Inside sold-out arenas, competitors walked around dirt tracks almost nonstop for six straight days (never on Sunday), risking their health and sanity to see who could walk the farthest—500 miles, then 520 miles, and 565 miles! These walking matches were as talked about as the weather, the details reported from coast to coast.This long-forgotten sport, known as pedestrianism, spawned America’s first celebrity athletes and opened doors for immigrants, African Americans, and women. The top pedestrians earned a fortune in prize money and endorsement deals. But along with the excitement came the inevitable scandals, charges of doping—coca leaves!—and insider gambling. It even spawned a riot in 1879 when too many fans showed up at New York’s Gilmore’s Garden, later renamed Madison Square Garden, and were denied entry to a widely publicized showdown.Pedestrianism: When Watching People Walk Was America’s Favorite Spectator Sport chronicles competitive walking’s peculiar appeal and popularity, its rapid demise, and its enduring influence, and how pedestrianism marked the beginning of modern spectator sports in the United States.

    But Russia squirms under the pressure of any attempt to pin it down. In the midst of social and financial upheaval, the more Parker sought answers the more the questions kept coming: What was Russia? How did it work? How did people live? How could they eat kholodetz (meat jelly)? Did love mean something different to them than it meant to us? Why did so many women leave the country to marry strangers? What good did knowing Pushkin by heart do them? Why did the police keep robbing him?The four years at the heart of this book focus largely on the period between 2008 and 2012 and the revealing friendship Parker made with a young barkeep and draft dodger named Igor. The book became the story of Igor, as a metaphor for Russia, in crisis. While Igor is not the model Perestroika generation man nor some kind of Putin-era everyman, he is, like The Big Lebowski, a man for his time and place. What Parker has created is the story of Igor as refracting mirror for the story of Russia, told with intelligence, humour and no small amount of misadventure.

    Shortly afterwards Thomas began to write. This book is the result.Beginning on the day of Kadian's death, and continuing to the year anniversary, and beyond, Kadian Journal is a record of grief in its rawest form, and of a mind in shock and questioning a strange new reality. Interspersed within the journal are fragments of memory: jewel-bright everyday moments that slowly combine to form a biography of a lost son, and a lost life.It is an extraordinary document, and several things at once: a lucid, raw, and startlingly brave book: a powerful and moving account of a father's grief, and a beautiful tribute to an exceptional son.

    Gas lamps still flicker in the city streets, but the miracle of electric light is in its infancy. The person who controls the means to turn night into day will make history--and a vast fortune. A young untested lawyer named Paul Cravath, fresh out of Columbia Law School, takes a case that seems impossible to win. Paul's client, George Westinghouse, has been sued by Thomas Edison over a billion-dollar question: Who invented the light bulb and holds the right to power the country? The case affords Paul entry to the heady world of high society--the glittering parties in Gramercy Park mansions, and the more insidious dealings done behind closed doors. The task facing him is beyond daunting. Edison is a wily, dangerous opponent with vast resources at his disposal--private spies, newspapers in his pocket, and the backing of J. P. Morgan himself. Yet this unknown lawyer shares with his famous adversary a compulsion to win at all costs. How will he do it?In obsessive pursuit of victory, Paul crosses paths with Nikola Tesla, an eccentric, brilliant inventor who may hold the key to defeating Edison, and with Agnes Huntington, a beautiful opera singer who proves to be a flawless performer on stage and off. As Paul takes greater and greater risks, he'll find that everyone in his path is playing their own game, and no one is quite who they seem.

    Flappers is in part a biography of that restless generation: starting with its first fashionable acts of rebellion just before the Great War, and continuing through to the end of the decade when the Wall Street crash signal led another cataclysmic world change. It focuses on six women who between them exemplified the range and daring of that generation’s spirit.Diana Cooper, Nancy Cunard, Tallulah Bankhead, Zelda Fitzgerald, Josephine Baker and Tamara de Lempicka were far from typical flappers. Although they danced the Charleston, wore fashionable clothes and partied with the rest of their peers, they made themselves prominent among the artists, icons, and heroines of their age. Talented, reckless and willful, with personalities that transcended their class and background, they re-wrote their destinies in remarkable, entertaining and tragic ways. And between them they blazed the trail of the New Woman around the world.

    She survived covertly, with fake identity papers, one of the most horrendous periods in human history. Her life-saving wisdom and inner knowing became an inspiration to all Her many breathtaking personal stories give a rare, unique perspective on one of the war’s most horrific times, when both the Germans and Soviets armies bombed Warsaw during the Polish Uprising. Dina was alone in the midst of this living hell. Each obstacle she encountered, each decision and intuitive insight that led her to act one way and not another, saved her life and altered her destiny forever.Dina became a mentor for life, her integrity, hope and belief are radiating throughout everything she does until this day. This book is a gateway to her amazing life. It holds within the story of her unique journey and precious life wisdom. Scroll up now to get your copy of Dina: Surviving Undercover!

    With no other family, except each other, they build a world that revolves around Sidonia's extraordinary talent with a needle and thread to create beautiful garments while Hanna serves as her dutiful model. As Sidonia becomes well-known in western Massachusetts and northern Connecticut for her remarkable sewing talent, she continues to keep her inner secrets about her past hidden not only from her daughter but from everyone else. Determined to craft a life of pride, self-reliance and perseverance, Sidonia teaches her daughter to "stand up straight" in fashion and in life. Sidonia's Thread uses sewing metaphors to tell the tale of these two women as though stitched together like a handmade garment. Why did Sidonia keep these significant life secrets, and why was Hanna so afraid to ask about them? When Sidonia moves to elderly housing, Hanna steals some of her old letters and photographs hoping to find clues to her paternity, her mother's reclusive behavior, and her heritage. Combined with a trip to her mother's Hungarian homeland and a phone conversation with her father, Hanna's surprising discoveries inspire a revised view of her life with her mother, replacing her conflicting emotions toward her mother with true reverence.

    “Lucky” Cates, whose service in World War I and beyond made him a legend in the annals of the Marine Corps. Cates knew that he and his small band of marines were in a desperate spot. Before handing the note over to a runner, he added three words that would resound through Marine Corps history: I WILL HOLDFrom the moment he first joined the Marine Reserves of the American Expeditionary Force in World War I, Clifton B. Cates was determined to make his mark as a leader. Little did he know what he would truly accomplish in his legendary career.Not as well-known as his contemporaries such as Alvin C. York, his fame would not come from a single act of heroism but from his consistent and courageous demeanor throughout the war and beyond.In the bloody second half of 1918 with the 6th Marine Regiment, he was awarded the Navy Cross, the Distinguished Service Cross, the Purple Heart, the Silver Star, was recognized by the French government with the Legion of Honor and the Croix de Guerre, and earned the nickname “Lucky.”I Will Hold is the inspiring, brutally vivid, and incredible true life story of a Marine Corps legend whose grit and unstoppable spirit on the battlefield matched his personal drive and sage wisdom off of it.INCLUDES PHOTOS

    In a span of less than twenty years, her talent graced a dozen classics, including Miracle on 34th Street, The Searchers, Rebel Without a Cause, Splendor in the Grass, West Side Story, and Gypsy, earning her three Oscar nominations and two Golden Globes. Few actresses in Hollywood history have carved out careers as diverse and rich as Natalie Wood's, and few have touched as many hearts in a tragically short lifetime.Natalie Wood: Reflections on a Legendary Life boldly redefines Natalie not by her tragic death, but by her extraordinary life. This is the first family-authorized photographic study of Natalie Wood, and the first book to examine her glamorous film career as well as her private off-screen life as a wife and mother. Highlights include a special section on the making of West Side Story, a foreword by her husband Robert Wagner, a family album with never-before-seen snapshots captioned by daughter Courtney Wagner, an unpublished article written by Natalie in her own words, and an afterword by friend and costar Robert Redford. Natalie Wood: Reflections on a Legendary Life will change the way the world remembers a Hollywood legend.

    My name is Hida Viloria. I was raised as a girl but discovered at a young age that my body looked different. Having endured an often turbulent home life as a kid, there were many times when I felt scared and alone, especially given my attraction to girls. But unlike most people in the first world who are born intersex--meaning they have genitals, reproductive organs, hormones, and/or chromosomal patterns that do not fit standard definitions of male or female--I grew up in the body I was born with because my parents did not have my sex characteristics surgically altered at birth. It wasn't until I was twenty-six and encountered the term intersex in a San Francisco newspaper that I finally had a name for my difference. That's when I began to explore what it means to live in the space between genders--to be both and neither. I tried living as a feminine woman, an androgynous person, and even for a brief period of time as a man. Good friends would not recognize me, and gay men would hit on me. My gender fluidity was exciting, and in many ways freeing--but it could also be isolating. I had to know if there were other intersex people like me, but when I finally found an intersex community to connect with I was shocked, and then deeply upset, to learn that most of the people I met had been scarred, both physically and psychologically, by infant surgeries and hormone treatments meant to "correct" their bodies. Realizing that the invisibility of intersex people in society facilitated these practices, I made it my mission to bring an end to it--and became one of the first people to voluntarily come out as intersex at a national and then international level.Born Both is the story of my lifelong journey toward finding love and embracing my authentic identity in a world that insists on categorizing people into either/or, and of my decades-long fight for human rights and equality for intersex people everywhere.

    But for all the attention lavished on Charles Lindbergh, one story has remained untold until now: his macabre scientific collaboration with Dr. Alexis Carrel. Together this oddest of couples – one a brilliant surgeon turned social engineer, the other a failed dirt farmer turned hero of the skies – embarked on a secret quest to achieve immortality.Their endeavor began on November 28, 1930, in Carrel's laboratory at the Rockefeller Institute for Medical Research in New York, a haven created by the world's richest man, John D. Rockefeller, so that medical investigators could pursue their wildest dreams, freed from the demands of clinical practice. For Carrel, who won the Nobel Prize in 1912 for pioneering organ transplants, that dream was conquering death. But not for everyone – only a special few.In one of his more ghoulish experiments, Carrel removed the heart from a chick embryo and placed it in a glass jar, where, with special cleansing and feeding, he kept it alive, with no signs of aging, far beyond the species' natural life span. That result, Carrel believed, suggested that natural death wasn't inevitable.But to attempt such a test with humans, Carrel needed a mechanical genius to create a device in which severed human organs could live and function indefin–itely. Might that genius be the handsome pilot who astonished the world in May 1927 by flying alone across the Atlantic – a feat even most pilots had thought impos–sible – in a single–engine airplane he designed himself?Part Frankenstein, part The Professor and the Mad–man, and all true, The Immortalists is the remarkable story of how two men of prodigious achievement, and equally large character flaws, challenged nature's oldest rule, with consequences – personal, professional, and political – neither man anticipated.

    Los Angeles that year, in fact, dominated popular culture more than it ever had before, or would again. Working in film, recording, and television studios around Sunset Boulevard, living in Brentwood and Beverly Hills or amid the flickering lights of the Hollywood Hills, a cluster of transformative talents produced an explosion in popular culture which reflected the demographic, social, and cultural realities of a changing America. At a time when Richard Nixon won two presidential elections with a message of backlash against the social changes unleashed by the sixties, popular culture was ahead of politics in predicting what America would become. The early 1970s in Los Angeles was the time and the place where conservatives definitively lost the battle to control popular culture.Rock Me on the Water traces the confluence of movies, music, television, and politics in Los Angeles month by month through that transformative, magical year. Ronald Brownstein reveals how 1974 represented a confrontation between a massive younger generation intent on change, and a political order rooted in the status quo. Today, we are again witnessing a generational cultural divide. Brownstein shows how the voices resistant to change may win the political battle for a time, but they cannot hold back the future.

    But from Pearl Harbor on, he often wrote passionate accounts of America's wars based on his own firsthand experience. Vietnam was no exception.Thomas E. Barden's Steinbeck in Vietnam offers for the first time a complete collection of the dispatches Steinbeck wrote as a war correspondent for Newsday. Rejected by the military because of his reputation as a subversive, and reticent to document the war officially for the Johnson administration, Steinbeck saw in Newsday a unique opportunity to put his skills to use. Between December 1966 and May 1967, the sixty-four-year-old Steinbeck toured the major combat areas of South Vietnam and traveled to the north of Thailand and into Laos, documenting his experiences in a series of columns titled Letters to Alicia, in reference to Newsday publisher Harry F. Guggenheim's deceased wife. His columns were controversial, coming at a time when opposition to the conflict was growing and even ardent supporters were beginning to question its course. As he dared to go into the field, rode in helicopter gunships, and even fired artillery pieces, many detractors called him a warmonger and worse. Readers today might be surprised that the celebrated author would risk his literary reputation to document such a divisive war, particularly at the end of his career.Drawing on four primary-source archives--the Steinbeck collection at Princeton, the Papers of Harry F. Guggenheim at the Library of Congress, the Pierpont Morgan Library's Steinbeck holdings, and the archives of Newsday--Barden's collection brings together the last published writings of this American author of enduring national and international stature. In addition to offering a definitive edition of these essays, Barden includes extensive notes as well as an introduction that provides background on the essays themselves, the military situation, the social context of the 1960s, and Steinbeck's personal and political attitudes at the time.

    On March 25, 1911, as workers were getting ready to leave for the day, a fire broke out in the Triangle Shirtwaist factory in New York’s Greenwich Village. Within minutes it spread to consume the building’s upper three stories. Firemen who arrived at the scene were unable to rescue those trapped inside: their ladders simply weren’t tall enough. People on the street watched in horror as desperate workers jumped to their deaths. The final toll was 146 people—123 of them women. It was the worst disaster in New York City history.

    Before 1929, America’s relationship with food was defined by abundance. But the collapse the economy, in both urban and rural America, left a quarter of all Americans out of work and undernourished—shattering long-held assumptions about the limitlessness of the national larder. In 1933, as women struggled to feed their families, President Roosevelt reversed longstanding biases toward government sponsored “food charity.” For the first time in American history, the federal government assumed, for a while, responsibility for feeding its citizens. The effects were widespread. Championed by Eleanor Roosevelt, “home economists” who had long fought to bring science into the kitchen rose to national stature. Tapping into America’s longstanding ambivalence toward culinary enjoyment, they imposed their vision of a sturdy, utilitarian cuisine on the American dinner table. Through the Bureau of Home Economics, these women led a sweeping campaign to instill dietary recommendations, the forerunners of today’s Dietary Guidelines for Americans. At the same time, rising food conglomerates introduced packaged and processed foods that gave rise to a new American cuisine based on speed and convenience. This movement toward a homogenized national cuisine sparked a revival of American regional cooking. In the ensuing decades, this tension between local traditions and culinary science have defined our national cuisine—a battle that continues today.A Square Meal examines the impact of economic contraction and environmental disaster on how Americans ate then—and the lessons and insights those experiences may hold for us today.