A new school. A lonely birthday. Life isn’t easy for nine-year-old Gregory. Then he finds an abandoned chalk factory behind his house. It’s a secret place, just for him! Now he can draw anything he imagines on the dark brick walls. What amazing thing will Gregory draw first?

    Meet Kate Geller, a sassy flute-playing artist, who comes up with an original way to redefine friendship.Kate’s older sister is way too perfect. Her younger sister is way too cute. And her mom wants her to be pals with her frenemy, Nora. Her art teacher, Mrs. Petty, is way too uncreative, and how can Kate pay attention at Junior Guides when her pod leader has a sweat stain the size of the town beach? Now she has to get through her Christopher Columbus role during Discovery Day and her “Colonial Buddies” report, but little does she know how much “help” she’ll be getting from Eleanor Roosevelt and Albert Einstein.This humorous debut novel features more than 350 illustrations.

    This delightful book is entirely devoted to the creation of origami boxes-plain or fancy, playful or practical, and elaborate boxes topped with cranes, butterflies, lilies, stars, and more.FABULOUS ORIGAMI BOXES includes designs for nesting boxes, simple triangle and square boxes and more complex hexagonal and octagonal boxes. Detailed illustrations provide step-by-step instructions on the correct way to crease and fold origami paper. Many of the designs are made of one sheet of paper, but some combine individual units with intriguing results.Both practical and lovely, these boxes can be used for gift-giving, storing trinkets, or simply for display.

    From short tunics worn by Saxon men in the fifth century to a lady's bustle dress of the late 1800s, this profusely illustrated text contains a wealth of authentic patterns. Information on pattern sizes, materials required, and methods of sewing accompany simply drawn diagrams for Elizabethan doublets, capes, and trunks; a man's coat and vest from the Restoration period; a lady's bell-shaped gown of the eighteenth century; an early-nineteenth-century empire gown; a crinoline; and other wardrobe items.Diagrams have been carefully and accurately drawn to scale from working patterns, and detailed notes for making costumes include suggestions for the most suitable colors and textures to be used for costumes of particular historical periods. A final section includes diagrams and information for creating period headdresses, caps, and hoods. Students of costume design, home tailors, and community drama groups will welcome this carefully researched guide to fifteen centuries of English fashions.

    This easy-to-follow book — the first devoted entirely to clarifying the laws of perspective — remedies the situation. In it, the author uses over 250 simple line drawings to illustrate the concepts involved.Beginning with clear, concise, immediately applicable discussions of the horizon, vanishing point, and the crucial relationship of eye level to perspective drawing, you'll learn how to place figures and objects in a drawing, depict interiors, create shade and shadows, and achieve all the other elements necessary for a successful perspective drawing. By repeatedly stressing important points, Mr. Norling teaches you to make them second-nature. Moreover, his approach is so simple and direct that no matter how little raw talent or experience you have, you will soon be able to apply these techniques almost instinctively.Mastery of perspective is a basic skill every artist must have. This simple, nontechnical guide will enable you to master its essentials in a relatively short time. Clear and concise, this book is an essential addition to any artist's bookshelf.

    But the dot, though perfect in every way, only had eyes for a wild and unkempt squiggle. All of the line's romantic dreams were in vain, until he discovered...angles! Now, with newfound self-expression, he can be anything he wants to be--a square, a triangle, a parallelogram....And that's just the beginning!First published in 1963 and made into an Academy Award-winning animated short film, here is a supremely witty love story with a twist that reveals profound truths about relationships--both human and mathematical--sure to tickle lovers of all ages.

    Guptill's classic Rendering in Pen and Ink has long been regarded as the most comprehensive book ever published on the subject of ink drawing. This is a book designed to delight and instruct anyone who draws with pen and ink, from the professional artist to the amateur and hobbyist. It is of particular interest to architects, interior designers, landscape architects, industrial designers, illustrators, and renderers. Contents include a review of materials and tools of rendering; handling the pen and building tones; value studies; kinds of outline and their uses; drawing objects in light and shade; handling groups of objects; basic principles of composition; using photographs, study of the work of well-known artists; on-the-spot sketching; representing trees and other landscape features; drawing architectural details; methods of architectural rendering; examination of outstanding examples of architectural rendering; solving perspective and other rendering problems; handling interiors and their accessories; and finally, special methods of working with pen including its use in combination with other media. The book is profusely illustrated with over 300 drawings that include the work of famous illustrators and renderers of architectural subjects such as Rockwell Kent, Charles Dana Gibson, James Montgomery Flagg, Willy Pogany, Reginald Birch, Harry Clarke, Edward Penfield, Joseph Clement Coll, F.L. Griggs, Samuel V. Chamberlain, Louis C. Rosenberg, John Floyd Yewell, Chester B. Price, Robert Lockwood, Ernest C. Peixotto, Harry C. Wilkinson, Bertram Grosvenor Goodhue, and Birch Burdette Long. Best of all, Arthur Guptill enriches the text with drawings of his own.

    With bright photographs and clear diagrams.

    Includes maps and information boxes describing the background of the fiery creatures and their incredible stories. Features ancient legends, mythological dragons, and media dragons, all illustrated with stunning artwork.

    A Dutch artist offers his concept of seeing and drawing as a discipline by which the world may be rediscovered, a way of experiencing Zen.

    Before long, Dog is doodling and drawing himself into a new world, full of friends and surprises.

    . . . All sorts of people appear in People, linked together in ways that begin to emerge page after page. Real, mythic, and imaginary types inhabit this extraordinary, gorgeously rendered world, referring to each other through form and function. Like Blexbolex's earlier book Seasons, this is a conceptual book, where the connections between the images are both clear and subtle.Stunningly illustrated with retro-looking silkscreened images, People is a sumptuously produced volume, with a lavishly illustrated jacket that folds out into a poster. The manner of the realization and the quality of the book are so strong that People (as did Seasons) serves to reminds us once again what a book can be at its very best.Seasons was a New York Times Best Illustrated Book of 2010 and a Best Book of the Year for School Library Journal.

    A young student receives a family tree assignment in school, but she can only trace back three generations. Grandma gathers the whole family, and the student learns that 400 years ago, in 1619, their ancestors were stolen and brought to America by white slave traders. But before that, they had a home, a land, a language. She learns how the people said to be born on the water survived.

    Using his experiences from working in the comic book industry, movie studios and teaching, Marcos introduces the reader to a step-by-step system that will create the most successful storyboards and graphics for the best visual communication.After a brief discussion on narrative art, Marcos introduces us to drawing and composing a single image, to composing steady shots to drawing to compose for continuity between all the shots. These lessons are then applied to three diverse story lines – a train accident, a cowboy tale and bikers approaching a mysterious house.In addition to setting up the shots, he also explains and illustrates visual character development, emotive stances and expressions along with development of the environmental setting to fully develop the visual narrative.

    They won't be little for long. Soon they will be... BIG!Street photographer and storyteller extraordinaire Brandon Stanton is the creator of the #1 New York Times bestselling book Humans of New York as well as the wildly popular Humans of New York blog. To create Little Humans he combined some of his favorite children's photos with a heartwarming ode to little humans everywhere.