Tales include The Doll, Running Wolf, The Little Beggar, The Occupant of the Room, The Man Whom the Trees Loved, The Valley of the Beasts, The South Wind, The Man Who Was Milligan, The Trod, The Terror of the Twins, The Deferred Appointment, Accessory Before the Fact, The Glamour of the Snow, The House of the Past, The Decoy, The Tradition, The Touch of Pan, Entrance and Exit, The Pikestaffe Case, The Empty Sleeve, Violence, and The Lost Valley.

    . . . This twisty example of the new weird genre examines love, loss and loyalty, packing skilful world-building and a powerful emotional punch into a little over 200 pages."—The GuardianShe lived where the railway tracks met the saltpan, on the Ahri side of the shadowline. In the old days, when people still talked about her, she was known as the end-of-the-line woman.Vasethe, a man with a troubled past, comes to seek a favor from a woman who is not what she seems, and must enter the nine hundred and ninety-nine realms of Mkalis, the world of spirits, where gods and demons wage endless war.The Border Keeper spins wonders both epic—the Byzantine bureaucracy of hundreds of demon realms, impossible oceans, hidden fortresses—and devastatingly personal—a spear flung straight, the profound terror and power of motherhood. What Vasethe discovers in Mkalis threatens to bring his own secrets into light and throw both worlds into chaos.Praise for The Border Keeper"Beautifully and vividly imagined. Eerie, lovely, and surreal."—Ann Leckie“A labyrinth of demons, dead gods, cranky psychopomps, and broken all-too-human lives. Hall is by turns wry and lush, genuine and venomous. So can I have the next one already?”—Max Gladstone

    Lovecraft, the most-fevered mind of 20th century horror and weirdness! These weird tales blend horror, science-fiction and fantasy to weave stories of darkness and terror that will alternately leave you checking dark spaces for hidden horrors and wondering at the nature of reality itself. From the horror/mystery of The Altar in the Hills to the private confessions and revelations of one of mankind's most brilliant minds in Through the Ether, these seven stories bring with them Old Gods, strange twists and interesting characters that will both surprise and delight fans of horror fiction.

    A version of the story was published in the magazine Whirlwind in 1890, and Machen revised and extended it for its book publication (together with another story, "The Inmost Light") in 1894. On publication it was widely denounced by the press as degenerate and horrific because of its decadent style and sexual content, although it has since garnered a reputation as a classic of horror. Machen’s story was only one of many at the time to focus on Pan as a useful symbol for the power of nature and paganism. The title was taken from the poem "A Musical Instrument" published in 1862 by Elizabeth Barrett Browning, in which the first line of every stanza ends "... the great god Pan.

    Barlow was originally published in 1936 in The Californian. H.P. Lovecraft is known to have revised the manuscript, though to what extent is unclear.

    The walls of grief close in on Chris's life until, one day, a small cut on her finger changes everything. A drop of blood falls from Chris's hand onto her son's roadside memorial and, later that night, Chris thinks she sees his ghost outside her window. Only, is it really her son's ghost, or is it something else—something evil? Soon Chris is playing a dangerous game with forces beyond her control in a bid to see her son, Trey, alive once again.

    In these stories, Brian Evenson unsettles us with the everyday and the extraordinary—the terror of living with the knowledge of all we cannot know.

    A. Suleiman, and Paul Melniczek treat readers to some spooky tricks with a hair-raising assemblage of tales gathered together by author, editor, and master of the macabre Brian James Freeman. THE MANNEQUIN CHALLENGE by Kealan Patrick Burke For some, office parties are the highlight of the season. For others, they can paralyze with dread. Theo is determined not to let his anxiety stop him from attending—though maybe he’s right to be afraid. ACROSS THE TRACKS by Ray Garton The candy’s always better on the other side of town, even if it means crossing paths with bullies. But a rich house with an unlocked door might just be too good to be true. . . . THE HALLOWEEN TREE by Bev Vincent Every town has one: a house or a field or an old tree that just gives off a bad vibe. Of course, those feelings are just silly superstition, nothing to take seriously. Right? PUMPKIN EATER by C. A. Suleiman Peter loves Halloween—almost as much as he hates his wife. Luckily, his favorite holiday presents an opportunity to fix his problem. After all, putting his wife in her place should be as easy as pie. WHEN THE LEAVES FALL by Paul Melniczek Haverville always seemed like a typical town to me: a place where people work hard, and no one ever really leaves. Until the night I went to Graver’s Farm—and discovered what Haverwille was really hiding.

    But when the rain came, the creatures left the shadows...WORMSSpectres from the past tortured James Hildebrand's mind. His blackest nightmares were crowded with malevolent, coiling images of decay. Then, suddenly, he knew the threat was real.WORMSThe dead alone could not quench their hunger. And, for the living, the horrors that fed and multiplied in the darkness of the night became more terrible with the dawn...

    A slim, sinister text called The King in Yellow drove those who read it to madness. Despite suppression by anxious authorities, it spread through global culture, and history itself, like a virus. Now the contagion bears hideous fruit.New Tales of the Yellow Sign expands the classic horror mythos of weird tales pioneer and Lovecraft precursor Robert W. Chambers into new vistas of unease and imagination. Over the course of eight troubling stories, writer and visionary game designer Robin D. Laws lures you into diseased timelines, impossible pasts, and the all-too-terrifying present.Sterilize your suicide chamber, harken to the remorseless clicking of your black box, and whistle for the monstrous creature that lives in your basement. The pallid mask awaits.

    Steep-banked, fast-moving, it offers the promise of fine fishing, and of something more, a possibility too fantastic to be true. When Abe and Dan, two widowers who have found solace in each other's company and a shared passion for fishing, hear rumors of the Creek, and what might be found there, the remedy to both their losses, they dismiss it as just another fish story. Soon, though, the men find themselves drawn into a tale as deep and old as the Reservoir. It's a tale of dark pacts, of long-buried secrets, and of a mysterious figure known as Der Fisher: the Fisherman. It will bring Abe and Dan face to face with all that they have lost, and with the price they must pay to regain it.

    Summer brought new and exciting adventures, new experiences, and the freedom to be anything they wanted.But summer never lasts forever.Emery and Frank soon learn that they aren't alone out on the farm, that the once-vibrant forest has become a much darker place, one hiding secrets they could never imagine. As the winter storms bury them in snow, the brothers are forced to not only confront the real-life horrors of isolation, but also those that are waiting in the woods beyond."The Farm" shows us that solitude has its disadvantages, and there are things worse than loneliness hiding out there in the snow...things with teeth.

    He knows what magic a suit can cast, the invisibility a guitar case can provide, and the curse written on his skin that attracts the eye of wealthy white folks and their cops. But when he delivers an occult tome to a reclusive sorceress in the heart of Queens, Tom opens a door to a deeper realm of magic, and earns the attention of things best left sleeping.A storm that might swallow the world is building in Brooklyn. Will Black Tom live to see it break?

    A cup full of tentacles mixed with existential nihilism and sprinkled with liberal quantities of gore, this is Lovecraftian horror with a bloody bent that few others have dared to explore. --Peter Rawlik, author of ReanimatorsThey called it the Event.The Event changed everything. The earthquakes came first, including the Big One, shattering the Pacific Rim and plunging the world into chaos. Then the seas came, the skies opened, and the never-ending rain began. But as bad as that was, there is something worse.The Rising has begun.A lone man who abandoned the world for his addictions searches a waterlogged Austin for something, anything to cling to. Little does he know that something else searches for him.In the Sonoran Desert, the downtrodden of the world search for a better life north of the border, only to see the desert become an ocean: an ocean that takes life and gives death.In the woods of Alabama, survivors escape to Fort Resistance, but soon discover that it isn't just the horrors of the deep places of the world that they need to fear; but rather a new and more deadly pestilence that has grown in their own ranks.In England, it's too late to fight, and all that's left is to survive. One man reaches for his own humanity, but what to do when humanity is an endangered species?And in the Pacific, He is rising.In The Abyssal Plain: The R'lyeh Cycle, authors William Holloway, Michelle Garza and Melissa Lason, Brett J. Talley, and Rich Hawkins have created a timely and uniquely modern reimagining of the Cthulhu Mythos.

    But safety from what?Qita surrendered without complaint when Earth invaded; Innkeepers Jem and Isley, veterans from either side, have regrets but few scars. Their peace is disturbed when a visitor known to Isley comes to the Inn asking for help, bringing reminders of an unnerving past and triggering an uncertain future.Did humanity really win the war?A thoughtful, literary novel about conflict, identity and community; a fresh new perspective in speculative fiction from critically-acclaimed writer Aliya Whiteley. Jamaica Inn by way of Jeff Vandermeer, Ursula Le Guin, Angela Carter and Michel Faber, Skyward Inn is a beautiful story of belonging, identity and regret.