Impossibly, a great white crane has tumbled to earth, shot through its wing by an arrow. Unexpectedly moved, George helps the bird, and from the moment he watches it fly off, his life is transformed.The next day, a kind but enigmatic woman walks into George's shop. Suddenly a new world opens up for George, and one night she starts to tell him the most extraordinary story.Wise, romantic, magical and funny, The Crane Wife is a hymn to the creative imagination and a celebration of the disruptive and redemptive power of love.

    But if Cora is to overcome the unnatural tide threatening to consume the small town, she must first confront her own tragic past as well as her present.

    At the center of it all is the seventy-seventh Earl, Titus Groan, who stands to inherit the miles of rambling stone and mortar that form Gormenghast Castle and its kingdom, unless the conniving Steerpike, who is determined to rise above his menial position and control the House of Groan, has his way.In these extraordinary novels, Peake has created a world where all is like a dream - lush, fantastical, and vivid. Accompanying the text are Peake's own drawings, illustrating the whole assembly of strange and marvelous creatures that inhabit Gormenghast.Also featuring:Introductory essays by Anthony Burgess and Quentin CrispTwelve critical essays, curated by Peake scholar Peter G. WinningtonFragment of the unpublished novel, Titus Awakes

    Like all good coaching inns, the Green Man is said to boast a resident ghost: Dr Thomas Underhill, a notorious seventeenth-century practitioner of black arts and sexual deviancy, rumoured to have killed his wife. However, the landlord, Maurice Allington, is the sole witness to the renaissance of the malevolent Underhill. Led by an anxious desire to vindicate his sanity, Allington strives to uncover the key to Underhill's satanic powers. All the while, the skeletons in the cupboard of Allington's own domestic affairs rattle to get out too.

    It is a place of contradictions—the bright lights mask the peeling paint; a carnie in greasy overalls slinks away from the direction of the Barker’s seductive call. It is a place of illusion—is that woman’s beard real? How can she live locked in that watery box?And while many are tricked by sleight of hand, there are hints of something truly magical going on. One must remain alert and learn quickly the unwritten rules of this dark show. To beat the carnival, one had better have either a whole lot of luck or a whole lot of guns—or maybe some magic of one’s own.Featuring stories grotesque and comical, outrageous and action-packed, Carniepunk is the first anthology to channel the energy and attitude of urban fantasy into the bizarre world of creaking machinery, twisted myths, and vivid new magic.RACHEL CAINE’s vampires aren’t child’s play, as a naïve teen discovers when her heart leads her far, far astray in “The Cold Girl.” With “Parlor Tricks,” JENNIFER ESTEP pits Gin Blanco, the Elemental Assassin, against the Wheel of Death and some dangerously creepy clowns. SEANAN McGUIRE narrates a poignant, ethereal tale of a mysterious carnival that returns to a dangerous town after twenty years in “Daughter of the Midway, the Mermaid, and the Open, Lonely Sea.” KEVIN HEARNE’s Iron Druid and his wisecracking Irish wolfhound discover in “The Demon Barker of Wheat Street” that the impossibly wholesome sounding Kansas Wheat Festival is actually not a healthy place to hang out. With an eerie, unpredictable twist, ROB THURMAN reveals the fate of a psychopath stalking two young carnies in “Painted Love.”

    Compelled by curiosity, he approaches the door, and, standing before the entrance feels the unmistakable sensation of a small hand creeping into his own, 'as if a child had taken hold of it'.Intrigued by the encounter, he determines to learn more, and discovers that the owner's grandson had drowned tragically many years before. At first unperturbed by the odd experience, Snow begins to be plagued by haunting dreams, panic attacks, and more frequent visits from the small hand which become increasingly threatening and sinister ...

    YOU THINK YOU KNOW THE STORYFive friends go to a remotecabin in the woods.Bad things happen.If you think you know the story, think again.Official Movie Novelization.

    He finds himself swept off of his feet and married to her, bringing her with him to live in his family home. She is his erotic dream come true; she does everything she can to bind him to her and join him in his comfortable life.Soon, however, odd things begin to happen. Things in the house are strangely damp with what looks like seawater, bodies appear under the water that aren't really there. It all winds up to a horrifying conclusion.

    Weird. Crazy. These are the names tossed around seventeen-year old Jane Watts by her fellow classmates. But things aren’t always as they seem. Sometimes there’s a reason for talking to yourself in the hallway at school.Adjusting to her new home and school after an abrupt move, Jane just wants to be like everyone else at school. Although she does manage to make one friend, Evan — sixteen, charming and protective. Evan is everything a girl could want in a best friend, with one minor caveat: He’s dead.Caught somewhere between life and death, Evan is tied to Jane and the living world, unable to complete the journey to the other side. She thinks he’s here to be her friend, to take care of her, and that’s why no one else can see or hear him.That is, until a new boy shows up at school after a rumored stretch in juvie. Connor can see Evan and is not convinced that the ghost is completely honest. Past experience taught him how ghosts tend to need something from the humans they connect to and Evan, despite his arguments, isn’t any different.Jane is resentful of Connor’s intrusion but soon realizes that her ghostly friend has secrets about his past. And now Evan's family, still reeling from his tragic death, is in danger. Jane must face her fears and battle Evan’s human demons to free both of them.

    Examining the distinction between magic and religion, War in Heaven is an eerily disturbing book, one that graphically portrays a metaphysical journey through the shadowy crevices of the human mind.

    Seth is awkward and shy. Carter is glamorous and the heir to one of America's great fortunes. They have one thing in common: an obsession with music. Seth is desperate to reach for the future. Carter is slipping back into the past. When Seth accidentally records an unknown singer in a park, Carter sends it out over the Internet, claiming it's a long lost 1920s blues recording by a musician called Charlie Shaw. When an old collector contacts them to say that their fake record and their fake bluesman are actually real, the two young white men, accompanied by Carter's troubled sister Leonie, spiral down into the heart of the nation's darkness, encountering a suppressed history of greed, envy, revenge, and exploitation. White Tears is a ghost story, a terrifying murder mystery, a timely meditation on race, and a love letter to all the forgotten geniuses of American music.

    The son of infamous London criminal Mathew “Tommy Gun” Spork, he has turned his back on his family’s mobster history and aims to live a quiet life. That orderly existence is suddenly upended when Joe activates a particularly unusual clockwork mechanism. His client, Edie Banister, is more than the kindly old lady she appears to be—she’s a retired international secret agent. And the device? It’s a 1950s doomsday machine. Having triggered it, Joe now faces the wrath of both the British government and a diabolical South Asian dictator who is also Edie’s old arch-nemesis. On the upside, Joe’s got a girl: a bold receptionist named Polly whose smarts, savvy and sex appeal may be just what he needs. With Joe’s once-quiet world suddenly overrun by mad monks, psychopathic serial killers, scientific geniuses and threats to the future of conscious life in the universe, he realizes that the only way to survive is to muster the courage to fight, help Edie complete a mission she abandoned years ago and pick up his father’s old gun...

    First, she has no soul. Second, she's a spinster whose father is both Italian and dead. Third, she was rudely attacked by a vampire, breaking all standards of social etiquette.Where to go from there? From bad to worse apparently, for Alexia accidentally kills the vampire--and then the appalling Lord Maccon (loud, messy, gorgeous, and werewolf) is sent by Queen Victoria to investigate.With unexpected vampires appearing and expected vampires disappearing, everyone seems to believe Alexia responsible. Can she figure out what is actually happening to London's high society? Will her soulless ability to negate supernatural powers prove useful or just plain embarrassing? Finally, who is the real enemy, and do they have treacle tart?

    He's strong and silent... and dead.All over the country, a strange phenomenon is occurring. Some teenagers who die aren't staying dead. But when they come back to life, they are no longer the same. Feared and misunderstood, they are doing their best to blend into a society that doesn’t want them. The administration at Oakvale High attempts to be more welcoming of the “differently biotic." But the students don’t want to take classes or eat in the cafeteria next to someone who isn’t breathing. And there are no laws that exist to protect the “living impaired” from the people who want them to disappear—for good. When Phoebe falls for Tommy Williams, the leader of the dead kids, no one can believe it; not her best friend, Margi, and especially not her neighbor, Adam, the star of the football team. Adam has feelings for Phoebe that run much deeper than just friendship; he would do anything for her. But what if protecting Tommy is the one thing that would make her happy?

    That's why he's been hired to descend into the Nightside, an otherworldly realm in the center of London where fantasy and reality share renting space and the sun never shines.