You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    Folk tales and legends are an intrinsic part of English national culture—so which are the fairy tales from England? Rosalind Kerven presents an answer here, as she has revived the best of these tales for a new generation with more than a dozen classics rewritten to engage readers. The 15 stories include tales of giants, dragons, fairies, beauty-and-the-beast, and Arthurian romance. Each tale is linked with a specific place or county in England—for example, "The Dragon Castle" from Northumberland, "The Girl Snatched By Fairies" from County Durham, "The Princess and the Fool" from Kent, and "The Dark Moon" from Lincolnshire. The second half of the book has notes on each story relating where the history came from, its development, and short summaries of many related or similar stories.

    You may think you already know this story about a beautiful servant girl, a cruel stepmother, a magnificent ball, and a lost slipper. But you’ve never heard it for true. Now you can hear the tale from someone who was there: a poor washerwoman from the island of Martinique. She has just one thing in the world to love, her goddaughter Cendrillon. When she finds Cendrillon heartsick over a rich man’s son, at first she doesn’t know what to do. But she has sharp wits, a strong will, and the magic wand her mother left her—and soon she has a plan to give her dear Cendrillon the gift of a love that will change her life. Adapted from a traditional Creole story, this fresh retelling captures all the age-old romance and magic of Cinderella, melding it with the vivid beauty of the Caribbean and the musical language of the islands.

    . . in Ireland . . . in Zimbabwe . . . there lived a girl who worked all day in the rice fields . . . then spent the night by the hearth, sleeping among the cinders.Her name is Ashpet, Sootface, Cendrillon . . . Cinderella. Her story has been passed down the centuries and across continents. Now Paul Fleischman and Julie Paschkis craft its many versions into one hymn to the rich variety and the enduring constants of our cultures.A Junior Library Guild SelectionGlass Slipper, Gold Sandal: A Worldwide Cinderella is a 2008 Bank Street - Best Children's Book of the Year.

    Their narratives, themes, and characters address and provide answers to eternal questions: where do we come from, how do we live, what do we believe in? This fascinating book explores the major myths and legends across the world, from Classical mythology to Eastern beliefs, and from American legends to African folk tales. The stories are retold in compelling detail, while key aspects of each myth are considered: their meaning, purpose, and power; the main characters; and their importance to modern culture.Special illustrations and photographs combine with informative text, family trees, and a focus on themes such as creation, death, and the afterlife. From Gilgamesh to Quetzalcoatl, Heracles to Pan Gu, Myths and Legends provides a full and captivating reference guide to the worlds of mythical beings, mortal heroes, and immortal gods.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    The dark twists on classic tales range from exploring whether Jack truly fell or if Jill pushed him instead to why Humpty Dumpty, fragile and alone, sat atop so high of a wall. The authors include Nina Berry, Sarwat Chadda, Leigh Fallon, Gretchen McNeil, and Suzanne Young.

    . . and they lived happily ever after.” Remember the fairy tales you put away after you found that no princess is as beautiful as common sense and happy endings are just the beginning?Well, the old tales are back, and they’ve grown up! Black Pearls brings you the stories of your childhood, told in a way you’ve never heard before. Instead of lulling you to sleep, they’ll wake you up—to the haunting sadness that waits just inside the windows of a gingerbread cottage, the passion that fuels a witch’s flight, and the heartache that comes, again and again, at the stroke of midnight.Make no mistake: these stories are as dark as human nature itself. But they shine, too, lit with the fire of our dreams and our hunger for magic.

    is the best way to assure that your beautiful daughter or enchanted frog of a grandson will get the happily-ever-after he or she deserves. Sure, sometimes a little love potion is required to make sure those quotas stay up, but what Prince Charming doesn’t know won’t hurt him. Kate, an experienced Fairy Godmother, who’s enough of a romantic to frustrate her rigidly rule-bound boss, has just received a specialty assignment from one of the company’s board of directors. Cinderella—Rellie for short—was placed with an appropriately wicked stepfamily years before, and now needs the dress, ball, and handsome prince to complete her happily-ever-after. The fact that Rellie isn’t sure this is her dream come true—balls are fun, but princes tend to be less interesting than fluffy bunnies—isn’t something management considers a problem.Complicating things a bit is Jon, the youngest son of the royal family, who meets Kate, and is smitten, but isn’t quite ready yet to reveal his true identity. After all, it’s his older brother Rupert who’s supposed to marry Rellie, which means pretending to be a lowly civil servant will give him the chance to spend more time with Kate. (As long as he can get the ball arranged, and stop Rupert from getting himself into trouble over his “self-actualization” business, he should have the perfect opportunity to explain everything and get started on making a little magic with the Fairy Godmother of his dreams.) But, of course, things never ever happen as planned.

    But breaking with "The Tradition" was no easy matter--until she got a little help from her own fairy godmother. Who promptly offered Elena a most unexpected job...Now, instead of sleeping in the chimney, she has to deal with arrogant, stuffed-shirt princes who keep trying to rise above their place in the tale. And there's one in particular who needs to be dealt with...Sometimes a fairy godmother's work is never done...

    When she wakes up to find that her legs have become bear legs, she sets off into the forest to discover who she is, on a journey that takes her from icy rivers to smouldering mountains, with an ever-growing group of misfits alongside her... Interwoven with traditional stories of bears, princesses and dragons, Yanka's journey is a gorgeously lyrical adventure from the best-selling author of The House With Chicken Legs.

    Beginning at the time of Alexander the Great, the monsters come fast and furious--Behemoth and Leviathan, Gog and Magog, Satan and his demons, Grendel and Frankenstein, circus freaks and headless children, right up to the serial killers and terrorists of today and the post-human cyborgs oftomorrow. Monsters embody our deepest anxieties and vulnerabilities, Asma argues, but they also symbolize the mysterious and incoherent territory beyond the safe enclosures of rational thought. Exploring sources as diverse as philosophical treatises, scientific notebooks, and novels, Asma unravelstraditional monster stories for the clues they offer about the inner logic of an era's fears and fascinations. In doing so, he illuminates the many ways monsters have become repositories for those human qualities that must be repudiated, externalized, and defeated.

    . . and then must battle the Queen of Faery for possession of her lover’s body and soul.In this version of Tam Lin Janet is a college student, "Carterhaugh" is Carter Hall at the university where her father teaches, and Tam Lin is a boy named Thomas Lane. The book is set against the backdrop of the early 1970s.

    Her best friend, Ellen, is acting weird, her parent's marriage is falling apart, and to top things off, she found out she needs hideously large and geeky glasses.But Callie soon learns they aren't just any glasses—they are magical and let her read people's thoughts. For the first time ever she's answering all the questions right in math class, and gets a glimpse of what goes through people's minds all day, including what Ellen—and her longtime crush—really think of her.As if dealing with these crazy glasses weren't enough, Callie tries out for the lead in her school's production of Cinderella and actually gets the part. Instead, Callie chooses to let Ellen have the lead and be Ellen's understudy—just like she has done for their entire friendship.Add in a new girl who has something to hide, a secret admirer, a best friend stealer who isn't what she seems, and Callie's year just went from ordinary to extraordinary.Can this supporting actress learn to be a leading lady in her own life? Or is she destined to stay in the background forever—even with her super-freaky-magic glasses?

    Taken down from Gaelic story tellers, these 20 tales fall into two parts: 11 are miscellaneous stories offering Irish versions of the general European fairy tales, and 9 are stories from the Fenian cycle--tales of Fin MacCumhail and his warriors, the Fenians of Erin.The same fairy-tale elements apply to all the stories, however, including battles with giants, dead men who come back to life, people imprisoned in the bodies of animals, a wonderful land of perpetual youth, and heroes with incredible strength. The heroes in the miscellaneous tales tend to be sons of the Kings of Erin, with heroines like Yellow Lily, daughter of the Giant of Loch Léin; Trembling, the Irish Cinderella; the queen of Tubber Tintye; and various princesses who are in danger. The Fenian stories relate some of the adventures of Fin MacCumhail, his sons--Fialan, Oisin, Pogán, and Ceolán; his men--Diarmuid Duivne, Conán Maol MacMorna, the famous Cucúlin, and others; and strangers who are out to help or hurt the Fenians of Erin in such tales as "Fin MacCumhail and the Fenians of Erin in the Castle of Fear Dubh," and "Gilla na Grakin and Fin MacCumhail."Tales of legend and tales of magic, these stories transport us to a world where everything is alive and anything can happen, a world born in a time before literature, and captured in print just as the oral tradition in Ireland was dying out. Considered an essential work in the history of folk-lore, this book is also a collection of fairy tales that have fascinated young and old for hundreds of years. They will continue to fascinate you and your children.Unabridged republication of the 1890 edition, formerly titled Myths and Folk-Lore of Ireland.