These are mixed fortunes ahead for Evie, and while Lucy grows up in the beautiful Irish countryside, Linnet is all too often forced to throw herself on the mercy of the enormous, impoverished Sullivan family. Life in a slum court during the thirties is far from easy -but when tragedy strikes it becomes the only existence possible for Linnet. Destitute, she disappears into the Liverpool slums like an teardrop in an ocean. Lucy, meanwhile, urgently needs her sister by her side. But she has little idea, when she leaves the farm and sets off to look for Linnet, how their meeting will change their lives for ever. . .

    In the New York society of the 1870s, however, only those with old money can achieve the status of the elite, and it is here that the sisters seem doomed to failure.Nan's new governess, Laura Testvalley, herself an outsider, takes pity on their plight and launches them instead on the unsuspecting British aristocracy. Lords, dukes, marquesses and MPs, it seems, not only appreciate beauty, but also the money that New York's nouveaux riches can supply.A love story of love and marriage among the old and new moneyed classes, The Buccaneers is a delicately perceptive portrayal of a world on the brink of change.

    In a world of superstition and intolerance, Tamar, growing into a wild and beautiful girl, seemed doomed to violent death when the witch-pricker came to Plymouth. Intelligent though untutored, she attracted the attentions of Bartle Cavill, the lusty gentleman-adventurer, home from the Spanish Main: moreover the puritan Humility Brown, was not unaware of her. These two men attracted her as she attracted them, but for different reasons representing as they did, the one passion, the other piety. Daughter of Satan is a moving and exciting novel of fanaticism and persecution, of witches and puritans, of a band of exiles who, because life was becomingly intolerable for them at home, were ready to cross and ocean to face storm and tempest, pirates and savages-even the Spanish inquisition-that they might seek refuge in a new land. From Old Plymouth to New Plymouth in search of a new life, came Tamar, the passionate pilgrim, the woman whom many believed to be the daughter of Satan.

    There’s no doubt in her mind that if given another chance, she can make a success of homesteading. She will not fail this time. People scoff, saying ranching is too much of a job for a lone woman to undertake. But Rose is no ordinary woman. She may be petite, stylish, and beautiful, but she is also strong and driven. Every aspect of ranching brings joy to her heart. Then why is she here in Wise River, Montana, taking orders from a mean-spirited school board and attempting something she has no clue how to do? Teaching? Jesse Rivers carries his own baggage on his wide shoulders. He’s been called home by a dying stepmother to take over the Rocking R Ranch and the care of a belligerent and wounded brother. A rugged, lanky cowboy, Jesse is also demanding, surly, and afraid to love. No, he can’t love. What if he has buried inside him the same volatile anger as his father, resulting in brutality by strong fists or a whip? Then Jesse meets Rose. Strong willed, outspoken, determined, and oh-so-desirable.

    At Saint Ursula's, her friendship with Loveday Carey-Lewis sweeps her into the privileged, madcap world of the British aristocracy, teaching her about values, friendship, and wealth. But it will be the drama of war, as it wrenches Judith from those she cares about most, that will teach her about courage...and about love.Teeming with marvelous, memorable characters in a novel that is a true masterpiece, Coming Home is a book to be savored, reread, and cherished forever.

    He’d much rather sample bevvies of beauties abroad, in search of a model for the provocative masterpiece he’s driven to paint. When he meets Lady Yvette Barlow at a London wedding, he realizes she’s perfect for his work—and determines to capture the young heiress’s defiant spirit and breathtaking sensuality on canvas.No stranger to scandal, Yvette agrees to be Keane’s subject—in exchange for his help gaining entry to the city’s brothels he knows intimately, so she can track a missing woman and solve a family mystery. But when their practical partnership leads to lessons in the art of sinning, can they find a bold and lasting love?

    When he remarries, a new step-sister enters Molly's quiet life – loveable, but worldly and troubling, Cynthia. The narrative traces the development of the two girls into womanhood within the gossiping and watchful society of Hollingford.Wives and Daughters is far more than a nostalgic evocation of village life; it offers an ironic critique of mid-Victorian society. 'No nineteenth-century novel contains a more devastating rejection than this of the Victorian male assumption of moral authority', writes Pam Morris in her introduction to this new edition, in which she explores the novel's main themes – the role of women, Darwinism and the concept of Englishness – and its literary and social context.

    She does not return.Three people have been intimately connected with her. One, her brother, a soldier and adventurer; the second a doctor, traumatized by the war, and harbouring a secret passion, and the third, Mariella, her cousin and childhood friend, who must now uncover the truth about what has happened to the missing nurse.Mariella's epic journey takes her from the domestic quiet of London to the foothills of Italy, and on to the ravaged Russian landscape of the Crimea, where she must discover what has happened to her captivating and mysterious cousin and uncover the secrets of those who loved her..

    Frieda Lewis, a doctor’s daughter and a runaway, becomes the muse of an ill-fated rock star. And beautiful Bryn Evans is set to marry an Englishman while secretly obsessed with her ex-husband. At the heart of the novel is Lucy Green, who blames herself for a tragic accident she witnessed at the age of twelve, and who spends four decades searching for the Third Angel–the angel on earth who will renew her faith.Brilliantly evoking London’s King’s Road, Knightsbridge, and Kensington while moving effortlessly back in time, The Third Angel is a work of startling beauty about the unique, alchemical nature of love.

    Though rumored to be haunted, Alexandrina and her lady's maid, Pooki, have no choice but to take the Queen up on her offer.     Aside from the ghost sightings, Hampton Court doesn't seem so bad. The princess is soon befriended by three eccentric widows who invite her to a picnic with all the palace's inhabitants, for which Pooki bakes a pigeon pie. But when General-Major Bagshot dies after eating said pie, and the coroner finds traces of arsenic in his body, Pooki becomes the #1 suspect in a murder investigation.      Princess Alexandrina isn't about to let her faithful servant hang. She begins an investigation of her own, and discovers that Hampton Court isn't such a safe place to live after all.     With her trademark wit and charm, Julia Stuart introduces us to an outstanding cast of lovable oddballs, from the palace maze-keeper to the unconventional Lady Beatrice (who likes to dress up as a toucan—don't ask), as she guides us through the many delightful twists and turns in this fun and quirky murder mystery. Everyone is hiding a secret of the heart, and even Alexandrina may not realize when she's caught in a maze of love.

    He has returned from his annual pilgrimage to a graveyard in Wales. Now he hopes to take refuge from his memories by heading an archeological dig in the village of Wytchlow. It is a simple project -- checking for ancient relics before a land developer levels the earth -- until a woman with an all-too-familiar face stumbles into the path of his car.Bobby Redhead bears a striking resemblance to a woman he loved and tragically lost years ago. Bobby cannot understand the emotions she evokes in Patrick, but she can sense his deep suffering. What has he done that he cannot forgive? And why is Bobby so drawn to him?As Bobby reaches out, Patrick retreats into silence and shadows, focusing obsessively on the dig. They are hunting ancient Roman mosaics, but there is something more tantalizing in the soil of Wytchlow. It is only a myth, a local folktale, a song sung one night in a pub by an otherwise mute man. The story goes that a Saxon girl called the German Queen has been buried close by. The only evidence is the old song, but it is enough to capture Patrick's imagination as nothing has in years.It has also captured the unwanted interest of a television producer fascinated with Patrick's past. Yet nothing will deter Patrick from the project -- not the television hype, nor the developer's greed, nor the bittersweet relationship of working so close to Bobby. As centuries fall away, the Saxon warrior woman lost to time is suddenly as vividly alive to Patrick as the woman standing beside him. As Patrick struggles with the unforgivable tragedy he cannot forget, he senses a connection between Bobby and the lost queen and discovers his destiny is powerfully entwined with them both. Beneath the shadows of a timeless moon, under layers of earth that have protected her secrets, can the fragile bones of a royal matriarch heal the hearts of those who would dare free her?

    For the Fourth Edition, the editor has collated the 1847 text with several modern editions and has corrected a number of variants, including accidentals. The text is accompanied by entirely new explanatory annotations.New to the fourth Edition are twelve of Emily Bronte's letters regarding the publication of the 1847 edition of Wuthering Heights as well as the evolution of the 1850 edition, prose and poetry selections by the author, four reviews of the novel, and poetry selections by the author, four reviews of the novel, and Edward Chitham's insightful and informative chronology of the creative process behind the beloved work.Five major critical interpretations of Wuthering Heights are included, three of them new to the Fourth Edition. A Stuart Daley considers the importance of chronology in the novel. J. Hillis Miller examines Wuthering Heights's problems of genre and critical reputation. Sandra M. Gilbert assesses the role of Victorian Christianity plays in the novel, while Martha Nussbaum traces the novel's romanticism. Finally, Lin Haire-Sargeant scrutinizes the role of Heathcliff in film adaptations of Wuthering Heights. A Chronology and updated Selected Bibliography are also included.

    In a Victorian era ruled by a ruthless steam baron council, mechanical power is the real monarch, and sorcery the demon enemy of the empire. Evelina has secretly mastered a coveted weapon - magic that can run machines. Should she trust the handsome, clever rake who speeds her breath, or the dashing trick rider who would dare anything she would ask?

    Raised with the high-class Victorian values and ideals of a sophisticated upbringing, she is unprepared for the poverty she finds in the gritty factory town of Smeatley, where the locals speak with a hard-to-understand Yorkshire accent and struggle to thrive with few resources or opportunities. Though she has no training as a teacher, she must prove herself successful before her grandfather will release her substantial inheritance to her and allow her to be reunited with her younger sister, the last remaining member of her family after a fever claimed the lives of her parents and brothers. Evangeline's sudden change in circumstances is complicated when her aunt—a woman who values class distinctions more than her family relationships—forbids her from acknowledging any connection to her or to her grandfather, Mr. Farr—the man who owns nearly the entire town. For the first time in her life, Evangeline is truly alone. Heartbroken, she turns to the one person in town who has shown her kindness—an Irish brick mason, Dermot, and his son, Ronan. Despite the difference in their classes and backgrounds, Evangeline and Dermot become friends, due in part to her ability to connect with Ronan, whose behavior requires special attention. The boy is uncomfortable around strangers and rarely even speaks to the other children in town. He often fixates on details other people ignore, and he adheres to specific, self-made rules that give his life order and structure; for example, Dermot's coat must be hung on a specific peg next to the door. Evangeline attempts to prove herself a worthy teacher and earn the respect of her hard-to-understand students. Determined to find a way to introduce them to "proper English" while still honoring their unique language and culture, she enlists the help of a local family to write down familiar stories in the Yorkshire vernacular. Because of her efforts, the students and their families warm to Evangeline and she continues to look for ways to give the children a chance to become more than factory workers in the local cotton mill. When the town learns of her upper-class status, Evangeline must work twice as hard to win back their trust--especially Dermot's. In the end, Evangeline and Dermot discover that, even though they come from different social spheres, together they can overcome social prejudices, make a positive difference in the lives of even the humblest people, and enjoy the strength that comes when two hearts find each other.Ashes on the Moor is the inspiring love story of one Victorian woman's courage to fight against all odds, and the man whose quiet strength gives her the confidence to keep trying.

    He had been horrible enough to Christiana during their short marriage, and she was not going to allow the traditional period of mourning to ruin her sisters' debuts as well. So she decides to put him on ice and go on as if nothing's happened ...Until the real earl appears. Richard Fairgrave had every intention of confronting his villainous twin who had robbed him of his name and title ... only to discover that he had died. Quietly assuming his identity, Richard must now deal with a maddening desire for his ravishing inherited wife --- certainly a gold digger and possibly a murderess. And Christiana must deal with an unwanted new husband ... and they both must figure out what to do before the ice melts.