W. S. Merwin's incomparable translation faces the original Spanish text. Now in a black-spine Classics edition with an introduction by Cristina Garcia, this book stands as an essential collection that continues to inspire lovers and poets around the world.The most popular work by Chile's Nobel Prize-winning poet, and the subject of Pablo Larraín's acclaimed feature film Neruda starring Gael García Bernal.

    This new bilingual selection brings together some two hundred poems--the largest collection of Borges' poetry ever assembled in English, including scores of poems never previously translated. Edited by Alexander Coleman, the selection draws from a lifetime's work--from Borges' first published volume of verse, Fervor de Buenos Aires (1923), to his final work, Los Conjurados, published just a year before his death in 1986. Throughout this unique collection the brilliance of the Spanish originals is matched by luminous English versions by a remarkable cast of translators, including Robert Fitzgerald, Stephen Kessler, W. S. Merwin, Alastair Reid, Mark Strand, Charles Tomlinson, and John Updike.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    Collection of poems rising from and returning to Bukowski's personal experiences reflect people, objects, places, and events of the external world, and reflects on them, on their way out and back.

    An adaptation of the ballad singing culture of the gaucho minority that saw its way of life threatened by social and political changes of the 19th century.

    But Poe is also the author of some of the most haunting poetry ever written--poems of love, death and loneliness that have lost none of their power to enthrall in this unique Signet Classic edition.

    A collection of quintessentially American poems, the seminal work of one of the most influential writers of the nineteenth century.

    His highly regarded Sonatas tetralogy, which appeared from 1902 to 1905, was hailed as the pinnacle of Spanish modernist prose and the beginning of modern Spanish literature.The Sonatas, named for the four seasons, represent the memoirs of the Marquis of Bradomín, a Galician Don Juan. The Spring Sonata takes place in his youth, when he is consumed with passion for a beautiful young aristocratic woman--a paragon of purity whose chief desire in life is to join a convent. The story of their romance, a tale of ardor and innocence, is lively, moving, and surprising.In addition to its detailed background information, the introduction features summaries of the other three Sonatas. This new translation is the first and only annotated edition of Spring Sonata and the only available dual-language edition.

    In such classics as "The Beekeeper's Daughter," "The Disquieting Muses," "I Want, I Want," and "Full Fathom Five," she writes about sows and skeletons, fathers and suicides, about the noisy imperatives of life and the chilly hunger for death. Graceful in their craftsmanship, wonderfully original in their imagery, and presenting layer after layer of meaning, the forty poems in The Colossus are early artifacts of genius that still possess the power to move, delight, and shock.

    Loosely based on the author’s own life, it is the story of an orphaned young woman who leaves her small town to attend university in war-ravaged Barcelona.Residing amid genteel poverty in a mysterious house on Calle de Aribau, young Andrea falls in with a wealthy band of schoolmates who provide a rich counterpoint to the squalor of her home life. As experience overtakes innocence, Andrea gradually learns the disquieting truth about the people she shares her life with: her overbearing and superstitious aunt Angustias; her nihilistic yet artistically gifted uncle Román and his violent brother Juan; and Juan’s disturbingly beautiful wife, Gloria, who secretly supports the clan with her gambling. From existential crisis to a growing maturity and resolve, Andrea’s passionate inner journey leaves her wiser, stronger, and filled with hope for the future.The incomparable Edith Grossman’s vital new translation captures the feverish energy of Laforet’s magnificent story, showcasing its dark, powerful imagery, and its subtle humor. And Mario Vargas Llosa’s Introduction illuminates Laforet’s brilliant depiction of life during the early days of the Franco regime. With crystalline insight into the human condition, Carmen Laforet’s classic novel stands poised to reclaim its place as one of the great novels of twentieth-century Europe.

    Tableaux Parisiens condemns the crushing effects of urban planning on a city's soul and praises the city's anti-heroes including the deranged and derelict. Le Vin centers on the search for oblivion in drink and drugs. The many kinds of love that lie outside traditional morality is the focus of Fleurs du Mal while rebellion is at the heart of Révolte.

    Selected by a team of poets and prominent Neruda scholars in both Chile and the United States, this is a definitive selection that draws from the entire breadth and width of Neruda’s various styles and themes. An impressive group of translators that includes Alaistair Reid, Stephen Mitchell, Robert Hass, Stephen Kessler and Jack Hirschman have come together to revisit or completely retranslate the poems. A bilingual edition, with English on one side of the page, the original Spanish on the other. This selection sets the standard for a general, high--quality introduction to Neruda’s complete oeuvre. Pablo Neruda was born in Chile in 1904. He received the Nobel Prize for Literature in 1971.

    A leading figure in the movement known as modernismo, Darío created the modern Spanish lyric and permanently altered the course of Spanish poetry. Yet while his output has inspired a great deal of critical analysis and a scattering of translations, there has been, until now, no complete English translation of any of his books of poetry. This bilingual edition of Darío’s 1905 masterpiece, Cantos de vida y esperanza, fills a crucial gap in Hispanic and world literature studies. Will Derusha and Alberto Acereda have provided not only an elegant English translation of Darío’s work but also an authoritative version of the original Spanish text. Written over the course of seven years and in many locales in Latin America and Europe, the poems in Cantos de vida y esperanza reflect both Darío’s anguished sense of modern life and his ecstatic visions of transcendence, freedom, and the transformative power of art. They reveal Darío’s familiarity with Spanish, French, and English literature and the wide range of his concerns—existential, religious, erotic, and socio-political. Derusha and Acereda’s translation renders Darío’s themes with meticulous clarity and captures the structural and acoustic dimensions of the poet’s language in all its rhythmic sonority. Their introduction places this singular poet—arguably the greatest to emerge from Latin America in modern literature—and his best and most widely known work in historical and literary context. An extensive glossary offers additional information, explaining terms related to modernismo, Hispanic history, mythological allusions, and artists and writers prominent at the turn of the last century.

    In the still darkness of their cell, Molina re-weaves the glittering and fragile stories of the film he loves, and the cynical Valentin listens. Valentin believes in the just cause which makes all suffering bearable; Molina believes in the magic of love which makes all else endurable. Each has always been alone, and always - especially now - in danger of betrayal. But in cell 7 each surrenders to the other something of himself that he has never surrendered before.

    A ruba'i is a two-line stanza with two parts (or hemistichs) per line, hence the word rubáiyát (derived from the Arabic language root for "four"), meaning "quatrains". (Courtesy: Wikipedia)(less)

    But when he admits his deception, the countess is faced with a social dilemma. A painful and hilarious comedy for anyone who has ever fallen in love with someone they shouldn’t have fallen in love with, The Dog in the Manger was part of the Royal Shakespeare Company’s acclaimed Spanish Golden Age Season in 2004.