Bilel is the French right-hand man of the most dangerous militant in the world, Abu Bakr al-Baghdadi, the Caliph of Islamic State. He offers Mélodie a way to fill the boredom in her young life: he cares about her, offers beautiful things, spiritual purpose and, in less an idyllic life. Bilel’s seduction is honey-tongued and forceful – and all Mélodie must do is join him and ISIS in their Syrian jihad. Every day he gives more detail, telling her how he drives a jeep filled with guns and bottles of the chocolate milk he loves for hundreds of miles on murderous missions of execution. Every night he lures, seduces and manipulates this vulnerable young woman.A riveting page-turner In the Skin of a Jihadist is a shocking inquiry into how technology is spreading radicalism, the lure of ISIS propaganda, and the factors that motivate young people – including many British teenagers – to join extremist wars in Syria and elsewhere.

    But Vinia is tragically already married to Dryden's employer, Joe, manager of the Black Prince coal pit. Joe's jealousy over the growing connection between his wife and Dryden, sends Dryden into the arms of the beautiful and fiery Roberta Grant. But can Dryden ever truly forget Vinia?

    Mohi symbolises ""the hurting"" and Kabir is all about ""the healing"" that comes after it. A book written and illustrated by author,which is for everyone. for those who believe in love and compassion and for those who don't. Those who have healed and those who are still in process. Those who aren't able to move on and those who have successfully done it. It is for feminists, the activists, the believers, the gender norm shatterers.It is a gift, a book on its journey to make difference in it's reader's life.

    But she is not content. She wants her life to mean something and longs to be accepted for the free-thinking, independent woman she is. When the dashing, adventurer Matt Cowan sweeps her off her feet, she thinks she has finally met her soul mate. However, he’s not the man she thinks he is. After he sails for South America, leaving her behind in England, Anna discovers she’s pregnant. Heartbroken she flees her family home, determined to keep her child’s illegitimacy a secret. He has a few dark secrets of his own… Brenton O’Mara is a strong, independent man who wants to make his own way without relying on his father’s wealth. He comes to Anna’s new home looking for work and convinces the reluctant woman to hire him. But Anna's wary of men, of love, and treats him as nothing more than the penniless labourer she believes him to be. Then, just when Anna seems to feel she is getting on with her new life, and Brenton believes he is breaking down her barriers, the past rears up to confront them and their future hangs in the balance.

    

    Contained within these pages, is his story. It is a story that will horrify the non criminal mind and lay bare, how Massey unwittingly became the architect of his own demise. Massey was not the only casualty of a toxic feud that had ignited between two Salford gangs following the most trivial of disputes. John Kinsella, a close friend of Massey's, was gunned down in front of his pregnant partner. A seven-year-old boy and his mother were shot, a hand grenade was hurled through the front window of a family home, an attempt was made to behead a man with a machete and an orgy of beatings, stabbings, kidnappings and shootings were carried out in the name of respect. In today's underworld, the old school criminal code has been confined to the bin. Being known as a hard man, once demanded respect, but no more. Guns, and having the mindset to use one, often for little or no reason, has become the norm. Drugs are the currency and death often the penalty for a discrepancy or misdemeanour. It is an unforgiving world that Paul Massey helped to create and a world, that ultimately resulted in his death.

    People living happy lives, some not-so-happy lives, people in love, hopeless romantics, people dealing with heartbreak, the ones who believe life is better with a bit of whimsy, this book, hopefully, has a little something that resonates with everybody, lets the reader find the silver lining when needed and discover the joie de vivre even when times are hard.

    A series of scenes that gradually tell the story of how the financial collapse affects a British couple and how fiscal worry, stress, and fear can strain mankind's greatest emotion.

    In the century since its first performance, The Cherry Orchard has undergone a wide range of conflicting interpretations: tragic and comic, naturalistic and symbolic, reactionary and radical. Beginning with the 1904 premiere at Stanislavsky's Moscow Art Theatre, this study traces the performance history of one of the landmark plays of the modern theatre. Considering the work of such directors as Anatoly Efros, Giorgio Strehler, Peter Brook, and Peter Stein, Chekhov: The Cherry Orchard explores the way different artists, periods and cultures have reinvented Chekhov's poignant comedy of failure and hope.

    Concerned something has happened to her husband, Jill follows a string of clues to try and find out the secret Charles was keeping from her.

    Hold tight as the ordinary turns extraordinary in Mark O’Rowe’s exhilarating new play. A blackly comic vision of Dublin infested with demons, from the author of Howie the Rookie.

    He has two manuscripts but lacks the funds to publish both. His difficult decision--whether to publish his lover's memoir or the novel written by his best friend--is further complicated by the arrival of a mysterious machine that produces pages predicting the future of the play's protagonists, affecting their lives and relationships in haunting and unexpected ways. "The Violet Hour" opened on Broadway on November 6, 2003, starring Robert Sean Leonard.

    The key witness is a woman whose life seems a world away from theirs. At home, their own lives begin to unravel as every version of the truth is challenged.Consent, Nina Raine’s powerful, painful, funny play, sifts the evidence from every side and puts Justice herself in the dock. It premiered as a co-production between the National Theatre and Out of Joint, directed by Roger Michell at the National Theatre in 2017.

    This short play by Caryl Churchill was an entry in the 1997 London International Festival of Theatre.

    Laird boldly engages with topics ranging from fatherhood and marriage to mass destruction and the cosmos. Go Giants is a brash, brave, and wildly imaginative new collection.From Go Giants:Go in peace to love and serve the.Go and get help. Go directly to jail.Go down in flames. Go up in smoke.Go for broke. Go tell Aunt Rhody.Go tell the Spartans. Go to hell.Go into detail. Go for the throat.