At their enthusiastic behest, we have delivered this brand-new short story collection, including stories previously exclusive to Sherrilyn’s website, as well as an all-new, never-before seen story!Sherrilyn Kenyon takes readers from the Dark-Hunters to the demigods, from Dream-Hunters to demons, and everything in between. Dangerous and exciting, each story is one thrill ride after the next, proving time and again how Sherrilyn has captivated millions of readers worldwide. Now, readers are invited to go deep into Kenyon’s rich and imaginative world and experience the heart-racing moments that never stop coming!Included novellas:House of the Rising Son Phantom Lover (V’Aidan) Winter Born (Dante) A Dark-Hunter Christmas (Gallagher) Until Death We Do Part (Velkan) A Hard Day’s Night Searcher (Rafael) Shadow of the Moon (Fury) Fear the Darkness Where Angels Fear to Tread (Zeke) Love Bytes Santa Wears Spurs Redemption (bonus scene from The Guardian)

    And behind its doors, amid the flickering shadows and secret passageways, danger lies in wait… TO HIS EVERY DARK DESIREEvangeline Pemberton has been invited to a party at the sprawling estate of reclusive Gavin Lioncroft, who is rumored to have killed in cold blood. Initially, his towering presence and brusque manner instill fear… until his seductive attentions and unexpected vulnerability conquer her resistance.But when a guest is murdered, Evangeline is torn. Could the man to whom she is so powerfully drawn, also be a ruthless killer?

    From the trilogy's darker themes of violence and social control to fashion and weaponry, the collection's exploration of the Hunger Games reveals exactly how rich, and how perilous, protagonist Katniss' world really is.• How does the way the Games affect the brain explain Haymitch's drinking, Annie's distraction, and Wiress' speech problems?• What does the rebellion have in common with the War on Terror?• Why isn't the answer to "Peeta or Gale?" as interesting as the question itself?• What should Panem have learned from the fates of other hedonistic societies throughout history and what can we?The Girl Who Was On Fire covers all three books in the Hunger Games trilogy.

            The stories are divided into three sections: The Age of Fable or Stories of Gods and Heroes (first published in 1855); The Age of Chivalry (1858), which contains King Arthur and His Knights, The Mabinogeon, and The Knights of English History; and Legends of Charlemagne or Romance of the Middle Ages (1863). For the Greek myths, Bulfinch drew on Ovid and Virgil, and for the sagas of the north, from Mallet's Northern Antiquities. He provides lively versions of the myths of Zeus and Hera, Venus and Adonis, Daphne and Apollo, and their cohorts on Mount Olympus; the love story of Pygmalion and Galatea; the legends of the Trojan War and the epic wanderings of Ulysses and Aeneas; the joys of Valhalla and the furies of Thor; and the tales of Beowulf and Robin Hood. The tales are eminently readable. As Bulfinch wrote, "Without a knowledge of mythology much of the elegant literature of our own language cannot be understood and appreciated. . . . Our book is an attempt to solve this problem, by telling the stories of mythology in such a manner as to make them a source of amusement."Thomas Bulfinch, in his day job, was a clerk in the Merchant's Bank of Boston, an undemanding position that afforded him ample leisure time in which to pursue his other interests. In addition to serving as secretary of the Boston Society of Natural History, he thoroughly researched the myths and legends and copiously cross-referenced them with literature and art. As such, the myths are an indispensable guide to the cultural values of the nineteenth century; however, it is the vigor of the stories themselves that returns generation after generation to Bulfinch.

    But when her coming-of-age trial is sabotaged and she fails the test, her father banishes her to the monster-filled wilderness with an impossible quest: To win back her honor, she must kill the oppressive god who claims tribute from the villages each year—or die trying.

    I write because I have seen the darkness that will come. Already there are those who seek to tell a new history...In a land of mountains and mist, tradition and superstition, Languoreth and her brother Lailoken are raised in the Old Way of their ancestors. But in Scotland, a new religion is rising, one that brings disruption, bloodshed, and riot. And even as her family faces the burgeoning forces of Christianity, the Anglo-Saxons, bent on colonization, are encroaching from the east. When conflict brings the hero Emrys Pendragon to her father’s door, Languoreth finds love with one of his warriors. Her deep connection to Maelgwn is forged by enchantment, but she is promised in marriage to Rhydderch, son of a Christian king. As Languoreth is catapulted into a world of violence and political intrigue, she must learn to adapt. Together with her brother—a warrior and druid known to history as Myrddin—Languoreth must assume her duty to fight for the preservation of the Old Way and the survival of her kingdom, or risk the loss of them both forever.Based on new scholarship, this tale of bravery and conflicted love brings a lost queen back to life—rescuing her from obscurity, and reaffirming her place at the center of one of the most enduring legends of all time.

    Their past, too traumatic to be remembered regularly, is forgotten by everyone, save one—the historian. This demanding role has been bestowed on Yetu.Yetu remembers for everyone, and the memories, painful and wonderful, traumatic and terrible and miraculous, are destroying her. And so, she flees to the surface, escaping the memories, the expectations, and the responsibilities—and discovers a world her people left behind long ago.Yetu will learn more than she ever expected to about her own past—and about the future of her people. If they are all to survive, they’ll need to reclaim the memories, reclaim their identity—and own who they really are.Inspired by a song produced by the rap group Clipping for the This American Life episode “We Are In The Future,” The Deep is vividly original and uniquely affecting.

    Trapped in time, her survival and return are threatened by her tortured heart.Ensnared by hopelessness and grief, 24-year-old Kat Shelton, accepts a position as the curator of an old English estate with the sole purpose of running away from her memories and to bury life’s pain.What she finds on her journey is much more than she bargained for—an arrogant employer, patronizing staff, and a chaotic system, to name a few. Then to top it all off, an unforeseen tumble down the antiquated cellar steps brings her to a sudden halt.Waking up in the year 1878, and mistaken for the children’s new governess, Kat scrambles to navigate nineteenth-century British lifestyle and culture. An impossible feat if it weren’t for the help of the Gilford girls and their charming and handsome brother, Merritt.Will Kat find the strength, love, and forgiveness she yearns for in the past? Or will her path bring her back to the reality she fears?

    more. And the more I’m around Red, the more I crave him. But none of that matters when fate steps in, and I find myself leading the Pack.My Pack will never accept him.The people of Lethbridge will never accept me.And a relationship with a human is the last thing I need.

    Fans missing their favorite series can now rejoice: Novik returns with an original Temeraire collection as unique as the world she has created, with each tale inspired by an accompanying piece of fan art. The Temeraire novels provide a window into an alternate nineteenth century populated with Novik’s own richly human and unforgettably draconic characters as they adventure alongside well-known historical figures. That tradition continues here. Readers will delight at appearances by fan-favorite characters from the series and historical figures like the famed explorer Matteo Ricci. In “Planting Season,” Novik shows us an early glimpse of American dragon John Wampanoag at Boston Harbor. “Golden Age” finds a dragon who believes he remembers being called Celeste hatch from a shipwreck-tossed crate onto an island where he meets others of his kind. But other famous fictional characters are to be discovered here as well. Readers will certainly recognize a certain Miss Bennet (here Captain Bennet) and her suitor, Mr. Darcy, in “Dragons and Decorum.” Filled with the inventive world-building, rich detail, sparkling wit, and deep emotion that readers have come to expect from Novik’s work, Golden Age and Other Stories is a treasure at home on any Temeraire-lover’s bookshelf.

    A bit of Egypt, a glimpse of Syria, a nod to Constantinople -- that's all that was supposed to happen. Instead, Julian Beaufort becomes mesmerized. Wandering in idle admiration through the labyrinthine streets of Damascus, he stumbles upon Bait Katib, a house that takes possession of his heart. It is elegant; it is ancient; and it is, after a bit of negotiation with the owner, his. He has every intention of staying there for the rest of his life. But the world doesn't relinquish its hold so easily. Two bloody wars -- one in Europe and one in Syria -- leave Julian wounded and the city of Damascus in ruins. He returns from battle to find his precious house still standing, but no longer entirely his. It seems someone else may be occupying the shadows of Bait Katib. A mystery, a love story, and a journey to a sepia-toned past, Barbara Hodgson's new illustrated novel will haunt and delight her many devoted readers and tempt legions more to take a guided journey into another world.

    Captive. Gladiator.Fallon is the daughter of a proud Celtic king, the sister of the legendary warrior Sorcha, and the sworn enemy of Julius Caesar.When Fallon was a child, Caesar’s armies invaded her homeland, and her beloved sister was killed in battle.Now, on the eve of her seventeenth birthday, Fallon is eager to follow in her sister’s footsteps and earn her place in the fearsome Cantii war band. She never gets the chance.Fallon is captured and sold to an elite training school for female gladiators—owned by none other than Julius Caesar. In a cruel twist of fate, the man who destroyed Fallon’s family might be her only hope of survival.Now Fallon must overcome vicious rivalries and deadly fights—in and out of the arena. And perhaps the most dangerous threat of all: her forbidden yet irresistible feelings for Cai, a young Roman soldier.

    Perfect for fans of CIRCE, A SONG OF ACHILLES, and THE SILENCE OF THE GIRLS.As Princesses of Crete and daughters of the fearsome King Minos, Ariadne and her sister Phaedra grow up hearing the hoofbeats and bellows of the Minotaur echo from the Labyrinth beneath the palace. The Minotaur – Minos's greatest shame and Ariadne's brother – demands blood every year.When Theseus, Prince of Athens, arrives in Crete as a sacrifice to the beast, Ariadne falls in love with him. But helping Theseus kill the monster means betraying her family and country, and Ariadne knows only too well that in a world ruled by mercurial gods – drawing their attention can cost you everything.In a world where women are nothing more than the pawns of powerful men, will Ariadne's decision to betray Crete for Theseus ensure her happy ending? Or will she find herself sacrificed for her lover's ambition?Ariadne gives a voice to the forgotten women of one of the most famous Greek myths, and speaks to their strength in the face of angry, petulant Gods. Beautifully written and completely immersive, this is an exceptional debut novel.

    He knows about the magic that crackles above the rooftops and beneath the streets. He knows about the creatures and beings - considered mythical to most and gods to some - playing their long and complicated game across the city. Until recently, he's kept to the sidelines - watching their moves, keeping their secrets, trading an occasional favor. But now things have shifted and it's not clear whether he's player or pawn. If he wants to survive, he'll need to decide which is his true role.

    The novel that set the stage for his modern classic, The Satanic Verses, Shame is Salman Rushdie’s phantasmagoric epic of an unnamed country that is “not quite Pakistan.” In this dazzling tale of an ongoing duel between the families of two men–one a celebrated wager of war, the other a debauched lover of pleasure–Rushdie brilliantly portrays a world caught between honor and humiliation–“shamelessness, shame: the roots of violence.” Shame is an astonishing story that grows more timely by the day.