Ava Fortune's got it all... magic, love, and a bakery. She just can't seem to stay out of trouble, especially now that her dad is getting married. And now Ava's father's been framed for murder… Obviously, she can't let this case rest. Ava can't let her dad down. She needs to find the real killer before he strikes again or her dad ends up behind bars forever. With her aunts and best friend there to help her, Ava can't possibly fail. Or can she? She wonders if this time the killer just might win. Can Ava save her father before it's too late, or is her magic all used up? Page Count: around 330 pages

    And only organized crime can do it. When a gambler tries to pay a bookie with food stamps, the Mafia realizes the liberal entitlement society has gone too far. With half the country on some sort of government assistance, disposable income is disappearing. And without disposable income, the Mob will soon be out of business. Enough. Three New Jersey Mafia families decide to band together to take control of the country. To do so they must get 12 flaming liberals who are destroying the country with a progressive agenda “out of the way.” A “hit list” that will lead to the ultimate target, the President. But this is the new Mob, using brains and technology instead of bullets. And they have a not-so-secret weapon: a United States Senator who happens to be a blood relative. And blood is thicker than politics.

    Jack Slater, once an orphan boy on a train trip west, is facing A Long Year in Outlaw Country. “This is the 1880s, we’re supposed to be civilized,” Slater says following an attack that killed one of his best hands. Greedy men, mean killers, outlaws all, don’t understand the concept of civilized, and it take men like Jack Slater to stand up to them, more so when his family is threatened.

    She is so tired of being sick and alone.Angel Ruiz is a loner with a scarred heart that began with homophobic parents years ago.When Gina meets Angel at her friends’ New Year’s Eve party she feels an instant bond. She sees Angel’s damaged heart and wonders if it is as weary as hers?And then she has an idea.All Angel has to do is say yes.

    But when the runaway bride parks her truck in front of a small town bar the last thing she's expecting is Leo Bonham.Butch, sexy, and older, Leo is everything that Sammie has never wanted. Not least because she's female. And Leo isn't too pleased about meeting Sammie either. She's off relationships for good, and anyway, that huge RV is deterring customers.Sammie's too straight, too young, and too beautiful for Leo's taste. And Leo's too broken, too stubborn, and too old for Sammie's games. And yet the bubbling excitement between them can't be denied.It should have been just a stop on the road, just another customer, but somehow their lives got tangled together. Right up until one cuts the other free. An escape story turned into a romance, which turned into a tragedy. And the only way to get a happy ending is to leave the past behind...One For The Road is a new stand-alone lesbian romance from Sienna Waters, author of the Oakview and Monday's Child lesfic series.

    Enjoy this little poetry treasure and let yourself bloom.* The e-book does not contain illustrations.

    and everybody’s armed Territory of Arizona, 1882: Luther Ames returns to the settlement of Trinity Meadows to discover his brother’s fresh grave. It lies beside the charred remains of his cabin. Billy was shot point-blank and burned with a branding iron.He’s the third such victim in as many weeks.Rumors swirl that Billy was part of a band of cattle rustlers, but Luther knows that’s a lie.Scores of cattle are going missing and the town is on the brink of a shooting war between the homesteaders and the wealthy ranchers.With the killers out for blood, Luther comes across a lone woman hiding in an abandoned shack right in the path of the rustlers. She’s hauntingly beautiful, she’s in danger, and she’s one of the rancher’s daughters.Suddenly the lines that have been drawn are no longer clear. Allies might be enemies, friendships are not what they seem, and everybody’s armed…

    

    He transports us back to the street where he was born “early in the final industrial century” to help us envision an America he’s known from the 1930s to the present. His subjects include his brothers, a great-uncle who gave up on America and returned to czarist Russia, a father who survived unspeakable losses, the artists and musicians who inspired him, and fellow workers at the factory who shared the best and worst of his coming of age. Throughout the collection Levine rejoices in song–Dinah Washington wailing from a jukebox in midtown Manhattan; Della Daubien hymning on the crosstown streetcar; Max Roach and Clifford Brown at a forgotten Detroit jazz palace; the prayers offered to God by an immigrant uncle dreaming of the Judean hills; the hoarse notes of a factory worker who, completing another late shift, serenades the sleeping streets. Like all of Levine’s poems, these are a testament to the durability of love, the strength of the human spirit, the persistence of life in the presence of the coming dark.

    When Tri Con hires eight new pilots and assigns them to a pilot class, they find the ground school and flight simulator challenge more than expected. The class is a mix of former military pilots and civilians with varying experience, including a former female flight attendant. Who can survive The Pilot Class and meet the challenge of flying the line as a Tri Con first officer. Personal relationships, a married flight attendant with an abusive husband, a major airline accident, and the federal government are all obstacles that stand in the way of The Pilot Class.

    At least his wife, his students, and his community thought so. But when he dies to save the life of a stranger, Steve is sent to an afterlife reserved for the truly heroic: Valhalla.But the Norse realm of the dead isn’t anything like he expected. Valhalla is a school, the Gods are teachers, and Steve’s fellow students are his competition in the great games.Then there are the women...Ila, the beautiful but stoic warrior. Molly, the cutie with her heart on her sleeve. Idun, the blonde Goddess bombshell with a soft spot for poetry. And Twyla, the dwarven bartender who’s always brewing up a sexy good time.Now, Steve must find where he belongs. But in a place where everyone is a hero, he’ll learn that his greatest fight is with himself.Join Steve in a HaremLit adventure filled with romance, sexy goddesses, self-doubt, creative uses of a dorm’s common shower, exploding houses, copious amounts of food and beer, dresses that get wet or come off very easily, and plenty of sexy times.Afterlives Valhalla is rated R for adult themes, graphic violence, undefined relationships/harem, and explicit scenes. Reader discretion is advised.

    A one-night stand with Natasha Peters has got her pregnant. Now he has two options: give up on his dream as a comedian and get a day job or abandon his responsibility and be a total dick. Only when Tash tells the full truth does a third possibility emerge...This story recounts the all too relatable experience of a fleeting sexual encounter and the hilarious mess it can create. It details all the things you think you know about safe sex and is inspired by the true story of a comedian in crisis.'The honesty shines through this funny, poignant page-turner. Finished it in one sitting. I just had to know!' — Dave Hughes'Simon is one of the top comedy writers out there.' — Jay Leno'This book will enable you to enter the mind of a comedian, but then you may have to call someone to help you get out.' — Akmal Saleh

    The resonance of this image grows through each section of the book as Hahn skillfully employs theme and variation, counterpoint and mirroring techniques. The ibis first appears as part of an illusion, the disappearing object in a magician’s trick, which then evokes the greatest disappearing act of all—death—where there are no tricks to bring about a reappearance. The rich complexity multiplies as the second section focuses on a disappearing lady and a dramatic final section brings together the bird and the lady in their common plight—both caged by their mortality, their assigned time and role.  All of the illusions fall away during this brilliant denouement as the two voices share a dialogue on the power of metaphor as the very essence of poetry. bird trick iv It’s all about disappearance. About a bird in a cagewith a mirror, a simple twiston the handle at the sidethat makes it come and go at the magician’s insistence. It’s all about innocence.It’s all about acceptance.It’s all about compliance.It’s all about deference.It’s all about silence. It’s all about disappearance.

    This book is about the girls whose lives were ruined by me. I want to write about my story, for it’s the only way to be immortal. I want you to feel the pleasure of falling in love. The lust, the passion, the desire, and the craving that turns into an unhealthy addiction. And I want you also to feel the pain of losing someone, the ache, the agony, the bitterness, and the grief that cripples your soul forever. This is for everyone. The forgotten souls buried under the melancholy of the past. Yes, I will show you how much you hurt me, I will write. This is what my heart holds for you; half pleasure, half pain.

    One waiter, one customer. The overnight fry cook rambles up to the pie case to take his nightly hit of dessert-topping propellant. It’s not a complete surprise when he falls to the floor; the stuff gives him the spins. That’s the point. It’s a bad moment for the boss to arrive, though. It’s worse when the cook turns out to be dead - from a bullet no one heard. For the waiter, it’s the start of the the worst few months of his life, and before it’s done he’ll be neck-deep in drug deals, romances with a faithless minx and an unintelligible Russian teacher - and a plot by campus radicals to blow something big. It’s 1980, after all. No shortage of things to deplore. They’re not too concerned with disco, though; that seems to be on the way out. “Graveyard Special” is another humorous mystery by the author of “Falling Up the Stairs,” and the first in a series of interconnected mysteries that span six decades.