Culley does an artful job of piecing together a story line that parallels what is known. Strong writing of the characters and a good dose of action and intrigue make a worthy read. H A Culley has long been a favourite of mine and this book does not disappoint. Really enjoyed this series. The books skip along at a good pace. The characters both real and fictional are brought to life in medieval Britain. ABOUT THE BOOK This novel follows on from H A Culley's successful series about the Anglo-Saxon Kings of Northumbria Many will have heard of Bernard Cornwall’s hero, Uhtred of Bebbanburg, but what of the real Uhtred? He was an Anglo-Saxon noble of the tenth and eleventh century who became Earl of Northumbria. This novel is based on Uhtred’s life. In the late tenth century Northumbria was surrounded by potential enemies: the Scots to the North, the Danes in the South of the region and Viking raiders from across the North Sea. Uhtred, the elder son of the Earl of Bernicia, fights and wins his first battle against a horde of Norsemen when he is fourteen and continues to face external enemies throughout his life. However, he has to contend with enemies within his own family as well. His father is jealous of his success and disowns him and his younger brother wants him dead so that he can succeed to the earldom. He survives several attempts on his life but then the Scots invade and besiege Durham, where Uhtred has left his wife and child believing it to be a place of safety. He must unite the disparate parts of Northumbria under his leadership if he is to stand any chance of defeating the Scots invaders and so save his family. Meanwhile, across the sea Sweyn Forkbeard, King of Denmark and Norway, and his son Cnut make plans to invade Northumbria as a prelude to seizing the English throne.

    

    

    He’s also a former professor of American Studies who writes in-depth profiles about film and music legends who changed our culture.Few film actors had the lasting popularity of John Wayne, especially in westerns. During his lifetime, Wayne was a top-ten box office star for twenty-four years. Three decades after his death, a 2012 Harris poll continued to place him among the top 5 most-liked film actors. In this comprehensive essay, award-winner David Morrell analyzes Wayne’s career in westerns and explores his fascinating personality, including his Latin studies in high school and his skills as a chess player. Even Wayne’s most knowledgeable fans will be surprised by this insightful study.Morrell’s fascination with Wayne motivated him to use this iconic actor as the inspiration for the main character of a historical novel LAST REVEILLE, which dramatizes America’s 1916 invasion of Mexico, supposedly to pursue the Mexican bandit, Pancho Villa, but actually to practice military exercises for America’s entry into World War I.Critical reaction:“John Wayne: the name still conjures political reaction and cinematic fascination. In this excellent e-essay, author David Morrell (First Blood) presents a thorough and evenhanded consideration of Wayne and his Westerns, from THE BIG TRAIL (1930) to THE SHOOTIST (1976). He’s precise about the narrative problems in THE SEARCHERS, insightful regarding the remarkable emotional range Wayne demonstrates in THE MAN WHO SHOT LIBERTY VALANCE, and mystified at the meaning critics find in RIO BRAVO. While also examining Wayne’s drinking (16 martinis before a Thanksgiving dinner), smoking (five packs a day on THE ALAMO) and expertise as a chess player, Morrell allows us to appreciate and understand how Wayne, ‘an undeniable phenomenon,’ helped create that unique film category: John Wayne Westerns.”—Tom Clagett, ROUNDUP MAGAZINE (WESTERN WRITERS OF AMERICA)David Morrell is the award-winning author of First Blood, the novel in which Rambo was created. A former professor of American literature at the University of Iowa, he has written numerous New York Times bestsellers, including the classic Brotherhood of the Rose spy trilogy. The main character in Morrell’s western novel, Last Reveille, was inspired by Wayne’s career. “David Morrell is, to me, the finest thriller writer living today, bar none.”—Steve Berry, New York Times bestselling author of The Columbus Affair“Morrell, an absolute master of the thriller, plays by his on rules and leaves you dazzled.”—Dean Koontz, New York Times bestselling author of 77 Shadow Street

    3 wild lasses. Thousands of readers. A must-read box set. Deception, combat, and desire await you in this boxset starring some of the most formidable men and impassioned ladies the Scottish Highlands has ever seen. Each story transports you into the world of the Medieval Scottish Highlands--an unforgettable land of lush, verdant hills, babbling burns, and the sweet scent of heather. There you will be enraptured by 3 irresistible and exhilarating love stories like no other with no cheating, no cliffhangers, and a guaranteed happily ever after to leave you satisfied.This insatiable boxset includes:Highlander's Fate - Feisty and beautiful Alexa Montgomery swore never to let a man conquer her. Little does she know that from a ship coming from across the sea could alter her destiny forever.Highlander's Secret Nun - Handsome Gregor Carmichael committed himself to the life of monkhood but struggles to avoid the sins of the flesh. Yet, when a beautiful, out-of-place nun is thrown into his path, Gregor may find that the one place he believed to be safe from temptation could be his very undoing.Highlander's Imprisoned Love - The young beauty Kyla Montgomery has dreamed of finding true love for as long as she can remember. However, never once did she expect to find it hiding in the dungeon of the barbarians who kidnapped her. "Highlanders To Lust For" has over 240,000 words packed with romance, action, and emotion set on the beautiful backdrop of the Scottish Highlands.

    My Own Private Idaho charts the pilgrimage of a narcoleptic hustler who is searching for his long-lost mother in a world absent of love.

    

    Under extreme pressure on a catastrophic location shoot, Universal's 27 year-old prodigy crafted a thriller so effective that for many years Jaws was the highest-grossing film of all time. It was also instrumental in establishing the concepts of the event movie and the summer blockbuster. Jaws exerts an extraordinary power over audiences. Apparently simplistic and manipulative, it is a film that has divided critics into two broad camps: those who dismiss it as infantile and sensational - and those who see the shark as freighted with complex political and psychosexual meaning. Antonia Quirke, in an impressionistic response, argues that both interpretations obscure the film's success simply as a work of art. In Jaws Spielberg's ability to blend genres combined with his precocious technical skill to create a genuine masterpiece, which is underrated by many, including its director. Indeed, Quirke claims, this may be Spielberg's finest work.

    Richard the Lionheart is dead and his brother John has just been crowned King of England. John travels to St Edmund’s abbey in Suffolk to give thanks for his accession. His visit coincides with the murder of a twelve-year-old boy whose mutilated body bears the marks of ritual sacrifice and martyrdom. This isn’t the first time such a thing has happened. Eighteen years earlier another child was murdered in the town in similar circumstances. Abbot Samson needs to find out if this is indeed another martyrdom or just an ordinary murder and appoints the abbey’s physician, Master Walter, to investigate. Walter discovers a web of intrigue and corruption involving some of the highest in the land but unbeknown to him his own past holds a secret which will put his life in danger before the final terrible solution is revealed.

    Ronnie and Reggie Kray are school ground bullies brought up by a domineering mother and two devoted aunts. National Service and spells in prison expose the brutality that helps establish the twin brothers as the kings of 1960s gangland London.Philip Ridley's original, uncut screenplay, almost as notorious as its subject matter is a stylised meditation on maternal love, childhood, violence and homoeroticism and takes its place as one of the masterpieces of contemporary cinema.

    They find a safe haven in the isolated Norfolk village where Seb was born. Yet this idyllic rural setting has its own murderous secrets and a terrible crime requires our hero to play the sleuth once more.Even away from London, Seb and Emily are not as safe as they believe - their enemies are closer than they know and danger lurks at every twist and turn. The sixth Sebastian Foxley medieval murder mystery from bestselling author Toni Mount brings the medieval era to life once again.

    Thomas Nelson's perceptive and comprehensive study of Kubrick rescues him from the hostility of auteurist critics and discovers the roots of a Kubrickian aesthetic, which Nelson defines as the "aesthetics of contingency."After analyzing how this aesthetic develops and manifests itself in the early works, Nelson devotes individual chapters to Lolita, Dr. Stangelove, 2001: A Space Odyssey, A Clockwork Orange, Barry Lyndon, and The Shining.For this expanded edition, Nelson has added chapters on Full Metal Jacket and Eyes Wide Shut, and, in the wake of the director's death, reconsidered his body of work as a whole. By placing Kubrick in a historical and theoretical context, this study is a reliable guide into--and out of--Stanley Kubrick's cinematic maze.

    Rumors abound that this savage is responsible for the deaths of Lady Catrin’s father and brother. How can she allow her sweet cousin to wed a murderer? Bran ap Madog, bastard son of a Welsh prince, has devoted his life to serving the English king. His badge is the raven, a creature that feeds off rotting spoils, just as Bran feeds off the spoils of war. Now he wants a reward for his service: a wealthy wife and the land and power she can bring him. But there’s another side to the rapacious black birds Bran has chosen for his badge. Social and family-oriented, ravens mate for life. Which gives them something Bran never had—a family, a sense of belonging, and a rightful place in the world. Bran has fought for everything he’s ever had. But his last battle, with his new wife, may cost him the one thing he isn’t prepared to lose: his heart.

    Kenneth Turan’s fifty-four favorite films embrace a century of the world’s most satisfying romances and funniest comedies, the most heart-stopping dramas and chilling thrillers.Turan discovered film as a child left undisturbed to watch Million Dollar Movie on WOR-TV Channel 9 in New York, a daily showcase for older Hollywood features. It was then that he developed a love of cinema that never left him and honed his eye for the most acute details and the grandest of scenes.Not to be Missed blends cultural criticism, historical anecdote, and inside-Hollywood controversy. Turan’s selection of favorites ranges across all genres. From All About Eve to Seven Samurai to Sherlock Jr., these are all timeless films—classic and contemporary, familiar and obscure, with big budgets and small—each underscoring the truth of director Ingmar Bergman’s observation that “no form of art goes beyond ordinary consciousness as film does, straight to our emotions, deep into the twilight room of the soul.”