An uncanny autobiography of otherness, it offers the record of a writer in the realms of the fantastic shot through with the memories of a pair of mixed-race children growing up Somali-American in the 1980s. Operating under the sign of two—texts and drawings, brother and sister, black and white, extraordinary and everyday—Monster Portraits multiplies, disintegrates, and blends, inviting the reader to find the danger in the banal, the beautiful in the grotesque. Accumulating into a breathless journey and groundbreaking study, these brief notes and sketches claim the monster as a fragmentary vastness: not the sum but the derangement of its parts.Del Samatar's drawings conjure beings who drag worlds in their wake. World Fantasy Award-winning author Sofia Samatar responds with allusive, critical, and ecstatic meditations. Together they have created a secret history of the multi-racial child, a guide to the beasts of an unknown mythos, and a dreamer's iconography. Monster Portraits resonates in a world obsessed with the Other, using captivating nomenclature, art, fiction, and essay to examine society’s damaging desire to define and divide. The monstrous never looked so simultaneously haunting and familiar.

    This October she's returned to her hometown--where her beloved Aunt Ibby still lives--to interview for a job as a reporter at WICH-TV. But the only opening is for a call-in psychic to host the late night horror movies. It seems the previous host, Ariel Constellation, never saw her own murder coming. Lee reluctantly takes the job, but when she starts seeing real events in the obsidian ball she's using as a prop, she wonders if she might really have psychic abilities. To make things even spookier, it's starting to look like Ariel may have been an actual practicing witch--especially when O'Ryan, the cat Lee and Aunt Ibby inherited from her, exhibits some strange powers of his own. With Halloween fast approaching, Lee must focus on unmasking a killer--or her career as a psychic may be very short lived. . .

    From acclaimed director Guillermo del Toro.

    Ovid conjures the witch Medea, Virgil channels Aeneas’s wife from the afterlife, Baudelaire lays bare the wiles of the incubus, and Emily Dickinson records two souls conversing in a crypt, in poems that call out to be read aloud, whether around the campfire or the Ouija board. From ballads and odes, to spells and chants, to dialogues and incantations, here is a veritable witches’ brew of poems from the spirit world.

    original, dramatic, unputdownable ...Sierra has a despised and forbidden gift -- she raises power from the suffering of others. Enslaved by the King's Torturer, Sierra escapes, barely keeping ahead of Rasten, the man sent to hunt her down. Then she falls in with dangerous company: the fugitive Prince Cammarian and his crippled foster-brother, Isidro.But Rasten is not the only enemy hunting them in the frozen north and as Sierra's new allies struggle to identify friend from foe, Rasten approaches her with a plan to kill the master they both abhor. Sierra is forced to decide what price she is willing to pay for her freedom and her life ...Original, dramatic and unputdownable, Winter Be My Shield is the first in an epic fantasy trilogy from brilliant new Australian talent Jo Spurrier.

    Everywhere she goes, she sees something worth gawking at and Katie is afraid she's a little too normal to make a splash in the big city. Working for an ogre of a boss doesn't help.Then, seemingly out of the blue, Katie gets a job offer from Magic, Spells, and Illusions, Inc., a company that provides tricks of the trade to the magic community. For MSI, Katie's ordinariness is an asset.Lacking any bit of magic, she can easily spot a fake spell, catch hidden clauses in competitor's contracts, and detect magically disguised intruders. Suddenly, average Katie is very special indeed. She quickly learns that office politics are even more complicated when your new boss is a real ogre, and you have a crush on the sexy, shy, ultra powerful head of the R&D department, who is so busy fighting an evil competitor threatening to sell black magic on the street that he seems barely to notice Katie. Now it's up to Katie to pull off the impossible: save the world and--hopefully--live happily ever after.

    After a messy breakup that included way too much family “feedback,” Danica made a pact with her cousin: they’ll keep their hearts protected and have fun, without involving any of the overly opinionated Waterhouse matriarchs. Danica is more than a little exhausted navigating a long-standing family feud where Gram thinks the only good mundane is a dead one and Danica’s mother weaves floral crowns for anyone who crosses her path. Three blocks down from the Fix-It Witches, Titus Winnaker, owner of Sugar Daddy’s bakery, has family trouble of his own. After a tragic loss, all he’s got left is his sister, the bakery, and a lifetime of terrible luck in love. Sure, business is sweet, but he can’t seem to shake the romantic curse that’s left him past thirty and still a virgin. He’s decided he’s doomed to be forever alone.Until he meets Danica Waterhouse. The sparks are instant, their attraction irresistible. For him, she’s the one. To her, he’s a firebomb thrown in the middle of a family war. Can a modern witch find love with an old-fashioned mundane who refuses to settle for anything less than forever?

    Her mother’s union with an outsider of a different race cast her once-proud family into disgrace, so Immanuelle does her best to worship the Father, follow Holy Protocol, and lead a life of submission, devotion, and absolute conformity, like all the other women in the settlement.But a mishap lures her into the forbidden Darkwood surrounding Bethel, where the first prophet once chased and killed four powerful witches. Their spirits are still lurking there, and they bestow a gift on Immanuelle: the journal of her dead mother, who Immanuelle is shocked to learn once sought sanctuary in the wood.Fascinated by the secrets in the diary, Immanuelle finds herself struggling to understand how her mother could have consorted with the witches. But when she begins to learn grim truths about the Church and its history, she realizes the true threat to Bethel is its own darkness. And she starts to understand that if Bethel is to change, it must begin with her.

    There used to be, in the wild, dark days before the burnings began, but now witching is nothing but tidy charms and nursery rhymes. If the modern woman wants any measure of power, she must find it at the ballot box.But when the Eastwood sisters--James Juniper, Agnes Amaranth, and Beatrice Belladonna--join the suffragists of New Salem, they begin to pursue the forgotten words and ways that might turn the women's movement into the witch's movement. Stalked by shadows and sickness, hunted by forces who will not suffer a witch to vote-and perhaps not even to live-the sisters will need to delve into the oldest magics, draw new alliances, and heal the bond between them if they want to survive.There's no such thing as witches. But there will be.

    But she doesn’t even know it.Take this as a warning: if you are not able or willing to control yourself, it will not only be you who suffers the consequences but those around you, as well.New Oldbury, 1821 In the wake of a scandal, the Montrose family and their three daughters—Catherine, Lydia, and Emeline—flee Boston for their new country home, Willow Hall. The estate seems sleepy and idyllic. But a subtle menace creeps into the atmosphere, remnants of a dark history that call to Lydia, and to the youngest, Emeline.All three daughters will be irrevocably changed by what follows, but none more than Lydia, who must draw on a power she never knew she possessed if she wants to protect those she loves. For Willow Hall’s secrets will rise, in the end…

    In terms of its language alone, it is as exciting and challenging on the page as on the stage. The play follows the Skriker, 'a shapeshifter and death portent, ancient and damaged,' in its search for love and revenge as it pursues two young women to London, changing its shape at every new encounter. Along with the Skriker come Rawheadandbloodybones, the Kelpie, the Green Lady, Black Dog and more, till the whole country is swarming with enticing and angry creatures that have burst from the underworld.

    Eight years ago, she left the land that nine generations of gifted healers had tended, determined to distance herself from the whispers about her family’s strange legacy. But when her beloved grandmother Althea dies, Lizzy must return and face the tragedy still hanging over the farm’s withered lavender fields: the unsolved murders of two young girls, and the cruel accusations that followed Althea to her grave.Lizzy wants nothing more than to sell the farm and return to her life in New York, until she discovers a journal Althea left for her—a Book of Remembrances meant to help Lizzy embrace her own special gifts. When she reconnects with Andrew Greyson, one of the few in town who believed in Althea’s innocence, she resolves to clear her grandmother’s name.But to do so, she’ll have to decide if she can accept her legacy and whether to follow in the footsteps of all the Moon women who came before her.

    They are both seventeen and in their last year of school, but while Anna lives in a nice old town house and comes from a well-to-do family, Abel, the school drug dealer, lives in a big, prisonlike tower block at the edge of town. Anna is afraid of him until she realizes that he is caring for his six-year-old sister on his own. Fascinated, Anna follows the two and listens as Abel tells little Micha the story of a tiny queen assailed by dark forces. It’s a beautiful fairy tale that Anna comes to see has a basis in reality. Abel is in real danger of losing Micha to their abusive father and to his own inability to make ends meet. Anna gradually falls in love with Abel, but when his “enemies” begin to turn up dead, she fears she has fallen for a murderer. Has she?Award-winning author Antonia Michaelis moves in a bold new direction with her latest novel: a dark, haunting, contemporary story that is part mystery, part romance, and part melodrama.

    But she isn’t. Myra Bloodgood was confusing mix of protective and abusive, a manipulative personality who never told the truth—about where she came from, who Ivy’s father was, or why they were living their lives on the run.Now that Ivy has been sent to Darkhaven, an island off the New England coast, to live with a rich uncle she didn’t know existed, she is forced to reckon with her mother’s past. Ivy can tell right away there are long-held family secrets buried within these walls, but when she wakes up from one of her nightmares covered in someone else’s blood, Ivy fears that whatever demons her mother battled while she was alive have come to roost in her own mind. Scared that she can no longer trust what she sees, Ivy seeks the help of a boy who thinks her episodes are connected to the sordid history of Darkhaven—but what they don’t know might kill them both.A moody and twisty gothic mystery with an impossible romance, Dreaming Darkly is an atmospheric, fast-paced page-turner written by comics veteran Caitlin Kittredge.

    Down the road from a working-class British pub, along the brick wall of a narrow alley, if the conditions are exactly right, you’ll find the entrance to Slade House. A stranger will greet you by name and invite you inside. At first, you won’t want to leave. Later, you’ll find that you can’t. Every nine years, the house’s residents — an odd brother and sister — extend a unique invitation to someone who’s different or lonely: a precocious teenager, a recently divorced policeman, a shy college student. But what really goes on inside Slade House? For those who find out, it’s already too late... Spanning five decades, from the last days of the 1970s to the present, leaping genres, and barreling toward an astonishing conclusion, this intricately woven novel will pull you into a reality-warping new vision of the haunted house story—as only David Mitchell could imagine it.