Photographs.

    Packed with photographs, illustrations and detailed maps, it will help you to discover France region-by region; from Champagne in the north to the sun-blessed corner of Provence and the Cote d'Azur. "Eyewitness Travel Guide: France" provides insider tips every visitor needs, from the world-class architecture of the Louvre, to the island-life of Corsica and rolling vineyards of Bordeaux with comprehensive listings of the best hotels, chateaux, resorts, restaurants, cafes and nightlife in each region for all budgets. There are 3D cutaways and floor-plans of all the must-see sites, plus street-by-street maps of the major cities and towns. "Eyewitness Travel Guide: France" explores the culture, history, architecture and art of this charming country, with a perfect balance between thriving cities and gorgeous countryside, high fashion and rustic charm.

    This incident, which rocked the French capital, lies at the heart of The Dynamite Club, a mesmerizing account of Henry and his cohorts and the war they waged against the bourgeoisie—setting off bombs in public places, killing the president of France, and eventually assassinating President McKinley in 1901.Paris in the belle époque was a place of leisure, elegance, and power. Newly electrified, the city’s wide boulevards were lined with posh department stores and outdoor cafés. But prosperity was limited to a few. Most lived in dire poverty, and workers and intellectuals found common cause in a political philosophy—anarchism—that embraced the overthrow of the state by any means necessary.Yet in targeting civilians to achieve their ends, the dynamite bombers charted a new course. Seeking martyrdom, believing fervently in their goal, and provoking a massive government reaction that only increased their ranks, these "evildoers" became, in effect, the first terrorists in modern history.Surprising and provocative, The Dynamite Club is a brilliantly researched account that illuminates a period of dramatic social and political change—and subtly asks us to reflect upon our own.

    He experienced at first hand the extremes of human nature, witnessing both the brutal cruelty shown by some Legionnaires in the name of tradition, to the personal sacrifices shown by others. Along the way he met many of the fascinating characters that come from all corners of the world to serve in the ranks of the Foreign Legion. DIARY OF A LEGIONNAIRE is a candid and eye opening insight into this mysterious army. Told through Gareth's exciting and at times humorous adventures during the first eighteen months of his service, as we follow him from the brutality of basic training, to the realities of combat in the jungles of West Africa

    Presenting photographs of legendary figures, among them the model Kiki, Modigliani, Picasso, Satie, Matisse, Leger, Gertrude Stein, James Joyce and Miro. Gossip and anecdotes aim to bring this world alive.

    If the truth be known, I secretly couldn’t resist the novelty of passing time with a bloke called Serge Bastarde. When ex-blues drummer John Dummer decamps to France to start up as an antiques dealer and live the simple life, he doesn’t count on meeting Serge Bastarde. The lovable (if improbably named) rogue and brocanteur offers to teach John the tricks of the trade in return for his help in a series of breathtakingly unscrupulous schemes. As the pair trawl through antiques markets and old farmhouses looking for hidden treasure, they get into more than their fair share of scrapes: whether they’re conning hearty lunches from unsuspecting old peasants, secretly manufacturing priceless collectibles or losing a Stradivarius to gypsies. Filled with eccentric characters, high jinks and unlikely adventures, this is a hilarious romp through the real rural France.

    The reality is that film has never gone away, and in recent years has experienced a surging, renewed popularity-sometimes simply for its retro, analog status, but mostly for film's ability to create a look and feel that many believe digital can still not achieve. If anyone can attest to this, it's Utah photographer Jonathan Canlas, who exclusively shoots with film, and has both an extremely successful wedding photography business as well as a series of popular workshops held numerous times per year around the world. In "Film Is Not Dead: A Digital Photographer's Guide to Shooting Film, " Canlas teams up with co-author Kristen Kalp to open the doors for anyone who wants to begin-or return to-shooting film. Casual, irreverent, fun, inspiring, and beautiful, this unique 10x8 hardcover book teaches the reader the basics of film, cameras, and shooting in this medium. Whether it's discussing the different tone and color characteristics of different films (Kodak, Fuji, etc.), how to load a medium-format camera back, how to create proper exposures, how and where to get film processed, or how Jonathan uses fun, plastic cameras like the Holga in his commercial and personal work, "Film Is Not Dead "appeals to anyone who is searching to finally begin creating that film look, but until now hasn't known where to start.

    In The Other Paris, Luc Sante gives us a panoramic view of that second metropolis, which has nearly vanished but whose traces are in the bricks and stones of the contemporary city, in the culture of France itself, and, by extension, throughout the world.Drawing on testimony from a great range of witnesses-from Balzac and Hugo to assorted boulevardiers, rabble-rousers, and tramps-Sante, whose thorough research is matched only by the vividness of his narration, takes the reader on a whirlwind tour. Richly illustrated with more than three hundred images, The Other Paris scuttles through the knotted streets of pre-Haussmann Paris, through the improvised accommodations of the original bohemians, through the whorehouses and dance halls and hobo shelters of the old city.A lively survey of labor conditions, prostitution, drinking, crime, and popular entertainment, and of the reporters, réaliste singers, pamphleteers, and poets who chronicled their evolution, The Other Paris is a book meant to upend the story of the French capital, to reclaim the city from the bons vivants and the speculators, and to hold a light to the works and lives of those expunged from its center by the forces of profit.

    But for English couple Richard and his wife Al, the cavernous, oak-beamed building in a sleepy hamlet of the Limousin region of France is perfect. Tussles with French bureaucracy allied with fierce storms that wreak havoc on the property do little to dampen resolve as they immerse themselves in the calm of this quiet corner of France, taking trips in Richard's balloon and starting their very own llama farm. Their colorful, often eccentric neighbors are always ready to lend a hand: the jovial ex-Gendarme and his wife, who is able to foretell the weather; a lonely widow who offers copious amounts of gateaux in exchange for convivial chat; and a brawny cattleman with suspicious motives in offering to clean up the couple's land. This often hilarious and heartwarming tale is one of obstacles overcome and dreams fulfilled.

    Often architectural treasures in themselves, they were constructed in styles that befitted the riches they stored, from Neoclassical temples to Baroque palaces to Jeffersonian athaeneums. Both public in purpose and intensely private in feel, they have served the noble role of preserving and disseminating that key cultural artifact of mankind - the book - and in doing so, their role has been central to the nourishment and development of the world's great civilizations. To this day the great libraries of the world remain extraordinary environments for scholarship and enlightenment." "Here, for the first time, architectural photographer Guillaume de Laubier takes the reader on a privileged tour of twenty-three of the world's most historic libraries, representing twelve countries and ranging from the great national monuments to scholarly, religious, and private libraries: the baroque splendor of the Institut de France in Paris; the Renaissance treasure-trove of the Riccardiana Library in Florence; the majestic Royal Monastery in El Escorial, Spain; the hallowed halls of Oxford's Bodleian Library; and the New York Public Library, a Beaux-Arts masterpiece. Also included are the smaller abbey and monastic libraries - often overlooked on tourist itineraries - each containing its own equally important collections of religious and philosophical writings, manuscripts, and church history. Through color photography one can marvel at the grandeur of the great public libraries while relishing the rare glimpses inside scholars-only private archives." The accompanying text by journalist and translator Jacques Bosser traces the history of libraries from the Renaissance to the present day, vividly describing how they came to serve the famous men of letters of centuries past and the general public of the ni

    Coco loves Kiki, her girl. The two are never apart. It's as if they were made for each other. Together they travel to Paris and delight in the city of lights. But then Coco is separated from Kiki. Will she ever see her girl again? This sweet story about a doll and her girl, inspired by the lovely photography of Stephanie Rausser and a real hand-made doll created by doll maker Jess Brown, will charm readers of all ages.

    In 1978 Europe was new territory for Bukowski holding the secrets of his own personal ancestry and origins. En route to his birthplace in Andernach, Germany, he is trailed by celebrity-hunters and paparazzi, appears drunk on French television, blows a small fortune at a Dusseldorf racetrack and stands in a Cologne Cathedral musing about life and death.

    Among his renowned portraits, "The Daughters of Edward Darley Boit" stands alongside "Madame X" and "Lady Agnew of Lochnaw" as one of Sargent's immortal images. This painting depicts four young sisters in the spacious foyer of the family's Paris apartment, strangely dispersed across the murky tones and depths of the square canvas, as though unrelated to one another, unsettled and unsettling to the eye. "The Daughters" both affirms and defies convention, flouting the boundaries between portrait and genre scene, formal composition and quick sketch or snapshot. Unveiled at the Paris Salon of 1883, it predated by just two years the scandal of "Madame X" and was itself characterized by one critic as "four corners and a void"; but Henry James came closer to the mark when he described the painter as a "knock-down insolence of talent," for few of Sargent's works embody the epithet as well as "The Daughters of Edward Darley Boit." Drawing on numerous unpublished archival documents, scholar Erica E. Hirshler excavates all facets of this iconic canvas, discussing not only its significance as a work of art but also the figures and events involved in its making, its importance for Sargent's career, its place in the tradition of artistic patronage and the myriad factors that have contributed to its lasting popularity and relevance. The result is an aesthetic, philosophical and personal tour de force that will change the way you look at Sargent's work, and that both illuminates an iconic painting and reaffirms its pungent magnetism.

    . . shimmers with intensity . . . irresistible."—New Orleans Times-PicayuneHailed by reviewers as "an electrifying debut" (Baltimore Sun) and "perhaps the best evocation of New Orleans ever to appear in print" (Richmond Times-Dispatch), Yellow Jack has given Southern literature its own intoxicating hybrid of Caleb Carr, Flannery O'Connor, and Vladimir Nabokov. Russell's "virtuoso storytelling, evocative prose and original conception mark [his first book] as a significant work that we can only hope will be followed by many more" (Chicago Tribune). Yellow Jack is a ribald, picaresque trip through an 1840s New Orleans saturated with sex, drugs, death, and corruption. In this "luminously haunting" (Entertainment Weekly) portrait of decadence, daguerrotypist Claude Marchand becomes hopelessly entangled with both a voodoo-adept octoroon mistress and the erotically precocious daughter of a prominent New Orleans family. "Russell has distilled the New Orleans of the mid-1800s, the terrible fever of the title, and the savage lives of the characters into a novel of terrible beauty."—Nashville Scene

    A young nobleman. And death stalks them both.... The date is 1191 Aumary Belvoir is seventeen. Seventeen, and bound by an oath so holy, he dare not break it.
 Unexpectedly thrust into the position of the Warden of the Savernake; a woodland of one hundred and fifty square miles in Wiltshire, will Aumary succeed in stamping his authority on the forest? He has also acquired a half brother he did not know he had. With the help of his experienced staff and his willing family, things go well. The surprise brother, Robert proves a worthy assistant. Then the deaths begin. Are they accidents as they seem or is there something more sinister happening in the forest? Seventy year old Aumary is dictating his story to a scribe. He can no longer write for himself and wishes to set down for all time, the truth of two mysteries; the death of Arthur Duke of Brittany, King John's nephew and rival, and other more disturbing deaths closer to home. Aumary Belvoir sets off to uncover a plot so dastardly and deadly, so patient and well planned that it takes thirteen years to lay bare.