Since her father's stroke, Jean has been trying to run her parents' small farm almost single-handedly and is in desperate need of help. Karl, a German prisoner of war captured when the Allies invade France in 1944, turns out to be just what she needs. He is polite, hardworking and homesick, but is he more than that? Fraternisation between the prisoners and the local population is forbidden, but as the weeks and months pass, Jean and Karl become closer - much to the dismay of Jean's family and Karl's compatriots. Can their love have a future when it seems every hand is against them?

    He can be elegant as a slow blues." The Nick Tosches Reader is the author's own selection of his best work over the past thirty years, including fiction, poetry, interviews, rock writing, investigative journalism, and criticism. First published in major magazines, obscure underground periodicals, and his own best-selling books, many of these selections deal with rock 'n' roll and cultural icons—but there are also pieces on everything from William Faulkner to organized crime to heavyweight boxing, including the Vanity Fair feature that gave rise to Tosches's major new book on Sonny Liston, published by Little, Brown. Here is "a unique and darkly impressionistic cultural history" of the last three decades as only Nick Tosches could write it.

    Published to commemorate the centenary of 1914, this stunning set of books, with specially commissioned covers by leading print makers, is an essential gathering of our most beloved war poets introduced by leading poets and biographers of our present day.Dying at twenty-five, a week before the end of the First World War, Wilfred Owen (1893-1918) has come to represent a generation of young men sacrificed - as it seems to the next generation, one in unprecedented rebellion against its fathers - by guilty old men: generals, politicians, profiteers. Owen has now taken his place in literary history as perhaps the first, certainly the quintessential, war poet.

    Andre's father, in a desperate effort to save him from the coming holocaust, hands him over to his captivating uncle Rudolf, an internationally famous singer of popular operettas. Rudolf is a sublimely gifted lyric tenor, a dashing leading man who is the object of many women's affections-but also an artist who lives in the shadow of his own unachieved potential as an opera star. Rudolf takes the boy to back to London, renames him Andrew, turns all his attention and sardonic humor upon him, and gradually sculpts him into a gentleman.Vivid, often lighthearted scenes of Andrew's worldly life with Rudolf are intertwined with the unfolding secrets of his forgotten past as Andre, which have shadowed his otherwise happy life. Told in matchless prose, Uncle Rudolf captures in fine detail the mood of 1940s Europe--and reveals the emotions of a man whose achievement falls short of his brilliant promise. It is a wise, knowing, elegant story about the sacrifices we make for those we love.

    For anyone who ever imagined trying to make a life out of what they love.

    He saw his country being devastated by war & progress & he waged a private war to save it. His only weapons were words - the poetry for which he is best known &, even more influential, the radio talks that first made him a phenomenon.

    Thompson, Joyce Johnson, Richard Hell, and others. It includes rare pieces from the Rolling Stone archives by William Burroughs, Lester Bangs, and Robert Palmer as well as intimate photographs by Robert Frank, Annie Leibovitz, and rarely seen photos taken by the Beats themselves. A rich tapestry of voices and a visual treat, this treasury of Beat lore and literature is a true collector's item whose entertainment value will go on...and on."A huge dim sum cart of a book...a first-rate companion." --Publishers Weekly"Compelling reading."--The Denver Post

    DE VEYRAhas published two books of poetry: Subterranean Thought Parade and Shadowboxing in Headphones. He has won the Don Carlos Palanca Memorial Awards for Literature, the Free Press Literary Awards, and the very first National Commission for Culture and the Arts' Writers' Prize for Poetry. He also fronts the spoken word-jazz-rock band Radioactive Sago Project and currently works as a host and writer for the News and Public Affairs programs of TV5. This is his third collection of poems.

    For the two years leading up to his murder, Ivers had hosted the underground but increasingly popular LA-based music and sketch-comedy cable show New Wave Theatre.The late '70s through early '80s was an explosive time for pop culture: Saturday Night Live and National Lampoon were leading a comedy renaissance, while punk rock and new wave were turning the music world on its head. New Wave Theatre brought together for the first time comedians-turned-Hollywood players like John Belushi, Chevy Chase, and Harold Ramis with West Coast punk rockers Black Flag, the Dead Kennedys, Fear, and others, thus transforming music and comedy forever. The show was a jubilant, chaotic punk-experimental-comedy cabaret, and Ivers was its charismatic leader and muse. He was, in fact, the only person with the vision, the generosity of spirit, and the myriad of talented friends to bring together these two very different but equally influential worlds, and with his death the improbable and electric union of punk and comedy came to an end.The magnetic, impishly brilliant Ivers was a respected musician and composer (in addition to several albums, he wrote the music for the centerpiece song of David Lynch's cult classic Eraserhead) whose sublime and bizarre creativity was evident in everything he did. He was surrounded by people who loved him, many of them luminaries: his best friend from his Harvard days was Doug Kenney, founder of National Lampoon; he was also close to Harold Ramis and John Belushi. Upon his death, Ivers was just beginning to get mainstream recognition.In Heaven Everything Is Fine is the first book to explore both the fertile, gritty scene that began and ended with New Wave Theatre and the life and death of its guiding spirit. Josh Frank, author of Fool the World: The Oral History of a Band Called Pixies, interviewed hundreds of people from Ivers's circle, including Jello Biafra, Stockard Channing, and David Lynch, and we hear in their own words about Ivers and the marvelous world he inhabited. He also spoke with the Los Angeles Police Department about Ivers's still-unsolved murder, and, as a result of his research, the Cold Case Unit has reopened the investigation. In Heaven Everything Is Fine is a riveting account of a gifted artist, his tragic death, and a little-known yet crucial chapter in American pop history.

    Donald Hall's forceful, yet elegant, prose brings together all the elements of Dock Ellis's story into a seamless whole.  The two of them, the pitcher and the poet, give us remarkable insight into the customs and culture of this closed clannish world.  Dock's keen vision, filtered through Hall's extraordinary voice, shows us the hardships and problems of the thinking athlete in an unthinking world.

    They have several surprises and arguments before they admit their troubles are of their own making, and settle down to make friends.The O'Sullivan Twins at St Clare'sIt's the start of the Easter Term and the twins are looking forward to meeting all their friends at St Clare's once more. They are determined to be obedient and studious, but the new girls prove to be so much fun. Poor Mam'zelle had better watch out.Summer Term at St Clare'sThe twins look forward to their first summer term at St Clare's. They soon make friends with new girl Carlotta, who has a secret past that she's desperate to hide. But sneaky Prudence finds out and tells everybody. How will the class react?There'll be mischief at St Clare's!Between 1941 and 1946, Enid Blyton wrote six novels set at St Clare's. This collection features the original text and is unillustrated.

    Although he died nearly 200 years ago, something about his work continues to haunt the twenty-first century. What is it about Blake that has so endured? In this illuminating essay, John Higgs takes us on a whirlwind tour to prove that far from being the mere New Age counterculture figure that many assume him to be, Blake is now more relevant than ever.

    He was a performer who held true to his religious and cultural heritage, yet he is still awarded the status of world rock star. Renowned poet and scholar Kwame Dawes analyses in detail what his actual verses and lyrics meant when matched against the social and political climate of the time and what it meant to be a black man in the modern world.

    This longawaited companion to the classic fivemillioncopy bestseller, Notes to Myself, Spiritual Notes to Myself provides indispensible material for the journey to a more satisfying inner life.

    Suddenly the youth of the richest, most powerful nation on earth was trying to emulate the music, manners and the modes of a rainy island that had recently fallen on hard times.The resulting fusion of American can-do and British fuck-you didn’t just lead to rock and roll’s most resonant music. It ushered in a golden era when a generation of kids born in ration card Britain, who had grown up with their nose pressed against the window of America’s plenty, were invited to wallow in their big neighbour’s largesse.It deals with a time when everything that was being done - from the Beatles playing Shea Stadium to the Rolling Stones at Altamont, from the Who performing their rock opera at the Metropolitan Opera House to David Bowie touching down in the USA for the first time with a couple of gowns in his luggage - was being done for the very first time.Rock and roll would never be quite so exciting again.