Her memoir, a rare account of an ordinary woman, enlightens not just her children, for whom she wrote it, but all posterity about her life and community. Gluckel speaks to us with determination and humor from the seventeenth century. She tells of war, plague, pirates, soldiers, the hysteria of the false messiah Sabbtai Zevi, murder, bankruptcy, wedding feasts, births, deaths, in fact, of all the human events that befell her during her lifetime. She writes in a matter of fact way of the frightening and precarious situation under which the Jews of northern Germany lived. Accepting this situation as given, she boldly and fearlessly promotes her business, her family and her faith. This memoir is a document in the history of women and of life in the seventeenth century.

    In the words of Seale the book "...continues to have a universal apppeal as an account of an oppressed people's struggle for human liberation."

    E. B. Du Bois first published these fiery essays, sketches, and poems individually nearly 80 years ago in the Atlantic, the Journal of Race Development, and other periodicals. Reflecting the author's ideas as a politician, historian, and artist, this volume has long moved and inspired readers with its militant cry for social, political, and economic reforms for black Americans. Essential reading for students of African-American history

    Finkelstein moves from an interrogation of the place the Holocaust has come to occupy in American culture to a disturbing examination of recent Holocaust compensation agreements. It was not until the Arab-Israeli War of 1967, when Israel's evident strength brought it into line with US foreign policy, that memory of the Holocaust began to acquire the exceptional prominence it enjoys today. Leaders of America's Jewish community were delighted that Israel was now deemed a major strategic asset and, Finkelstein contends, exploited the Holocaust to enhance this newfound status. Their subsequent interpretations of the tragedy are often at variance with actual historical events and are employed to deflect any criticism of Israel and its supporters. Recalling Holocaust fraudsters such as Jerzy Kosinski and Binjamin Wilkomirski, as well as the demagogic constructions of writers like Daniel Goldhagen, Finkelstein contends that the main danger posed to the memory of Nazism's victims comes not from the distortions of Holocaust deniers but from prominent, self-proclaimed guardians of Holocaust memory. Drawing on a wealth of untapped sources, he exposes the double shakedown of European countries as well as legitimate Jewish claimants, and concludes that the Holocaust industry has become an outright extortion racket. Thoroughly researched and closely argued, The Holocaust Industry is all the more disturbing and powerful because the issues it deals with are so rarely discussed.In a devastating new postscript to this best-selling book, Norman G. Finkelstein documents the Holocaust industry's scandalous cover-up of the blackmail of Swiss banks, and in a new appendix demolishes an influential apologia for the Holocaust industry.

    Winner of the Los Angeles Times Book Award for history, this "wonderful history of the golden age of the movie moguls" (Chicago Tribune ) is a provocative, original, and richly entertaining group biography of the Jewish immigrants who were the moving forces behind the creation of America's motion picture industry.

    Israel's roots. The Arab-Israeli wars. The United Nations. The refugees. The treatment of Jews in Arab/Islamic countries. Human rights in Israel and the territories. The Palestinian War. Jerusalem. U.S. Middle East policy. The peace process. Settlements. The arms balance. The media. Arab/Muslim attitudes toward Israel. New maps and charts."--P. [4] of cover.

    For many, it involves dramatic changes of everyday routines and personal habits.Davidman bases her analysis on in-depth conversations with forty ex-Hasidic individuals. From these conversations emerge accounts of the great fear, angst, and sense of danger that come of leaving a highly bounded enclave community. Many of those interviewed spoke of feeling marginal in their owncommunities; of strain in their homes due to death, divorce, or their parents' profound religious differences; experienced sexual, physical, or verbal abuse; or expressed an acute awareness of gender inequality, the dissimilar lives of their secular relatives, and forbidden television shows, movies, websites, and books.Becoming Un-Orthodox draws much-needed attention to the vital role of the body and bodily behavior in religious practices. It is through physical rituals and routines that the members of a religion, particularly a highly conservative one, constantly create, perform, and reinforce the culture of thereligion. Because of the many observances and daily rituals required by their faith, Hasidic defectors are an exemplary case study for exploring the centrality of the body in shaping, maintaining, and shedding religions.This book provides both a moving narrative of the struggles of Hasidic defectors and a compelling call for greater collective understanding of the complex significance of the body in society.

    Here is a literary love song that will entrance anyone who has lived in—or spent time—in the greatest of American cities. A masterful evocation of the city that never sleeps, The Colossus of New York captures the city’s inner and outer landscapes in a series of vignettes, meditations, and personal memories. Colson Whitehead conveys with almost uncanny immediacy the feelings and thoughts of longtime residents and of newcomers who dream of making it their home; of those who have conquered its challenges; and of those who struggle against its cruelties. Whitehead’s style is as multilayered and multifarious as New York itself: Switching from third person, to first person, to second person, he weaves individual voices into a jazzy musical composition that perfectly reflects the way we experience the city. There is a funny, knowing riff on what it feels like to arrive in New York for the first time; a lyrical meditation on how the city is transformed by an unexpected rain shower; and a wry look at the ferocious battle that is commuting. The plaintive notes of the lonely and dispossessed resound in one passage, while another captures those magical moments when the city seems to be talking directly to you, inviting you to become one with its rhythms. The Colossus of New York is a remarkable portrait of life in the big city. Ambitious in scope, gemlike in its details, it is at once an unparalleled tribute to New York and the ideal introduction to one of the most exciting writers working today.From the Hardcover edition.

    The Nazis plotted to kill the city's Jews and to sabotage the nation's military installations: plans existed for hanging twenty prominent Hollywood figures such as Al Jolson, Charlie Chaplin, and Samuel Goldwyn; for driving through Boyle Heights and machine-gunning as many Jews as possible; and for blowing up defense installations and seizing munitions from National Guard armories along the Pacific Coast.U.S. law enforcement agencies were not paying close attention--preferring to monitor Reds rather than Nazis--and only Leon Lewis and his daring ring of spies stood in the way. From 1933 until the end of World War II, attorney Leon Lewis, the man Nazis would come to call "the most dangerous Jew in Los Angeles," ran a spy operation comprised of military veterans and their wives who infiltrated every Nazi and fascist group in Los Angeles. Often rising to leadership positions, this daring ring of spies uncovered and foiled the Nazi's disturbing plans for death and destruction.Featuring a large cast of Nazis, undercover agents, and colorful supporting players, Hitler in Los Angeles, by acclaimed historian Steven J. Ross, tells the story of Lewis's daring spy network in a time when hate groups had moved from the margins to the mainstream.

    One little-known group settled in Kerala, in tropical southwestern India. Eventually numbering in the thousands, with eight synagogues, they prospered. Some came to possess vast estates and plantations, and many enjoyed economic privilege and political influence. Their comfortable lives, however, were haunted by a feud between the Black Jews of Ernakulam and the White Jews of Mattancherry. Separated by a narrow stretch of swamp and the color of their skin, they locked in a rancorous feud for centuries, divided by racism and claims and counterclaims over who arrived first in their adopted land. Today, this once-illustrious people is in its dying days. Centuries of interbreeding and a latter-day Exodus from Kerala after Israel's creation in 1948 have shrunk the population. The Black and White Jews combined now number less than fifty, and only one synagogue remains. On the threshold of extinction, the two remaining Jewish communities of Kerala have come to realize that their destiny, and their undoing, is the same.The Last Jews of Kerala narrates the rise and fall of the Black Jews and the White Jews over the centuries and within the context of the grand history of the Jewish people. It is the story of the twilight days of a people whose community will, within the next generation, cease to exist. Yet it is also a rich tale of weddings and funerals, of loyalty to family and fierce individualism, of desperation and hope.

    Beginning at the dawn of Islam and sweeping from the Atlantic Ocean to the mountains of Afghanistan, Gilbert presents the first popular and authoritative history of Jewish peoples under Muslim rule. He confronts with wisdom and compassion the stormy events in their dramatic story, including anti-Zionist movements and the forced exodus to Israel. He also gives special attention to the twentieth century and to the current political debate about refugee status and restitution.Throughout, Gilbert weaves a compelling narrative of perseverance, struggle, and renewal marked by surprising moments of tolerance and partnership. A monumental and timely book, Jews under Muslim Rule is a crowning achievement that confirms Martin Gilbert as one of the foremost historians of our time.

    A month later, Haim returns alone, on his first leave home. Struggling to come to terms with his experiences he wonders what happened to Dov during those fateful days.

    Organized chronologically, the volume explores the emergence of Zionism in Europe against the backdrop of relations among Jews, Arabs, and Turks, and the earliest pioneer settlements in Palestine under Ottoman rule. Weaving together political, social, and cultural developments in Palestine under the British mandate, Shapira creates a tapestry through which to understand the challenges of Israeli nation building, including mass immigration, shifting cultural norms, the politics of war and world diplomacy, and the creation of democratic institutions and a civil society. References to contemporary diaries, memoirs, and literature bring a human dimension to this narrative history of Israel from its declaration of independence in 1948 through successive decades of waging war, negotiating peace, and building a modern state with a vibrant society and culture. Based on archival sources and the most up-to-date scholarly research, this authoritative history is a must-read for anyone with a passionate interest in Israel. Israel: A History will be the gold standard in the field for years to come.

    Arendt discovered her writings some time in the mid-1920s, and soon began to reimagine Rahel's inner life and write her biography. Long unavailable and never before published as Arendt intended, Rahel Varnhagen: The Life of a Jewess returns to print in an extraordinary new edition.Arendt draws a lively and complex portrait of a woman during the period of the Napoleonic wars and the early emancipation of the Jews, a figure who met and corresponded with some of the most celebrated authors, artists, and politicians of her time. She documents Rahel's attempts to earn legitimacy as a writer and gain access to the highest aristocratic circles, to assert for herself a position in German culture in spite of her gender and religion.Arendt had almost completed a first draft of her book on Rahel by 1933 when she was forced into exile by the National Socialists. She continued her work on the manuscript in Paris and New York, but would not publish the book until 1958. Rahel Varnhagen became not just a study of a historical Jewish figure, but a poignant reflection on Arendt's own life and times, her first exploration of German-Jewish identity and the possibility of Jewish life in the face of unimaginable adversity.For this first complete critical edition of the book in any language, Liliane Weissberg reconstructs the notes Arendt planned for Rahel Varnhagen but never fully executed. She reveals the extent to which Arendt wove the biography largely from the words of Rahel and her contemporaries. In her extended introduction, Weissberg reflects on Rahel's writings and on the importance of this text in the development of Arendt's political theory. Weissberg also reveals the hidden story of how Arendt manipulated documents relating to Rahel Varnhagen to claim for herself a university position and reparation payments from the postwar German state.

    Blending memoir, religious history and literary reflection Rosen explores the remarkable parallels between a page of Talmud and the homepage of a web site, and reflects on the contrasting lives and deaths of his American and European grandmothers.