But occasionally over the years he’s found it impossible to turn down a particularly enticing assignment or, in the case of the 2012-13 Premier League, just unable to resist writing about that most spectacular of seasons. Fortunately for those who love great writing about soccer, all these fugitive pieces are collected in Fan Mail. You can follow the fortunes, as Hornby did, of a hopelessly out-of-their-depth Cambridge United in the old Second Division, discover why Perry Groves was an unlikely hero among Arsenal fans, enjoy Hornby trying to explain the World Cup to Americans, and share with him the pain of watching his national team.

    With characteristic vigor and iconoclasm, Pound illustrates his precepts with exhibits meticulously chosen from the classics, and the concluding “Treatise on Meter” provides an illuminating essay for anyone aspiring to read and write poetry. The ABC of Reading emphasizes Pound's ability to discover neglected and unknown genius, distinguish originals from imitations, and open new avenues in literature for our time.

    His ‘natural supernaturalism’, personal mythology and vision can leave readers dazzled by the intensity and passion of his verse. In this outstanding work, Chesterton goes right to the heart of the matter and addresses the question of whether Blake’s genius was tainted by madness or whether his peculiar outlook on the world was the key to his success. With a detailed exposition of Blake’s life, and by weaving lucid explanations of his philosophy and religion into a discourse on his poetry, Chesterton has produced a remarkable and sensitive biography.

    Drawing on photos, anecdotes, and, most important, the way he hears the music, Dyer imaginatively reconstructs scenes from the embattled lives of some of the world's greats: Lester Young fading away in a hotel room; Charles Mingus storming down the streets of New York on a too-small bicycle; Thelonius Monk creating his own private language on the piano. However, music is the driving force of But Beautiful, and Dyer brings it to life in luminescent and wildly metaphoric prose that mirrors the quirks, eccentricity, and brilliance of each musician’s style.

    The Curtain is a seven-part essay by Milan Kundera, along with The Art of the Novel and Testaments Betrayed composing a type of trilogy of book-length essays on the European novel.

    First published over forty years ago, it made its youthful author England's most controversial intellectual. The Outsider is an individual engaged in an intense self-exploration-a person who lives at the edge, challenges cultural values & "stands for Truth." Born into a world without perspective, where others simply drift thru life, the Outsider creates his own set of rules & lives them in an unsympathetic environment. The relative handful of people who fulfilled Wilson's definition of the Outsider in the 1950s have now become a significant social force, making Wilson's vision more relevant today than ever. Thru the works & lives of various artists--including Kafka, Camus, Eliot, Hemingway, Hesse, Lawrence, Van Gogh, Nijinsky, Shaw, Blake, Nietzsche & Dostoyevski--Wilson explores the psyche of the Outsider, his effect on society & society's effect on him. Wilson illuminates the struggle of those who seek not only the transformation of Self but also the transformation of society as a whole. The book is essential for everyone who shares his conviction that "a new religion is needed".

    Cain's hard-nosed observation that "writing a novel is like working on foreign policy. There are problems to be solved. It's not all inspirational," to Joan Didion's account of how she composes a book--"I constantly retype my own sentences. Every day I go back to page one and just retype what I have. It gets me into a rhythm"--The Paris Review has elicited some of the most revelatory and revealing thoughts from the literary masters of our age. For more than half a century, the magazine has spoken with most of our leading novelists, poets, and playwrights, and the interviews themselves have come to be recognized as classic works of literature, an essential and definitive record of the writing life. They have won the coveted George Polk Award and have been a contender for the Pulitzer Prize. Now, Paris Review editor Philip Gourevitch introduces an entirely original selection of sixteen of the most celebrated interviews. Often startling, always engaging, these encounters contain an immense scope of intelligence, personality, experience, and wit from the likes of Elizabeth Bishop, Ernest Hemingway, Truman Capote, Rebecca West, and Billy Wilder. This is an indispensable book for all writers and readers.

    Geographically and culturally boundless, with contributions from Great Britain, Ireland, America, Canada, Australia, India, the Caribbean, and Southern Africa; influenced by great novelists working in other languages; and encompassing a range of genres, the story of the novel in English unfolds like a richly varied landscape that invites exploration rather than a linear journey. In The Novel: A Biography, "Michael Schmidt does full justice to its complexity.Like his hero Ford Madox Ford in The March of Literature," Schmidt chooses as his traveling companions not critics or theorists but "artist practitioners," men and women who feel "hot love" for the books they admire, and fulminate against those they dislike. It is their insights Schmidt cares about. Quoting from the letters, diaries, reviews, and essays of novelists and drawing on their biographies, Schmidt invites us into the creative dialogues between authors and between books, and suggests how these dialogues have shaped the development of the novel in English.Schmidt believes there is something fundamentally subversive about art: he portrays the novel as a liberalizing force and a revolutionary stimulus. But whatever purpose the novel serves in a given era, a work endures not because of its subject, themes, political stance, or social aims but because of its language, its sheer invention, and its resistance to cliche--some irreducible quality that keeps readers coming back to its pages."

    She was the wealthiest woman in Europe. But only few knew the secret she was hiding. She was a normal little girl, daughter of the King of Portugal’s personal physician, and for many years she was convinced that she, just like all the people in her immediate surroundings, was a Catholic.Until one day, on her twelfth birthday, Doña Gracia was led down to the basement of their home by her mother where the family’s deepest secret was revealed to her—"We are Jews.”Doña Gracia did not remain indifferent to this shocking news and little by little, she began to investigate and become familiar with her Jewish roots.The Little Girl from Lisbon Is the wonderful story of Doña Gracia, one of the greatest women Europe has known, about her personal struggle in a world controlled by men, her escape from the persecution of the Inquisition, and all the nobility who coveted her wealth, while turning into a leader who was truly admired and followed by her people.

     A few days before Noble Norfleet's eighteenth birthday, his family suffers a violent catastrophe. The sole survivor, Noble throws himself into a reckless affair with his Spanish teacher, whose husband is fighting in Vietnam. When Noble graduates, he enlists as well and, while serving as an army medic, experiences a mysterious vision that seems tied to uncanny events in his recent past. Not until thirty years later -- after a life short on friends and troubled by a compulsion to worship women's bodies -- is Noble challenged to rethink the decades-old mystery of his family tragedy. Faced with an ominous choice, Noble finally comes to accept an enormous duty he's long tried to ignore. Soon, perhaps for the first time, his future seems hopeful.

    39 pages of summaries and analysis on The Autumn of the Patriarch by Gabriel Garcia Marquez.br/br/This study guide includes the following sections: Plot Summary, Chapter Summaries Analysis, Characters, Objects/Places, Themes, Style, Quotes, and Topics for Discussion.

    Half a decade later, she’s still on the road, in search not so much of a home as of understanding, a way of being in the world that demands neither constant struggle nor complete surrender.           The Dead Ladies Project is an account of that journey—but it’s also much, much more. Fascinated by exile, Crispin travels an itinerary of key locations in its literary map, of places that have drawn writers who needed to break free from their origins and start afresh. As she reflects on William James struggling through despair in Berlin, Nora Barnacle dependant on and dependable for James Joyce in Trieste, Maud Gonne fomenting revolution and fostering myth in Dublin, or Igor Stravinsky starting over from nothing in Switzerland, Crispin interweaves biography, incisive literary analysis, and personal experience into a rich meditation on the complicated interactions of place, personality, and society that can make escape and reinvention such an attractive, even intoxicating proposition.           Personal and profane, funny and fervent, The Dead Ladies Project ranges from the nineteenth century to the present, from historical figures to brand-new hangovers, in search, ultimately, of an answer to a bedrock question: How does a person decide how to live their life?

    Richard the Lionheart is dead and his brother John has just been crowned King of England. John travels to St Edmund’s abbey in Suffolk to give thanks for his accession. His visit coincides with the murder of a twelve-year-old boy whose mutilated body bears the marks of ritual sacrifice and martyrdom. This isn’t the first time such a thing has happened. Eighteen years earlier another child was murdered in the town in similar circumstances. Abbot Samson needs to find out if this is indeed another martyrdom or just an ordinary murder and appoints the abbey’s physician, Master Walter, to investigate. Walter discovers a web of intrigue and corruption involving some of the highest in the land but unbeknown to him his own past holds a secret which will put his life in danger before the final terrible solution is revealed.

    The Killings of Stanley Ketchel is a sweeping and powerful literary adventure by one of our most daring novelists.

    And then it descends upon them - the infamous Children's Blizzard of 1888. Who will survive?With characters from Rosette: A Novel of Pioneer Michigan , "Blizzard: A Story of Dakota Territory" captures in one sod shanty the dramatic effects of a storm on the bodies and spirits of people who have internal storms of their own.Cover painting and design by Betsy Marsch, illustrator and cover designer for Rosette: A Novel of Pioneer Michigan.