Twice the clever little monkey foils the attempts of the crocodile to capture him.

    It is written around 200BC by the great Hindu Scholar Pandit Vishnu Sharma. Panchatantra means "the five books". It is a "Nitishastra" which means book of wise conduct in life. The book is written in the form of simple stories and each story has a moral and philosophical theme which has stood the test of time in modern age of atomic fear and madness. It guides us to attain success in life by understanding human nature. Panchatantra is commonly available in an abridged form written for children. Here is the complete translation of the book as written by Vishnu Sharma.

    In seven provocative essays, Zipes discusses the importance of investigating oral folk tales in their socio-political context and traces their evolution into literary fairy tales, a metamorphosis that often diminished the ideology of the original narrative. Zipes also looks at how folk tales influence our popular belie

    Magic was a part of everyday life for Kirk and his fellow Highlanders, and this remarkable book offers rare glimpses into their enchanted realm.Left in manuscript form upon the author's death in 1692, this volume was first published in 1815 at the behest of Sir Walter Scott. In 1893, the distinguished folklorist Andrew Lang re-edited the work. Lang's introduction to Kirk's extraordinary blend of science, religion, and superstition is included in this edition. For many years, The Secret Commonwealth was hard to find — available, if at all, only in scholarly editions. Academicians as well as lovers of myths and legends will prize this authoritative but inexpensive edition.

    By the time she and her lifelong friend Zóra begin to inoculate the children there, she feels age-old superstitions and secrets gathering everywhere around her. Secrets her outwardly cheerful hosts have chosen not to tell her. Secrets involving the strange family digging for something in the surrounding vineyards. Secrets hidden in the landscape itself.But Natalia is also confronting a private, hurtful mystery of her own: the inexplicable circumstances surrounding her beloved grandfather’s recent death. After telling her grandmother that he was on his way to meet Natalia, he instead set off for a ramshackle settlement none of their family had ever heard of and died there alone. A famed physician, her grandfather must have known that he was too ill to travel. Why he left home becomes a riddle Natalia is compelled to unravel. Grief struck and searching for clues to her grandfather’s final state of mind, she turns to the stories he told her when she was a child. On their weeklytrips to the zoo he would read to her from a worn copy of Rudyard Kipling’s The Jungle Book, which he carried with him everywhere; later, he told her stories of his own encounters over many years with “the deathless man,” a vagabond who claimed to be immortal and appeared never to age. But the most extraordinary story of all is the one her grandfather never told her, the one Natalia must discover for herself. One winter during the Second World War, his childhood village was snowbound, cut off even from the encroaching German invaders but haunted by another, fierce presence: a tiger who comes ever closer under cover of darkness. “These stories,” Natalia comes to understand, “run like secret rivers through all the other stories” of her grandfather’s life. And it is ultimately within these rich, luminous narratives that she will find the answer she is looking for.

    When they raided a village it was the babies they stole. In a delightful retelling of the folktale, Judy Sierra has added a feminist twist in the person of a fearless young heroine, determined to stop them. Little Urikohme, or Melon Princess, was born inside a watermelon and has no bellybutton. She travels to the Onis' fortress island, and with the help of some animal friends, rescues the babies, leaving the Onis crying for mercy. A wonderful short tale to read aloud, children will gleefully join in the Onis' chant and cheer at the triumph of small over large. In cleverly inspired watercolors, Meilo So outfits the Melon Princess in a watermelon-designed kimono and her humorous depiction of the oversized bullies is sure to elicit giggles. An author's note discusses the origin of the tale and its place in Japanese folklore.

    It is 1857, the Highland Clearances have left devastation and poverty, and the crofters are suspicious and hostile, claiming they no longer know their stories. Then Audrey discovers the body of a young girl washed up on the beach and the crofters tell her that it is only a matter of weeks since another girl has disappeared. They believe the girls are the victims of the spirits of the unforgiven dead. Initially, Audrey is sure the girls are being abducted, but then she is reminded of her own mother, a Skye woman who disappeared in mysterious circumstances. It seems there is a link to be explored, and Audrey may uncover just what her family have been hiding from her all these years.

    Tired of setting a good example for all the other young girls -- and of waiting to be married -- Margaret flings down her embroidery one day and runs out of the castle, over the fields to Carterhays, a wood that is supposedly haunted by Tam Lin, an Elfin knight. There, indeed, she meets Tam Lin, who is remarkably handsome. When she learns his story -- that he is human, not Elfin at all, and was stolen as a baby by the Elfin Queen -- she determines to help break the enchantment that holds him. Courageous and steadfast throughout one fearful night, Margaret defeats each dangerous and dramatic attempt by the Elfin Queen to keep Tam Lin. And when the morning sun rises, Margaret and Tam Lin ride together across the green fields of Scotland, back to the castle.

    In this collection of mostly nineteenth-century folk and fairy tales, Ethel Johnston Phelps's heroines successfully portray women as being spirited, courageous and smart. This type of heroine is not easily found in most collections; in most traditional folk and fairy tales we encounter women are portrayed as being good, obedient, submissive, and, of course, beautiful. These women—and girls—are resourceful; they take action to solve a problem and use cleverness or shrewd common sense to solve the dilemmas they face.The tales themselves are part of an oral tradition that document a generation according to the values of the time. Phelps has given these older tales a fresh, contemporary retelling for a new generation of readers, young and old. She shapes each story—adding or omitting details—to reflect her sense of a feminist folk or fairy tale. The twenty-one tales collected represent a wide variety of countries; approximately seventeen ethnic cultures from North America to Europe to Asia tell a story in which women play a leading or crucial role in the story.

    Wicked old hags, clever leprechauns, courageous tailors, evil giants, and other characters come to life in such fanciful yarns as "Hudden and Dudden and Donald O'Neary," "Conal and Donal and Taig," "The Old Hag's Long Leather Bag," "The Field of Boliauns," "The Sprightly Tailor," “The Giant’s Stairs,” “The Bee, the Harp, the Mouse, and the Bum-Clock,” and “The Black Horse.” Reset in large, easy-to-read type, with six illustrations, these beloved stories from the Emerald Isle will delight readers of any age with their warmth, whimsy, and sly humor.

    The next stage of the ecological revolution begins with the reawakening of the male counterpart of the Goddess, the Green Man, and archetype found in folklore and religious art from the earliest times, and especially linked with Christian origins of modern science. Long suppressed, the archetype emerges now to challenge us to heal our relationship with nature.

    But slicing the bitterleaf, grinding the pumpkin, measuring out the shrimp--it just takes too long. Yoyo is confident that her variation on the stew will be good enough.As Mama C�cile and Yoyo set off to market, Mama reminds Yoyo what will happen if she refuses a fair price for the stew--Brother Coin, the Great Spirit of the Market, will put a curse on their market bowl. When Yoyo refuses to heed Mama's advice, she is faced with the task of trying to regain a blessing from the god himself.An original folktale set in modern-day Cameroon, THE MARKET BOWL teaches readers a lesson about patience, humility, and the value of a fair price. Back matter includes further information about Cameroon and its people and traditions as well as a recipe for ndol�--Cameroon's national food dish.

    Her husband Richard is not so sure about it, and her son Gavin and his down-to-earth wife Fiona are apprehensive about spending two weeks cooped up with his family. But even they could never imagine the havoc Bunny’s two beautiful daughters, Sarah and Jess, will cause on board. Meanwhile Tony Kenny, a wealthy Galway businessman, fed up with his wife’s family who descend on them every Christmas, thinks a cruise is the perfect way to escape them. His timid wife Ann is nervous about it all but, as always, Tony gets his way. His children are less than enthusiastic but, as it turns out, their handsome son Jack is pleasantly surprised by the action on board and his shy sister Emily begins to come out of her shell. Declan Jordan is terrified that his sexy mistress Alix will reveal their affair to his classy wife Cassie, so he whisks Cassie away for what he promises will be a second honeymoon. However, it turns out to be anything but . . . This group form what they laughingly call ‘the Irish Mafia’ on board the Liberté and, between the drama and the shenanigans, there is never a dull moment!

    

    But two years after a bitter divorce and a bout of heavy drinking, Cody is still struggling to put the pieces of his once-idyllic life back together. In an effort to regain his sanity, he embarks on a five-day backcountry fly fishing trip to revitalize and reassess his life. When the unthinkable happens, Cody finds himself in a fight for his life. It's a battle that no courtroom drama can match—a test that will challenge his own basic beliefs about success, happiness, and what it means to truly live. With the help of a widowed fly shop owner and a determined park ranger, Cody must dig deep within himself to survive.