Then he met his high school sweetheart after not seeing her for over ten years. With their love rekindled, they were married. Life was beautiful. They had no real worries, a lovely son, and a bright future.Then she started using meth.The craziness of the next few years would leave Sterling almost completely broke—financially, emotionally, and spiritually—and nearly murdered.The Weekender Raves About Crazy Town!Drugs, violence, sex and betrayal. Sound like the tagline from the newest Megan Fox movie? Maybe, but those components are also the basis for the book “Crazy Town: Money. Marriage. Meth.” by Sterling R. Braswell. Published right in our own backyard by Wilkes-Barre-based Kallisti Publishing, Inc., “Crazy Town” is the true story of a man who thought he had it all, until methamphetamine destroyed the delicate house of cards he didn’t realize he was building. In addition to being based on true events, the book is an exploration of the rise of the meth epidemic in our country, offering some very interesting insight among the twists and turns of Braswell’s tumultuous past.In “Crazy Town,” the author provides a first-person account of his life up to the present. In short, he reconnects with and marries his childhood sweetheart, Lucille. As is often the case in relationships, Braswell is too busy seeing life through his rose-colored glasses to notice all of the glaring red flags in their relationship. Not to mention the fact that his ranch hand Clyde is operating a meth lab right on his property. Eventually, though, the author is forced to face the bitter reality that Lucille is an addict, and with her addiction comes all of the baggage associated with substance abuse. What follows is a devastatingly depressing account of the dissolution of Braswell’s marriage and his personal battle with his feelings for Lucille, as well as some rocky years spent in divorce court.At first, the way the book is organized seems to take away from the personal narrative Braswell is trying to give the reader. The chapters concerning his life seem significantly shorter than those relaying the development and evolution of meth use, and the reader is always left wanting more pieces of the puzzle. After getting a bit more in-depth, however, one can begin to see a direct correlation of the history of methamphetamine use to Braswell’s own story. For example, from the facts he unearthed pertaining to the development of at-home meth labs (a phenomenon with which our generation is now all too familiar), the reader is able to understand how over-the-counter medications came to be used in the homegrown meth operations around our country, and at about the same time the reader also is familiarized with the antics Clyde is up to on Braswell’s property.Braswell also points out some very interesting facts that he discovered in his research. Adolph Hitler, Jim Jones, Charles Manson and Andrew Cunanan (Gianni Versace’s murderer) were all amphetamine users in one way or another. While it’s true that all of these people were probably unstable to begin with, it cannot be ignored that the addition of amphetamine to an already volatile cocktail probably took their degree of violence to an entirely new level.“Crazy Town” is a startling look at how a drug can singlehandedly destroy a person and those who love him. Though depressing at times, this intimate glimpse into Braswell’s life allows the reader a new perspective on the meth crisis in today’s culture. His findings and the way in which he sums up the history of the problem also make it easier to understand how and why it is becoming an epidemic.

    Writing with an audacious swagger and an iconoclastic zeal, and declaiming their verse with dramatic flourish in smoke-filled cafés, the Beats gave birth to a literature of previously unimaginable expressive range.The defining work of Allen Ginsberg and Jack Kerouac provides the foundation for this collection, which also features the improvisational verse of such Beat legends as Gregory Corso, Lawrence Ferlinghetti, Gary Snyder, and Michael McClure and the work of such women writers as Diane DiPrima and Denise Levertov. LeRoi Jones’s plaintive “Preface to a Twenty Volume Suicide Note” and Bob Kaufman’s stirring “Abomunist Manifesto” appear here alongside statements on poetics and the alternately incendiary and earnest correspondence of Beat Generation writers. Visceral and powerful, infused with an unmediated spiritual and social awareness, this is a rich and varied tribute and, in the populist spirit of the Beats, a vital addition to the libraries of readers everywhere.

    These poems have been selected on the basis of the poignancy of their message and their relevance to contemporary life.This is timeless wisdom translated for modern readers. It is a guide for meditation and a light switch that you can turn on to make your daily connection with spirit. Use these words as tools to better your life each day, to draw continued guidance, inspiration and spiritual wealth.

    They were a little shy. But once they got going, you couldn't stop them. Women secretly love to talk about their vaginas. They get very excited, mainly because no one's ever asked them before.

    One will become our world. And Connie herself may strike the decisive blow...

    This passionate, often surprising, intimate record, kept under lock and key for some forty years in Mexico, reveals many new dimensions in the complex persona of this remarkable Mexican artist.Covering the years 1944-45, the 170-page journal contains Frida's thoughts, poems, and dreams, and reflects her stormy relationship with her husband, Diego Rivera, Mexico's famous artist. The seventy watercolor illustrations in the journal - some lively sketches, several elegant self-portraits, others complete paintings - offer insights into her creative process, and show her frequently using the journal to work out pictorial ideas for her canvases.The text entries, written in Frida's round, full script in brightly colored inks, add an almost decorative quality, making the journal as captivating to look at as it is to read. Frida's childhood, her political sensibilities, and her obsession with Diego are all illuminated in witty phrases and haunting images.Although much has been written recently about this extraordinary woman, Frida Kahlo's art and life continue to fascinate the world. This personal document, published in a complete full-color facsimile edition, will add greatly to the understanding of her unique and powerful vision and her enormous courage in the face of more than thirty-five operations to correct injuries she had sustained in an accident at the age of eighteen. The facsimile is accompanied by an introduction by the world-renowned Mexican man of letters Carlos Fuentes and a complete translation of the diary's text. An essay on the place of the diary in Frida's work and in art history at large, as well as commentaries on the images, is provided by Sarah M. Lowe.

    H. Auden, and James Merrill. Their poems of love are among the most perceptive, the most passionate, the wittiest, and the most moving we have. From Michelangelo’s “Love Misinterpreted” to Noël Coward’s “Mad About the Boy,” from May Swenson’s “Symmetrical Companion” to Muriel Rukeyser’s “Looking at Each Other,” these poems take on both desire and its higher power: love in all its tender or taunting variety.

    Its poems are populated by figures both familial and fabular: a prodigal brother and a relentless father; the Hermit, Dowager, and Major General; and, perhaps most strikingly, the Bandleader, embodiment of sexual, capitalistic, and political dominance. Mythic and musical, erogenous yet wide-eyed, this is a dazzling book by a space-age troubadour of American poetry.

    Stein's strong influence on 20th-century literature is evident in this 1915 work of highly original prose rendered in thought-provoking experimental techniques.

    And best of all, the poetry that helps forge her identity.July 24My mother named me Gabriella, after my grandmother who, coincidentally, didn't want to meet me when I was born because my mother was unmarried, and therefore living in sin. My mom has told me the story many, many, MANY, times of how, when she confessed to my grandmother that she was pregnant with me, her mother beat her. BEAT HER! She was twenty-five. That story is the basis of my sexual education and has reiterated why it's important to wait until you're married to give it up. So now, every time I go out with a guy, my mom says, "Ojos abiertos, piernas cerradas." Eyes open, legs closed. That's as far as the birds and the bees talk has gone. And I don't mind it. I don't necessarily agree with that whole wait until you're married crap, though. I mean, this is America and the 21st century; not Mexico one hundred years ago. But, of course, I can't tell my mom that because she will think I'm bad. Or worse: trying to be White. Gabi is Isabel Quintero's debut novel.Named to Kirkus Reviews Best Books of 2014Named to School Library Journal Best Books of 2014

    Unfolding through a series of letters written by an unnamed narrator, Last Words tells the story of a passionate relationship between two young women—their sexual awakening, their gradual breakup, and the devastating aftermath of their broken love. In a style that veers between extremes, from self-deprecation to pathos, compulsive repetition to rhapsodic musings, reticence to vulnerability, Qiu’s genre-bending novel is at once a psychological thriller, a sublime romance, and the author’s own suicide note.The letters (which, Qiu tells us, can be read in any order) leap between Paris, Taipei, and Tokyo. They display wrenching insights into what it means to live between cultures, languages, and genders—until the genderless character Zoë appears, and the narrator’s spiritual and physical identity is transformed. As powerfully raw and transcendent as Mishima’s Confessions of a Mask, Goethe’s The Sorrows of Young Werther, and Theresa Cha’s Dictée, to name but a few, Last Words from Montmartre proves Qiu Miaojin to be one of the finest experimentalists and modernist Chinese-language writers of our generation.

    However, she eventually realizes his plans and takes action...

     She's the ultimate career girl. Devoted to work, with no time for anything more than casual steamy encounters. But all that changes when the missing persons story leads her to the enigmatic Callie. Callie is a family friend of the missing girl and an invaluable lead. The attraction between the two women is immediate, all consuming. Does Callie hold the answers to the mysterious disappearance? And beyond that, is she the one woman who can hold Astrid's attention beyond a sensational story?

    

    Gay Awareness Week was beginning at the University of Wyoming, and the keynote speaker was Lesléa Newman, discussing her book Heather Has Two Mommies. Shaken, the author addressed the large audience that gathered, but she remained haunted by Matthew’s murder. October Mourning, a novel in verse, is her deeply felt response to the events of that tragic day. Using her poetic imagination, the author creates fictitious monologues from various points of view, including the fence Matthew was tied to, the stars that watched over him, the deer that kept him company, and Matthew himself. More than a decade later, this stunning cycle of sixty-eight poems serves as an illumination for readers too young to remember, and as a powerful, enduring tribute to Matthew Shepard’s life.