And not hot-off-the-press, still-drying-in-your-hands ink. Instead, you are holding twelve stories with endings that are still being written--whose next chapters are up to you.Because these stories are meant to be read. And shared.Thirteen of the most accomplished YA authors deliver a label-defying anthology that includes ten short stories, a graphic novel, and a one-act play. This collection will inspire you to break conventions, bend the rules, and color outside the lines. All you need is fresh ink.

    She doesn’t have a career worthy of her Chinese immigrant parents’ sacrifices. What’s worse is she can’t persuade her husband, Gust, to give up his wellness-obsessed younger mistress. Only with their angelic daughter Harriet does Frida finally feel she’s attained the perfection expected of her. Harriet may be all she has, but she’s just enough.Until Frida has a horrible day.The state has its eyes on mothers like Frida — ones who check their phones while their kids are on the playground; who let their children walk home alone; in other words, mothers who only have one lapse of judgement. Now, a host of government officials will determine if Frida is a candidate for a Big Brother-like institution that measures the success or failure of a mother’s devotion. Faced with the possibility of losing Harriet, Frida must prove that she can live up to the standards set for mothers — that she can learn to be good.This propulsive, witty page-turner explores the perils of “perfect” upper-middle-class parenting, the violence enacted upon women by the state and each other, and the boundless love a mother has for her daughter.

    The collection offers a haunting montage that works its magic subtly on the reader's subconscious. As Karen Joy Fowler, Author of The Jane Austen Book Club says, ''This lovely collection will take you, like a magic carpet, to some strange and wonderful places.'' The eminent novelist and critic Ursula K. Le Guin writes: ''From the exotic, baroque complexities of 'At the Huts of Ajala' to the stark, folktale purity of 'The Beads of Ku,' these fourteen superbly written stories will weave around you a ring of dark, dark magic.'' Matt Ruff, author of Set This House In Order and Bad Monkeys calls Filter House ''A traveling story-bazaar, offering treasures and curios from diverse lands of wonder.'' Tobias Buckell, author of Crystal Rain and Ragamuffin, says ''Nisi Shawl uses the tools of future and fable, usually used to explore the other, the future, and the mysterious, to magically reveal what and who we all are here and today.'' Karen Joy Fowler declares, ''Sometimes enigmatic, often surprising, always marvelous. This lovely collection will take you, like a magic carpet, to some strange and wonderful places.'' And Eileen Gunn, author of Stable Strategies, concurs that these are ''Remarkably involving stories that pull you along a path of wonder, word by word, in worlds where everything is a bit different.''

    Haunted by her failure, she lives in quiet anonymity, convinced her days in space are over.She’s wrong.A large alien object has entered the solar system on a straight course toward Earth. It has made no attempt to communicate and is ignoring all incoming transmissions.Out of time and out of options, NASA turns to Jansen. For all the dangers of the mission, it’s the shot at redemption she always longed for.But as the object slowly begins to reveal its secrets, one thing becomes horribly clear: the future of humanity lies in Jansen’s hands.

    Organizers and activists envision, and try to create, such worlds all the time. This book brings twenty of them together in the first anthology of short stories to explore the connections between radical speculative fiction and movements for social change. The visionary tales of Octavia's Brood span genres—sci-fi, fantasy, horror, magical realism—but all are united by an attempt to experiment with new ways of understanding ourselves, the world around us, and all the selves and worlds that could be. The collection is rounded off with essays by Tananarive Due and Mumia Abu-Jamal, and a foreword by Sheree Renée Thomas.