Galveston private investigator Truman Smith is asked to find a friend's missing daughter.

    In Stick, an ex-con trying to go straight finds himself tempted by a high stakes, sweet-revenge scam...and targeted by a psycho killer with a score to settle.

    He gets his first job in years as the hotel detective of the landmark Hanlon Hotel. But now that Bugs owes deputy sheriff Lou Ford a favor, things are likely to get ugly, fast--and odds are, it'll have something to do with the bombshell wife of his Bugs' new employer... In WILD TOWN, Jim Thompson returns to the characters from THE KILLER INSIDE ME that made his reputation, in a virtuoso, multi-character portrait of how one man's life can take a turn for the worse.

    But when corporate security catches up with Adam Cassidy, a low ambition junior staffer at the high-tech behemoth, they call it something else: embezzlement, to the tune of nearly $80 grand.Ruthless CEO Nick Wyatt is impressed by Adam's scheming, and offers him one way out-take on the role of a rising corporate hotshot and infiltrate Wyatt's rival, Trion Systems. His mission is to get close to Trion's legendary founder Jock Goddard, and his ultra-secret "Project Aurora," and report back to Wyatt.With Wyatt pulling the strings and a dramatically improved identity, Adam is set up as Trion's new boy genius. Suddenly, he's got a sweet new Porsche, a closet full of $1,500 suits, and even a lovely lady who thinks he's a dream. But it's all just a mirage, because Adam is about to learn that nothing is what it seems and that it isn't paranoia...everyone is out to get him...

    In the midst of an ugly family meltdown, Prager is desperate to find a way to make sense of what has caused his once-happy family to implode. As he waits, however, it is Prager who receives a call that might not only solve a case that has haunted him and his wife for twenty years, but might also supply the glue to patch his family back together. December 8th, 1977: Patrick Maloney, a supposedly popular college student, walks out of a Manhattan nightspot into oblivion. It's no wonder Maloney's disappearance barely registers on the radar screen. Son of Sam strikes. Elvis is dead. It's the Sex Pistols vs. the BeeGees, Studio 54 and the Dirt Lounge, est and yin/yang, gas shortages, Quaaludes, pot and polyester, Plato's Retreat, The Rocky Horror Picture Show, and the neutron bomb.Moe Prager, a cop forced into early retirement by injury, certainly hadn't noticed Patrick Maloney's disappearance. But when Prager's ex-partner calls with an offer to work on the case, Moe, wracked with self-doubt over his undistinguished career, signs on.As Prager traces Patrick Maloney's steps from his upstate home to his college dorm on Long Island, from the Tribeca bar where he was last seen to an old flame's mansion on the Gold Coast, Moe realizes that nothing about the case, especially the details of the missing man's life, is as it seems. Even the picture his parents gave the police was two years out of date. Why? What could his parents be hiding? What tortured secrets might have driven Patrick to create a public persona so different from his true self?Questions multiply as Prager searches for Patrick in New York's notorious punk underground, gay clubs and biker bars. Will Moe's blossoming relationship with Patrick's older sister help to bring Maloney back home or will it help to destroy any progress in the case? Can Moe overcome the roadblocks thrown in his path by dirty cops, corrupt politicians, and an ambitious reporter? And who are the truly ominous forces working behind the scenes to pull Prager into the very private hell of the Maloney family? Is Moe Praer running in circles or simply walking the perfect square?

    Not even the death of the team's manager can dampen the enthusiasm for long, but then a kid on the high school paper begins to hear things-stories of brutalities at a team retreat, of hazing that went over the line . . . of murder. But no one wants to know, and at every step, the ranks close against him-the school, the parents, the police, the town fathers. Soon the threats begin, then the physical intimidation, and even after he recruits a fallen-from-grace city newsman named Ben Mitchell to help him, the incidents get uglier-and more dangerous. "You always kill for a big story," Mitchell tells him. "You don't get killed for one." But it may already be too late. Things may have gone too far. For years, such top thriller writers as Harlan Coben, Elmore Leonard, and Carl Hiaasen have praised Lupica for his tightly wound plots, rich characters, and dialogue "that is alone worth the price" (Leonard). Now Lupica joins their ranks. Too Far is a major novel of suspense-and a book that makes us all look in our own backyards.

    She's the strong one. The one who escaped Herne Bay and the memories it holds. Her sister Sally didn't. Instead, she drinks. But when their mother dies, Kate is forced to return to the old family home. And on her first night she is woken by a terrifying scream.What secret has Kate stumbled upon?And is she strong enough to uncover the truth . . . and make it out alive?

    "I can deceive anyone," he says, "and no one more quickly or more completely than myself." Now the man he most admires, the honorable Judge Rifkin, has asked him a favor: Defend a drug dealer accused of raping his twelve-year-old stepdaughter. Yet Antonelli's acceptance of the case sets in motion an explosive chain of corruption, betrayal, and murder that will leave no one unscathed. . . .

    Reissue.

    Worse, Alex wasn’t an innocent bystander but part of the gang that raided the vault and left behind numerous bodies.Simmering with rage over his loss, Will tries to let the police handle the matter. But as Alex’s killers remain at large, Will decides that it’s up to him—and a few old friends—to enact revenge in a most brutal manner.Now he’s calling on dangerous connections that have been buried for years—and should’ve stayed that way. But Will vows to do whatever it takes to see Alex’s killers repay their sins in blood, even if it means his own damnation.

    A time of shadows, secret societies, and dens filled with opium addicts. Into this world comes the most fantastic emissary of evil society has ever known… Dr. Fu-Manchu. Denis Nayland Smith pursues his quarry across continents and through the back alleys of London. As victim after victim disappears at the hands of the Devil Doctor, Smith must unravel his murderous plot before it is too late.  Includes a special feature by Leslie S. Kilnger

    She was never successful in this, but her Chandler-influenced novel No Good From a Corpse was so impressive in its hard-boiled dialogue that Howard Hawks insisted its author, unseen, be brought in to work on the screenplay adaption of The Big Sleep (together with a fella by the name of Faulkner.) Though Hawks was stunned to discover that Leigh was a woman, she got the job, and worked on what was probably the best film adaptation of a Chandler novel. No Good From a Corpse offers hard-boiled private eye Ed Clive, who gets involved with a dead girl, and suspects every one of her boyfriends--an ex-husband, a playboy, a blackmailer and a brute. There's a woman suspect as well, and a long chase through Sunset Strip.

    In truth, it was a nightmare, one that ended in fiery violence sixteen years ago. Or so its survivors believed… Syracuse news anchor Julie Jones is afraid. Her long-dead past was resurrected when a blackmailer threatened to expose secrets that could destroy her. Then the man was found dead—his throat cut with a knife from Julie's own kitchen. Now a new, faceless enemy wants more than money. This time Julie stands to lose the most precious thing of all—her teenage daughter, Dawn. Julie finds herself with one unlikely ally, Sean MacKenzie. A journalist with a flair for the sensational, Sean covers the worst humanity has to offer. Julie Jones is hiding something that terrifies her, and he's determined to find out what. He just can't decide whether his goal is to expose her or save her. Julie will do anything to protect her daughter. But someone else is watching, willing to do whatever it takes to avenge a past that cannot be forgotten. Originally published in 2005. Mordecai Young Series: Thicker Than Water (Book 1)Colder Than Ice (Book 2)Darker Than Midnight (Book 3)

    Now, Gerritsen melds page-turning suspense with chilling realism as a small-town doctor races to unravel the roots of a violent outbreak—before it destroys everything she loves.Lapped by the gentle waters of Locust Lake, the small resort town of Tranquility, Maine, seems like the perfect spot for Dr. Claire Elliot to shelter her adolescent son, Noah, from the distractions of the big city and the lingering memory of his father's death. But with the first snap of winter comes shocking news that puts her practice on the line: a teenage boy under her care has committed an appalling act of violence. And as Claire and all of Tranquility soon discover, it is just the start of a chain of lethal outbursts among the town's teenagers. As the rash of disturbing behavior grows, Claire uncovers a horrifying secret: this is not the first time it has happened. Twice a century, the children of Tranquility lash out with deadly violence. Claire suspects that there is a biological cause for the epidemic, and she fears that the placid Locust Lake may conceal an insidious danger. As she races to save Tranquility—and her son—from harm, Claire discovers an even greater threat: a shocking conspiracy to manipulate nature and cause innocents to slaughter.

    Art security expert Joanna Stark returns from self-imposed retirement to solve the crime from a building she had made burglarproof. But art theft leads to murder, friends become strangers and the past stalks the present. Especially when Joanna's nemesis--a brilliant art thief whose ice-blue eyes haunt her dreams--becomes the most dangerous and perplexing piece in a puzzle that gets closer to home every minute.