with a few friends! We soon learn, however, that the "few" friends idea is out. Then trouble really begins. The guest list grows larger each day, a caterer is called in, florists, furniture movers and dressmakers take over, and the Banks household is soon caught in turmoil.

     Devlin Morgan, the reclusive owner of Morgan’s Keep, coolly turns away her inquiries, and the villagers, who respect Devlin, refuse to cooperate, as well. Worse still is her own unwanted attraction to him. Especially once she begins to suspect he’s involved with her sister’s disappearance and the mysterious “Chiming Ghost.” In order to solve the mystery of her missing sister, she’ll also have to probe Devlin’s dark past, discover the truth about the “ghost.” and decide whether to trust the passion in her heart or play it safe and return to England. Whatever happens, she’ll never be the same when she leaves the island.

    Beverly is organizing the perfect dinner, but everything seems doomed to go awry--the silverware is all wrong, the radio is on the fritz, and the rest of the family can't be bothered to lift a hand to help. And yet, what appears at first to be a standard family dramedy takes a sharp, sly turn into a startling examination of deep-seated paradigms about race in America.

    This volume presents a comprehensive critical study of Samuel Beckett's first and most renowned dramatic work. Lawrence Graver discusses the play's background and provides a detailed analysis of its originality and distinction as a landmark of modern theatrical art. He also reviews some of the differences between Beckett's original French version and his English translation.

    He has also written fim scripts and for television.

    Arthur is raised in an enchanted world of smoke and mirrors where the only unshifting truth is his father’s and his beloved twin sister’s deep and abiding love for the works of William Shakespeare—a love so pervasive that Arthur becomes a writer in a misguided bid for their approval and affection.Years later, Arthur’s father, imprisoned for decades and nearing the end of his life, shares with Arthur a treasure he’s kept secret for half a century: a previously unknown play by Shakespeare, titled The Tragedy of Arthur. But Arthur and his sister also inherit their father’s mission: to see the play published and acknowledged as the Bard’s last great gift to humanity. . . .Unless it’s their father’s last great con.By turns hilarious and haunting, this virtuosic novel—which includes Shakespeare’s (?) lost King Arthur play in its five-act entirety—captures the very essence of romantic and familial love and betrayal. The Tragedy of Arthur explores the tension between storytelling and truth-telling, the thirst for originality in all our lives, and the act of literary mythmaking, both now and four centuries ago, as the two Arthurs—Arthur the novelist and Arthur the ancient king—play out their individual but strangely intertwined fates.A New York Times Notable Book • A New Yorker Reviewers’ Favorite of the Year • A Wall Street Journal Best Novel of the Year • A San Francisco Chronicle Best Book of the Year • A Chicago Tribune Favorite Book of the Year • A Library Journal Top Ten Book of the Year • A Kirkus Reviews Best Book of the Year • One of Salon’s five best novels of the year

    

    is a series of women's monologues tackling many different aspects of the complex female psyche.

    "What Lenny Bruce was to the 1950s, Bob Dylan to the 1960s, Woody Allen to the 1970s--that's what Eric Bogosian is to this frightening moment of drift in our history."--Frank Rich, The New York Times

    Scorned by her ducal father and determined to attain everything that life has denied her due to an accident of birth, she’s not about to let this arrogant earl stop her.Adrian Sutherland, the Earl of Danvers, saw his father destroyed by a heartless, predatory courtesan. He has no time or patience for such exotic, expensive ladybirds. He’s far too busy restoring his family’s wealth and reputation whilst doing what he can to protect his friends from the clutches of all the scheming courtesans of London.Then a moment of compassion turns intense dislike to breathless passion, and these two strong-willed, fiercely proud people are compelled to indulge in a brief affair. Each is convinced that they can satisfy their craving for the other without emotional risk.But neither realizes that a little dalliance can be a dangerous thing.Reader Advisory: This is an erotic historical romance and it contains frank sexual language and period appropriate sexual slang, frequent sexual scenes and descriptions and general bedchamber naughtiness. The characters discuss abuse issues from their backstories during the course of their developing relationship. For Adults 18 & Over Only.

    What was life? What was love? What else could have been? Full of mordant, bitter humour, this is a passionate threnody from one of Ireland's leading playwrights.Woman and Scarecrow premieres at the Royal Court Theatre, London, in June 2006.

    The dialogue crackles with hilarious, caustic putdowns as the indomitable Maggie deals with her feckless family and unwanted suitors. Everyone wants a part of Big Maggie and her property but she has other ideas.

    Telephone switchboard operator Frances' life is difficult as sole provider for her mother and adopted uncle. But it's thrown into turmoil when she overhears a suspicious conversation on the phone, planning a murder.If a life is at risk, she should tell the police; but that would mean breaking her confidentiality clause and would cost her the job. And practical Frances, not prone to flights of fancy, soon begins to doubt the evidence of her own ears - it was a very bad line, after all...She decides to put it behind her, a task helped by the arrival of their new lodger, Phil. Phil takes her to a nightclub, where she meets charming but slightly dangerous club owner Jack. Jack's no angel - prohibition is in force, and what's a nightclub without champagne? But he's a good man, and when Frances' earlier fears resurface she knows that he's the person to confide in.Frances and Jack's hunt for the truth put them in grave danger, and soon enough Frances will learn that some things are a matter of love and death...

    Recommended for all collections." - Choice

    This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ]+++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Sacrifice: And Other Plays Rabindranath Tagore The Macmillan company, 1917 Drama