16-page, full-color insert, 2 photos, maps & family trees.

    Their works are presented first by chronology and then by subject, so that illustrators, historians, and students alike can choose to follow the path of fashion through the centuries, or study in detail the contrasting styles of individual clothing and accessories. Silhouettes reveal the shape of style through the ages, detailed cross-references draw attention to recurring motifs, and navigation bars help the researcher to travel the complex chronology of costume.With authoritative narrative from leading experts in the history of costume, extraordinary contemporary quotes that reveal the impact of style in its day, detailed annotation, and an extensive glossary, the book provides a magnificent study of the rich vocabulary of style through the ages.

    Originally published in 1906, the book captures Eager’s years as governess to the four daughters of the Emperor and Empress Nicholas II and Alexandra Feodorovna: the Grand Duchesses Olga, Tatiana, Maria, and Anastasia. All of whom would be executed during the Russian civil war just over a decade later.This first-person account provides a fascinating insight into what was everyday life for the Romanov family. From religious celebrations and family illness to assassination attempts and life during the war; Eager’s central role gained her access to some of the family’s most precious and testing times. In addition to documenting the time spent with her royal employers, Eager also reveals intriguing aspects of Russian society as whole. Through a series of anecdotal references she includes recollections of her time in Russia regarding such things as the tough life of the peasantry, criminal activity and even the national post service.This classic, written from the unsuspecting eyes of a foreign nanny, shows early twentieth century Russia and the last Russian royal family like you’ve never seen before. Margaret Eager (1863-1936) left the Russia in 1904 and returned to Ireland where she received a pension from the Russian government for her time as a nurse. She kept in contact with the family she had known so well right up to their brutal deaths in 1918. Eager’s family stated that she never fully recovered from the news.Albion Press is an imprint of Endeavour Press, the UK's leading independent digital publisher. For more information on our titles please sign up to our newsletter at www.endeavourpress.com. Each week you will receive updates on free and discounted ebooks. Follow us on Twitter: @EndeavourPress and on Facebook via http://on.fb.me/1HweQV7. We are always interested in hearing from our readers. Endeavour Press believes that the future is now.

    The story of the dynasty's dramatic end has exerted a lasting fascination. This book seeks to widen the picture, looking at the lives of members of the family during the last century of imperial rule, and setting this into the context of the grand palaces in which they lived. It was a time of contrasts, a period in which the Tsars reached the peak of their wealth, prestige and power, yet also faced the growth of forces which would destroy them. In 1817, 100 years before the Revolution, the first Nicholas and Alexander were married in the Winter Palace. This book tells their story, and the stories of their successors, Alexander II, Alexander III and Nicholas II, each trying to steer their own course. It also looks at the lives of their sisters and brothers, and other members of the large Russian royal family, detailing their daily lives.

    George V, Wilhelm II and Nicholas II, known in the family as Georgie, Willy and Nicky, were cousins. Between them they ruled over half the world. They had been friends since childhood. But by July 1914 the Trade Union of Kings was falling apart. Each was blaming the other for the impending disaster of the First World War. 'Have I gone mad?' Nicky asked his wife Alix in St Petersburg, showing her another telegram from Willy. 'What on earth does William mean pretending that it still depends on me whether war is averted or not!' Behind the friendliness of family gatherings lurked family quarrels, which were often played out in public. Drawing widely on previously unpublished documents, this is the extraordinary story of their overlapping lives, conducted in palaces of unimaginable opulence, surrounded by flattery and political intrigue. And through it runs the question: to what extent were the King, the Kaiser and the Tsar responsible for the outbreak of the war, and, as it turned out, for the end of autocratic monarchy?

    Pius and idealistic, the young Sophie shed her cloak of innocence to become Catherine The Great. At the urging of her ambitious mother, Johanna, Sophie married Peter III, the only grandson of Russian legend, Peter I. After scandalous love affairs and the mysterious sudden death of her husband, Peter III, Catherine ascended the Russian throne. The most intriguing aspect of the story is the fact that Catherine had no moral or legal right to the Russian throne. During that era, the laws of succession were rigidly enforced. In Russia, there were three living heirs, each with a legitimate right to the throne; one of those heirs was her husband, Peter III, the grandson of Peter I, a giant in Russian history, known affectionately as The Father of Russia. Catherine was cautioned repeatedly that she would not be able to sidestep her husband, Peter III and Ivan VI (who was living but in prison), while at the same time ignoring the rights of her own son, Paul I. Highly placed members of the Russian aristocracy warned Catherine that the Russian people would take up arms against her solely for the fact that she was German, not Russian. The fact that Catherine was able to overcome so many obstacles to ascend the throne of Russia is a monument to her brilliance, strength and determination. Not only was she crowned Empress, her rule would last thirty years. Catherine's extraordinary success as a ruler has made her a legend in her own right.

    More than a thousand illustrations, based on surviving garments and contemporary paintings and photographs, demonstrate the astonishing changes in men’s and women’s clothing over the centuries—from the simple tunics and gowns of the eleventh century to the petticoat breeches and ostrich-plumed hats of Charles II’s reign to the T-shirts and shorts of today.Clear and detailed drawings, plus notes that pinpoint specific features such as fabric, decoration, accessories and cut, make each costume immediately comprehensible.Completely up to date, and with a new chart showing the main changes in fashion through the centuries, this is an essential reference for students of theatrical design and fashion, drama groups and anyone interested in the history of costume.

    Filled with chilling tales of looted palaces and burning estates, of desperate flights in the night from marauding peasants and Red Army soldiers, of imprisonment, exile, and execution, it is the story of how a centuries’-old elite, famous for its glittering wealth, its service to the Tsar and Empire, and its promotion of the arts and culture, was dispossessed and destroyed along with the rest of old Russia.Yet Former People is also a story of survival and accommodation, of how many of the tsarist ruling class—so-called “former people” and “class enemies”—overcame the psychological wounds inflicted by the loss of their world and decades of repression as they struggled to find a place for themselves and their families in the new, hostile order of the Soviet Union. Chronicling the fate of two great aristocratic families—the Sheremetevs and the Golitsyns—the book reveals how even in the darkest depths of the terror, daily life went on. Told with sensitivity and nuance by acclaimed historian Douglas Smith, Former People is the dramatic portrait of two of Russia’s most powerful aristocratic families, and a sweeping account of their homeland in violent transition.

    The bad seeds on the family trees of the most powerful royal houses of Europe often became the most rotten of apples: uber-violent autocrats Vlad the Impaler and Ivan the Terrible literally reigned in blood. Lettice Knollys strove to mimic the appearance of her cousin Elizabeth I and even stole her man. And Pauline Bonaparte scandalized her brother Napoleon by having a golden goblet fashioned in the shape of her breast.Chock-full of shocking scenes, titillating tales, and wildly wicked nobles, Royal Pains is a rollicking compendium of the most infamous, capricious, and insatiable bluebloods of Europe.

    Tracing the evolution of fashion — from the early draped fabrics of ancient times to the catwalk couture of today — Fashion: The Definitive History of Costume and Style is a stunningly illustrated guide to more than three thousand years of shifting trends and innovative developments in the world of clothing.Containing everything you need to know about changing fashion and style — from ancient Egyptian dress to Space Age Fashion and Grunge — and information on icons like Marie Antoinette, Clara Bow, Jacqueline Kennedy, and Alexander McQueen, Fashion catalogs the history of what people wear, revealing how Western fashion has been influenced by design from around the world and celebrating costume and haute couture.Fashion will captivate anyone interested in style — whether it's the fashion-mad teen in Tokyo, the wannabe designer in college, or the fashionista intrigued by the violent origins of the stiletto and the birth of bling.

    This work paints a vivid picture of the entire Romanov family and illustrates exactly what it contributed to the creation of Russia, bringing the characters of the tsars and their family to life.

    Born in splendor difficult to imagine today, she endured a lifetime of relentless tragedy with courage and exceptional powers of adjustment.The Last Grand Duchess is a valuable account of the final decades of the house of Romanov as seen through the eyes of its last surviving member. Through Olga, we meet Queen Victoria, George V of England, Rasputin, Mrs. Anderson - on whose story the movie Anastasia was made - and other impostors who plagued the exiled duchess with false hope.In this official memoir, Ian Vorres captures the loneliness and violence of Olga's years in Russia, her loveless first marriage to Prince Peter of Oldenburg, her years of exile in England and Denmark, and her final settlement with her second husband and family in Canada.Long out of print, and now reissued in a handsomely illustrated edition, The Last Grand Duchess is the thorough and engaging official biography of an extraordinary woman.

    Midnight, in bed with her sister, Anastasia (Shvybz), in the Ipatiev Mansion in Ekaterinburg, during the last night of their lives. So much of my story unfolds by moonlight. This is a tale of midnight wakings and forced marches before dawn. Since this nightmare began, I do not dare undress, even to go to bed. I wear my dressing gown, my hair is prepared, and my shoes are set beside me. I have no idea when we will be summoned to rise. We have moved, as in the worst of dreams, slowly toward this place. There is no logic other than the sleepwalker’s obedience—to follow instruction which we cannot resist: an actual lunacy. Now, I have control only of this—my record of what happened to us, to me. I have committed a single sin, my one terrible transgression. I pray to be absolved. In this recording of memory lies all meaning to my life. Let my will prevail in this, my ultimate wish, to salvage something of value from this tragedy. The rest, as my mother says, is in God’s hands. When I look back, as I must in the short time allotted to me now, I can see the exact moment when our lives changed: at last light, on the thirteenth of March, 1917." Here, in startling new historical detail, based on original diaries and letters, is the Romanov tragedy told from the point of view of the Tsar's third daughter, Marie, Anastasia's closest, older sister. Marie's story is unique-only Marie crossed the frozen Siberian river with her parents, and only Marie shared the full 78 days and nights in 'The House of Special Purpose.' About the Author: Laura Rose is a popular playwright in Russia and is of Russian descent. She has extensively researched the history and explored the Alexander Palace and the site of the Ipatiev mansion.

     Additionally, as a lady-in-waiting, Countess Buxhoeveden attended on the Empress for much of the reign of Tsar Nicholas II, only leaving her side when the Imperial Family was removed to Tobolsk after the Tsar’s abdication in 1917. Thereafter, she followed the Empress to Tobolsk, and then to Ekaterinburg, where the entire Imperial Family, some of the Court suite and some of their servants met their deaths on July 17, 1918. The portrait the Countess paints of the Empress is of a warm, shy, kind and generous woman, devoted to Russia, her husband and her children, deeply charitable in word and deed, and a committed friend and mistress, but ill-starred, physically sick, maligned, misunderstood and much plotted against. The character descriptions in this book also include those for Tsar Nicholas, each of the children – OTMA and the Tsarevitch – Grand Duchess Ella (the Empress’ sister), Ania Vyrubova (the Empress’ most intimate friend), Rasputin and Kerensky (the Head of the Provisional Government that took power after the abdication of the Tsar and before the ascendancy of the Bolsheviks). The narrative also describes in detail the daily domestic life of the Imperial Family, and each of their trips to other parts of Russia and abroad in peace and war. It is rare for the author of any authorized biography to know her subject so familiarly and for so long, and to have been a first-hand witness to almost everything that happened for much of her life, and it is this that makes ‘The Tragic Empress’ such an intriguing and compelling book.

    This title features the patterns, techniques and history of over 20 historically correct corsets, ranging from the 1750s to 1950, from boned corsets, ribbon corsets and basques to the more recent 1949 satin corsets.