Her birthday, which falls on Halloween, is just around the corner, and she hopes that this year will be a fresh start at a new life. But then one morning, an ancient grandfather clock counting down thirteen hours appears outside of her bedroom. And then she spots a large black dog with glowing red eyes prowling the grounds of her school. A book of fairytales she's never heard of almost willingly drops in front of her, as if asking to be read. Something is wrong in the town of Eden Eld.Eleanor and her new classmates, Pip and Otto, are the only ones who see these "wrong things," and they also all happen to share a Halloween birthday. Bonded by these odd similarities, the trio uncovers a centuries-old pact the town has with a mysterious figure known as Mr. January: every thirteen years, three thirteen-year-olds disappear, sacrificed in exchange for the town's unending good fortune. This Halloween, Mr. January is back to collect his payment and Eleanor, Pip, and Otto are to be his next offering...unless they can break the curse before the clock strikes thirteen.

    Doors crash open, and strange signs appear, written in an archaic hand. James finds that the ghost is the spirit of Thomas Kempe.

    A heartfelt, gently Gothic novel from Claire Legrand.Olivia Stellatella is having a rough year.Her mother’s left, her neglectful father—the maestro of a failing orchestra—has moved her and her grandmother into the city’s dark, broken-down concert hall to save money, and her only friend is Igor, an ornery stray cat.Just when she thinks life couldn’t get any weirder, she meets four ghosts who haunt the hall. They need Olivia’s help—if the hall is torn down, they’ll be stuck as ghosts forever, never able to move on.Olivia has to do the impossible for her shadowy new friends: Save the concert hall. But helping the dead has powerful consequences for the living…and soon it’s not just the concert hall that needs saving.

    One rainy night she meets Nedly, the ghost of a boy that no one else can see. Nedly has been looking for someone to believe in him ever since the investigation into his disappearance went cold. When they discover that his death is connected to a series of mysterious murders, Lil and Nedly set out to expose those responsible, with the help of a down-on-his luck private investigator, who might hold a clue to Lil’s hidden past.Atmospheric, spooky, warm at heart, POTKIN AND STUBBS is the first in a hardboiled detective trilogy for readers aged 9+.

    When Arne Cheyenne Johnson stabbed an acquaintance to death with a five-inch folding knife, Johnson presented one of the most shocking legal defenses in history: not guilty by virtue of demonic possession. As the press put it, “the Devil made me do it.”Johnson’s shocking story began months earlier, when his girlfriend’s eleven-year-old brother, David, encountered a spectral figure looming at the foot of the bed and then started showing telltale signs of demonic possession. David suddenly spoke in Latin, levitated, and suffered beatings at the hands of an invisible demon. After a team of Catholic priests failed to drive the demon out, the case was taken up by Ed and Lorraine Warren. The Warrens had fought demons across the globe, but the Connecticut Devil would be one of their greatest challenges, and perhaps their most deadly.Now includes an 8-page photo insert documenting the possession featuring images from the Glatzel family and the Ed and Lorraine Warren collection.

    It was only natural that man, after gazing at such scenic wonders, would turn some of the mystery he felt into legend. Sometimes these legends attempted to explain natural phenomena, sometimes they attempted to explain an occurrence that appeared to be supernatural, and sometimes they grew up around the eccentric characters that were drawn to the isolation of these mysterious hills. This collection of eighteen stories presents some of the mystery and awe that the mountains convey, and it may alter your perception of the Blue Ridge and Smoky Mountains forever. You may never stand atop Roan Mountain during a storm without thinking you hear a ghostly choir. You may gaze at the top of Chimney Rock during a hazy summer afternoon and wonder if it really is a ghostly cavalry fight you see. If you spend the night near High Hampton, you may find yourself listening for the call of the lonesome white owl. If you stand at Wiseman's View, you will probably think that you, too, can see the Brown Mountain Lights. Standing atop Clingman's Dome, you may wonder if there really is an enchanted lake where animals flock to heal their wounds somewhere in the valley below. And you will always wonder if the fly you hear on your mountain walk means that Spearfinger is lurking nearby.For several years, folklorists Randy Russell and Janet Barnett have taught a course about Southern folklore at the North Carolina Center for Advancement of Teaching in Cullowhee, North Carolina. Russell is also the author of several mysteries, including Edgar Award nominee Hot Wire. They live in Asheville, North Carolina.

    It’s the story of What-the-Dickens, a newly hatched orphan creature who finds he has an attraction to teeth, a crush on a cat named McCavity, and a penchant for getting into trouble. One day he happens upon a feisty girl skibberee who is working as an Agent of Change — trading coins for teeth — and learns that there is a dutiful tribe of skibbereen (call them tooth fairies) to which he hopes to belong. As his tale of discovery unfolds, however, both What-the- Dickens and Dinah come to see that the world is both richer and less sure than they ever imagined.

    Meet Gustav Gloom.Fernie What finds herself lost in the Gloom mansion after her cat appears to have been chased there by its own shadow. Fernie discovers a library full of every book that was never written, a gallery of statues that are just plain awkward, and finds herself at dinner watching her own shadow take part in the feast!Along the way Fernie is chased by the People Taker who is determined to take her to the Shadow Country. It's up to Fernie and Gustav to stop the People Taker before he takes Fernie's family.Featuring a unique cover and beautifully dark full-page illustrations by Kristen Margiotta, Gustav Gloom is sure to be a hit with fans who love a little darkness in their lives.

    Foundling begins the journey of Rossamund, a boy with a girl’s name, who is just about to begin a dangerous life in the service of the Emperor. What starts as a simple journey is threatened by encounters with monsters—and people, who may be worse. Learning who to trust and who to fear is neither easy nor without its perils, and Rossamund must choose his path carefully. Complete with appendices, maps, illustrations, and a glossary, Monster Blood Tattoo grabs readers from the first sentence and immerses them in an entirely original fantasy world with its own language and lore.

    But that was a long time ago.Jane is nine years old and an orphan when she and her young Aunt Louisa come to spend the summer at Jane’s grandmother’s house, a large, mysterious mansion in Massachusetts. Then one day . . . Jane stares into a reflecting ball in the garden—and the face that looks back at her is not her own.Many years earlier, a child of rage and malevolence lived in this place. And she never left. Now Emily has dark plans for little Jane—a blood-chilling purpose that Louisa, just a girl herself, must battle with all her heart, soul, and spirit . . . or she will lose her innocent, helpless niece forever.One of the most adored ghost stories of all time is available again after thirty years—to thrill and chill a new generation!

    The vivid imagery of the writing is matched by Charles Keeping's haunting illustrations which won him the Kate Greenaway Medal. This new edition features rescanned artwork to capture the breath-taking detail of Keeping's illustrations and a striking new cover.

    Instead of following in your father's footsteps and becoming a servant, you'd much rather become a knight! During your training and as you become a knight, you will discover the tools of the trade, such as your armor, weapons, and horse, and get a glimpse of what it's really like to be a knight. After reading this book there will be no doubt in your mind that this is definitely armor you'd rather not wear.

    What explains sightings of ghosts? Why do they fascinate us? What exactly do those who have been haunted see? What did they believe? And what proof is there?Taking us through the key hauntings that have obsessed the world, from the true events that inspired Henry James's classic The Turn of the Screw right up to the present day, Roger Clarke unfolds a story of class conflict, charlatans, and true believers. The cast list includes royalty and prime ministers, Samuel Johnson, John Wesley, Harry Houdini, and Adolf Hitler. The chapters cover everything from religious beliefs to modern developments in neuroscience, the medicine of ghosts, and the technology of ghosthunting. There are haunted WWI submarines, houses so blighted by phantoms they are demolished, a seventeenth-century Ghost Hunter General, and the emergence of the Victorian flash mob, where hundreds would stand outside rumored sites all night waiting to catch sight of a dead face at a window.Written as grippingly as the best ghost fiction, A Natural History of Ghosts takes us on an unforgettable hunt through the most haunted places of the last five hundred years and our longing to believe.

    Take Frankenstein, for instance: He just wants to marry his undead bride in peace, but his best man, Dracula, is freaking out about the garlic bread. Then there’s the Headless Horseman, who wishes everyone would stop drooling over his delicious pumpkin head. And can someone please tell Edgar Allan Poe to get the door already before the raven completely loses it? Sheesh.          In a wickedly funny follow-up to the bestselling Frankenstein Makes a Sandwich, Adam Rex once again proves that monsters are just like you and me. (Well, sort of.)

    Streetcars won't stop for Koji, and his classmates accuse him of being an enemy spy. When a letter arrives from the government notifying him that he must go to a relocation center for Japanese Americans, he and his mother are forced to leave everything they know behind. Once there, Koji soon discovers that being half white in the internment camp is just as difficult as being half Japanese in San Francisco.Koji's story, based on true events, is brought to life by Matt Faulkner's cinematic illustrations, which reveal Koji struggling to find his place in a tumultuous world—one where he is a prisoner of war in his own country.