Tomorrow they must go their separate ways.So where will they be on this one day next year? And the year after that?And every year that follows?--back cover

    It is also a moving portrayal of the fallibility of love.Ambition, passion
and raw courage are Atul Malhotra’s key aides to realizing his dreams as he learns the art of gambling for high stakes. What follows is a game of treachery, infidelity and murder.The book lays bare the sordid corporate-politico nexus that compels this once middle-class boy to deftly learn the ropes and negotiate a world where dirty deals and power plays can make or break lives, where one wrong choice could be fatal.A tale of yachts and hidden Swiss accounts, sordid affairs of lust, intrigue and exhilarating highs, Nilesh Rathod’s Destiny of Shattered Dreams is also the story of innocence forever lost.

    Heat, passion, and controversy explode as a woman is forced to decide between romance and tradition.Every young Indian leaving the homeland for the United States is given the following orders by their parents: Don’t eat any cow (It’s still sacred!), don’t go out too much, save (and save, and save) your money, and most important, do not marry a foreigner. Priya Rao left India when she was twenty to study in the U.S., and she’s never been back. Now, seven years later, she’s out of excuses. She has to return and give her family the news: She’s engaged to Nick Collins, a kind, loving American man. It’s going to break their hearts.Returning to India is an overwhelming experience for Priya. When she was growing up, summer was all about mangoes—ripe, sweet mangoes, bursting with juices that dripped down your chin, hands, and neck. But after years away, she sweats as if she’s never been through an Indian summer before. Everything looks dirtier than she remembered. And things that used to seem natural (a buffalo strolling down a newly laid asphalt road, for example) now feel totally chaotic.But Priya’s relatives remain the same. Her mother and father insist that it’s time they arranged her marriage to a “nice Indian boy.” Her extended family talks of nothing but marriage—particularly the marriage of her uncle Anand, which still has them reeling. Not only did Anand marry a woman from another Indian state, but he also married for love. Happiness and love are not the point of her grandparents’ or her parents’ union. In her family’s rule book, duty is at the top of the list.Just as Priya begins to feel she can’t possibly tell her family that she’s engaged to an American, a secret is revealed that leaves her stunned and off-balance. Now she is forced to choose between the love of her family and Nick, the love of her life.As sharp and intoxicating as sugarcane juice bought fresh from a market cart, The Mango Season is a delightful trip into the heart and soul of both contemporary India and a woman on the edge of a profound life change.

    a brilliantly crafted novel, heartbreaking yet life-affirming.Tessa has just months to live. Fighting back against hospital visits, endless tests, drugs with excruciating side-effects, Tessa compiles a list. It’s her To Do Before I Die list. And number one is Sex. Released from the constraints of ‘normal’ life, Tessa tastes new experiences to make her feel alive while her failing body struggles to keep up. Tessa’s feelings, her relationships with her father and brother, her estranged mother, her best friend, and her new boyfriend, all are painfully crystallised in the precious weeks before Tessa’s time finally runs out.

    Damayanthi, along with the bunch of unsuitable prospective husbands her Amma throws at her, a dead-end job as an accountant in a decrepit firm, the oppressiveness of Chennai. When she finally jettisons her job and some of her inhibitions to join a bank in Mumbai, Amma's parting words are: 'Be good. Don't do anything silly.' Translation: 'Stay away from sex and alcohol! ' Soon Damayanthi is negotiating competitive corporate corridors and big-city life. Aided by dubious words of wisdom from the cherub-faced Jimmy, she must impress the intellectual C.G., who has a low opinion of her; battle Sonya Sood, flatmate and size-zero sophisticate, for the TV remote; choose between resisting or giving in to temptation in the form of the seductive Rahul; deal with the moral dilemma of 'stealing' a million-dollar idea for her project. Can a good girl have a really good time? Can the conservative, curd-rice-eating Damayanthi become a cool, corporate babe? Keep the Change is a rollicking, wickedly witty story of every girl's journey to fulfill her dreams and find her own place in the world.

    'Near Marble Arch.''That sounds great, hon. I can't wait to see you.''Yeah. Me too.''I'm vaguely nervous.''Don't be.'Do be. I'm a child.Lolito is a love story about a fifteen year-old boy who meets a middle-aged woman on the internet.When his long-term girlfriend and first love Alice betrays him at a house party, Etgar goes looking for cyber solace in the arms of Macy, a stunning but bored housewife he meets online. What could possibly go wrong...?Hilarious, fearless and utterly outrageous, Lolito is a truly twenty-first century love story.

    The story explores the lives of three women as understood from the eyes of its protagonist Natasha, a happily married mother of three. She begins to ask some difficult questions about her own life after she stumbles upon her closest friend Trisha's affair.'Finally an immensely enjoyable story about Mumbai's rich that, like all good stories, rings so true, with its adorable and suspiciously familiar characters.' - Manu Joseph

    Nimisha travels all the way to Bangalore to celebrate her Valentine’s week with Viraj. They did have a great time together, but she stumbles upon Shriya to learn Viraj’s past. Who is Shriya? A colleague? A friend? Or, more than that? One & A Half Love Story is a compelling journey of three very different people - Nimisha, Viraj and Shriya.

    Piya Roy, a young American marine biologist of Indian descent, arrives in this lush, treacherous landscape in search of a rare species of river dolphin and enlists the aid of a local fisherman and a translator. Together the three of them launch into the elaborate backwaters, drawn unawares into the powerful political undercurrents of this isolated corner of the world that exact a personal toll as fierce as the tides.

    Peanut, the battles escalate, fuelled by their vastly divergent views on raising a child. Will their many differences – so endearing at the start of their romance – actually turn out to mean that they are just incompatible? Will they ever manage to agree on anything? Or have they just bitten off more than they can chew?A fresh and honest take on marriage and parenthood, and all the chaos that comes with it. This is a story of self-discovery that will have you laughing out loud – and sympathizing wholeheartedly with its quirky and likeable cast of characters.

    and I am wide awake because the man of the house has decided that he needs to perform a series of complex manoeuvres that involve him balancing on his left elbow. When I fell asleep last night, there was a baby lying next to me. Her smelly diaper is still wedged on my head but aside from this rather damp clue, I can't seem to find her anywhere. I could ask my mother-in-law if she has seen the baby, but she may just tell me that I need to fast on alternate Mondays, and God will deliver the baby back to me . . . Full of wit and delicious observations, Mrs Funnybones captures the life of the modern Indian woman—a woman who organizes dinner each evening, even as she goes to work all day, who runs her own life but has to listen to her Mummyji, who worries about her weight and the state of the country. Based on Twinkle Khanna’s super-hit column, Mrs Funnybones marks the debut of one of our funniest, most original voices.

    . . a woman lying dead on her bed, a man hanging from the ceiling fan. A suicide note cum murder confession. And a name . . . Shaunak Sodhi.When the case comes their way, Senior Inspector Saralkar has just been diagnosed with hypertension and PSI Motkar is busy with rehearsals of an amateur play.What appears at first to be a commonplace crime by a debt-ridden, cuckolded husband, who has killed his unfaithful wife and then hung himself, soon begins to unfold as a baffling mystery.As clues point to a seven-year-old unsolved murder in Bangalore and other leads emerge closer home, Saralkar and Motkar find themselves investigating shady secrets, bitter grudges, fishy land deals, carnal desires, the dead woman Anushka Doshi’s sinister obsession with past life regression and her husband’s links to a suspicious, small-time god-man, Rangdev Baba. And then, suddenly, the murderer resurfaces and yet another life is in grave danger . . . Can Saralkar and Motkar get to the bottom of an unimaginably shocking motive and stop the malevolent killer from committing the fourth murder . . .?

    Segregated and shunned from society, often wretchedly poor, theirs is a lot that nobody would willingly espouse. Yet thats exactly what Phiroze Elchidana, son of a revered Parsi priest, does when he falls in love with Sepideh, the daughter of an aging corpse bearer...Derived from a true story, Cyrus Mistrys extraordinary new novel is a moving account of tragic love that, at the same time, brings to vivid and unforgettable life the degradation experienced by those who inhabit the unforgiving margins of history.

    Her familiar existence disrupted, her husband's reputation in question and their future as a family in jeopardy, Jaya, a failed writer, is haunted by memories of the past. Differences with her husband, frustrations in their seventeen-year-old marriage, disappointment in her two teenage children, the claustrophia of her childhood—all begin to surface. In her small suburban Bombay flat, Jaya grapples with these and other truths about herself—among them her failure at writing and her fear of anger. Shashi Deshpande gives us an exceptionally accomplished portrayal of a woman trying to erase a 'long silence' begun in childhood and rooted in herself and in the constraints of her life.

    A thought provoking novel, in which the normal and the abnormal, the ordinary and the extraordinary, illusion and reality, resignation and desire rub shoulders.