Since lions were considered a suitable gift for royalty, one tower - the Lion Tower - was a menagerie. Many historic events, stately and ceremonial, pathetic or dreadful - from the murder of King Edward IV's young sons to the beheadings of Henry VIII's queens to the imprisonment of Elizabeth I - took place in the Tower. It was customary for kings and queens to spend the night, or a few days, in these apartments before their coronation; from there they proceeded to Westminster. Charles II's was the last; after that, the royal lodgings fell into disuse and were ultimately abandoned. Here is the vivid story of the Tower of London, the monarchs who slept there, and the men and women who lost their lives there.

    Whatever that passion is— cooking, technology, writing, or even plumbing—Creative You reveals your own personal style of creativity to help you build an environment of innovation at work and home. Discover your creative personality type with a simple quiz and detailed descriptions of the sixteen person­ality types. Plus, tools and techniques show you how to apply creativity to your everyday life. Drop excuses like I’m too old to start being creative and creativity is only for artists. Confidently use creativity to live your passion by using your natural style. Whether you are starting from scratch or enhancing an already developed skill, discover the creative you that you’ve been searching for.

    In public speeches and published books, in newspaper and magazine articles, he expressed his feelings and laid out his vision for the future. His wartime writings and speeches have fascinated generation after generation with their powerful narrative style and thoughtful reflection. This book contains one hundred extracts from his books, articles and speeches. They range from his memories of his schooldays, to his contributions to the debates on social policy and on war, his contributions in both world wars to the events and discourse, and his efforts after 1945 to see the world a better place. Martin Gilbert, Churchill's official biographer, has chosen passages that express to him the essence of Churchill's thoughts, and which describe—in his own inimitable words—the main adventures of his life, and the main crises of his career with Gilbert’s own introduction and interlinking text. They give, from first to last, an insight into his life and thought, how it evolved, and how he made his mark on the British and world stage.

    Tell them I said something.”—Pancho Villa “Drink to me!”—Pablo Picasso A collection of notable last recorded words of the dying, Famous Last Words is bursting with life, hope, wisdom, and often laughter. Here are writers, philosophers, athletes, kings and queens, movie stars, politicians, and more, in all sorts of moods and states of preparedness. Some merely want to say goodbye to loved ones, others want to create a legacy. Ultimately, every one of these parting statements is a reflection of the person behind it. Each is accompanied by a mini-biography of the speaker, including the context of death, from the golf course (“That was a great game of golf, fellers.”—Bing Crosby) to a favorite armchair (“Go on, get out. Last words are for fools who haven't said enough.”—Karl Marx).

    Frey, author of the internationally best-selling books on the craft of writing, How to Write a Damn Good Novel, How to Write a Damn Good Novel II: Advanced Techniques, and The Key: How to Write Damn Good Fiction Using the Power of Myth, has now written what is certain to become the standard "how to" book for mystery writing, How to Write a Damn Good Mystery.Frey urges writers to aim high-not to try to write a good-enough-to-get-published mystery, but a damn good mystery. A damn good mystery is first a dramatic novel, Frey insists-a dramatic novel with living, breathing characters-and he shows his readers how to create a living, breathing, believable character who will be clever and resourceful, willful and resolute, and will be what Frey calls "the author of the plot behind the plot."Frey then shows, in his well-known, entertaining, and accessible (and often humorous) style , how the characters-the entire ensemble, including the murderer, the detective, the authorities, the victims, the suspects, the witnesses and the bystanders-create a complete and coherent world.Exploring both the on-stage action and the behind-the-scenes intrigue, Frey shows prospective writers how to build a fleshed-out, believable, and logical world. He shows them exactly which parts of that world show up in the pages of a damn good mystery-and which parts are held back just long enough to keep the reader guessing.This is an indispensable step-by-step guide for anyone who's ever dreamed of writing a damn good mystery.

     Example sentences and brief explanatory comments provide a rich context to bring the words to life, and quizzes are provided to encourage reuse and recall of words and to reinforce memory of them. All of these features combine to make this a valuable tool for students preparing for standardized tests or simply seeking to expand their English vocabulary.

    At its heart is one of the world's greatest love stories: the lifelong devotion of King Henri II of France to Diane de Poitiers, a beautiful aristocrat who was nineteen years older than her lover.At age fourteen, Henri was married to fourteen-year-old Catherine de' Medici, an unattractive but extremely wealthy heiress who was to bring half of Italy to France as her dowry. When Catherine met Henri on her wedding day, she fell instantly in love, but Henri could see no one but the beautiful Diane. When Henri eventually became king, he and Diane ruled France as one. Meanwhile, Catherine took as her secret motto the words "Hate and Wait" and lived for the day Diane would die and she could win Henri's love and rule by his side. Fate had another plan.Her Royal Highness Princess Michael of Kent, herself a descendant of both Catherine and Diane, imbues this seldom-told story with an insider's grasp of royal life. The Serpent and the Moon is a fascinating love story as well as a richly woven history of an extraordinary time.

    Two bestselling books--Bravo Two Zero and The One That Got Away--were published and two of the soldiers, using the pseudonyms "Andy McNab" and "Chris Ryan", were launched into new careers as writers. Even the most uncritical reader of the two books would have been aware that some artistic licence had been employed. What Michael Asher claims is the truth about Bravo Two Zero is, however, astonishing. Asher, fluent in Arabic and familiar with the ways of the desert Arabs, travelled to Iraq 10 years after the Gulf War and re-traced the steps of the SAS patrol, finding Bedouin eyewitnesses to events. There is an almost comical disparity between McNab and Ryan's version of the mission and the version Asher reports. According to McNab, when the patrol was discovered, it was by Iraqi soldiers and a furious firefight ensued with the SAS men downing a dozen or more men before fleeing. According to Asher, the mission was "compromised" by three Arab locals, one of them a man in his 70s, and the SAS wisely decided that discretion was the better part of valour and withdrew. According to Ryan, on his lonely journey to the Syrian border, he was obliged to kill two Iraqis, one with his bare hands. According to Asher's sources, he omitted to mention this at his initial de-briefing. One of Asher's aims in his book is to rehabilitate the reputation of Vince Phillips, one of the dead. Most readers of this book and of the tale told by the Arab who discovered Phillips's body will probably decide that he has done so. Yet Asher does not seem motivated by a desire to denigrate the heroism of McNab and Ryan. We get the heroes we want and Asher understands that the Rambo-like exploits they reported were what we, and the media, demanded of them. Their real heroism, respected by both Asher and the Bedouins to whom he spoke, lay in their powers of endurance and determination when utterly isolated and alone, hundreds of miles inside enemy territory. In The Real Bravo Two Zero Asher has written a far better and more humane book than either of the two he deconstructs, but he still seems to understand why McNab and Ryan produced the books they did.--Nick Rennison

    Says Feminist Review, “Make a Zine! is an inspiring, easy, and digestible read for anyone, whether you’re already immersed in a cut-and-paste world, a graphic designer with a penchant for radical thought, or a newbie trying to find the best way to make yourself and your ideas known.” Illustrated by an army of notable and soon-to-be-notable artists and cartoonists, Make a Zine! also takes a look at the burgeoning indie comix scene, with a solid and comprehensive chapter by punk illustrator Fly (Slug and Lettuce, Peops). Part history lesson, part how-to guide, Make a Zine! is a call to arms, an ecstatic, positive rally cry in the face of TV show book clubs and bestsellers by celebrity chefs. As says Biel in the book’s intro, “Let’s go!”

    This book is about life in the Victorian World when the British Empire never slept or the sun never set on it. America in the Victorian World was still a colony and indeed wanting to become its own in identity. The book plays an important role in explaining that the rules and manner system of America was very similar to the British at least in the old families of Boston and Philadelphia. This highly entertaining little book is great for those just starting to learn about the Victorian culture.

    His books sell in their hundreds of thousands across the world, are often made into films, and have turned him into arguably the most successful writer of the horror genre. Yet despite his worldwide fan base, surprisingly little is known about the man himself. In this work, Craig Cabell has written an in-depth biography of the man with his full cooperation. Herbert has granted the author a number of rare interviews, and the result is a frank and revealing portrait of one of the giants of contemporary popular fiction. In addition to this, Herbert has granted the author full access to his photographic archives and provided unreleased material to publish in this book.

    Originally paired with a major PBS miniseries, this book presents a stimulating and comprehensive record of spoken and written English—from its Anglo-Saxon origins some two thousand years ago to the present day, when English is the dominant language of commerce and culture with more than one billion English speakers around the world. From Cockney, Scouse, and Scots to Gulla, Singlish, Franglais, and the latest African American slang, this sweeping history of the English language is the essential introduction for anyone who wants to know more about our common tongue.

    Although the core of the work discusses the location of research material and the research process itself, significant attention is paid to the topic of writing history once the sources are arrayed before you. Annotation c. Book News, Inc., Portland, OR

    Names of Kings and major political/military persons have been updated and major typographical errors found with the previous Kindle edition have been corrected. Combined with copious illustrations, maps and images, the newly revised Dark Ages is essential reading for anyone seeking to understand a critical period in Western history that saw the transition from Roman Imperial rule to conquest-driven tribal rule and, ultimately, a flowering into the High Middle Ages. Oman provides one of the best historical examinations and explanations about the period widely known as the Dark Ages, when the end of total and complex Roman Imperial rule over Europe and the Mediterranean collapsed, taking the institutions that provided so much cultural sophistication and stability with it. Very much a work about how Europe, and the Western Tradition, survived after the Roman collapse. The Dark Ages has also been split into three books, mainly for ease of reading; the original book published in 1893 was a massive tome that covered the period from 476 CE to 918 CE. This first book in the new edition covers the period from 476 CE to 603 CE:ODOACER AND THEODORIC 476-493THEODORIC KING OF ITALY 493-526THE EMPERORS AT CONSTANTINOPLE 476-527CLOVIS I AND THE FRANKS IN GAUL 481-511JUSTINIAN AND HIS WARS 528-540JUSTINIAN 540-565 CETHE EARLIER FRANKISH KINGS 511-561THE VISIGOTHS IN SPAIN 531-603

    . . The essays in the collection [are] meditations that reveal not only how science actually happens but also who or what propels its immutable humanity.” — Maria Popova, Brain Pickings“A stimulating compendium.” — Kirkus ReviewsPulitzer Prize–winning journalist and author Deborah Blum selects the year’s top science and nature writing from writers who balance research with humanity and in the process uncover riveting stories of discovery across the disciplines.