The book features raw, blunt, and in your face poems depicting the darker side of relationships. Readers will find themes such as lies, cheating, and heartache abundant in much of this collection. Midnight Milkshakes, being the second volume of Ray's Ice Cream And Suicide, is great for returning readers to the series. The book focuses on much of the same style and mood that is common in his writings.

    

    His voice and sensibility are distinctive, and the places he goes are ones where not many writers are able or willing to venture. The dark world of his poems, which face many of the hardest truths we must learn to live with, is lit by humor, tenderness, compassion, and honesty. For this edition, the poet has selected from the best of his previous collections, in some cases making substantial revisions, and has added his newest poems. The resulting collection is exciting in its breadth, consistency, depth, and distinction.

    And its defenders too often fail to ponder it deeply enough to respond effectively to such criticisms.But, as author Bob Bennett writes, “For anyone truly interested in the Church and its claims, a thorough examination of the Book of Mormon as a possible forgery is a requirement. Instead of being just a footnote in an overall review of current Church activities, discussion of the book should be a primary focal point of the investigation.” with that in mind, he brings to bear his own fascinating experiences with the world of forgery in this careful examination of the Book of Mormon and its claims.In his role at billionaire Howard Hughes's company, Bennett had opportunities to help disprove two significant attempts at forgery: Clifford Irving's supposedly authorized biography of Hughes and later the fake Hughes “will.” In the process, he became acquainted with several tests commonly used to help identify a forgery. Leap of Faith chronicles the discoveries he made as he applied those tests to the Book of Mormon.Though Bennett concludes that “no final answer can be drawn about the authorship of the Book of Mormon on the basis of analysis alone,” his exploration of the book and explanation of its contents will be invaluable to anyone interested in understanding it more clearly. His own leap of faith provides a springboard for meaningful discussion by people of all faiths.This compellingly written work offers a unique perspective about a book beloved by tens of millions. It is made even more interesting by the author’s experiences working for the reclusive billionaire Howard Hughes, the victim of more than one attempted forgery.

    

    Lovingly illustrated by Ashley Mae Hoiland (One Hundred Birds Taught Me to Fly). Praise for Mother's Milk"In these brief and moving poems, Rachel Hunt Steenblik recalls and reimagines the relationship between the daughters of God and their hidden and distant mother. Using her own experience and revelation as well as her wide research, Rachel recreates the Heavenly Mother many dream of knowing, a woman not unlike our own mothers, one who shares our own experience of motherhood." -Claudia L. Bushman, author of Contemporary Mormonism"The warm, delicious, delicate and strong poems in Mother's Milk moved and delighted me. Without doubt this book is a major step toward filling the Mother-sized hole in our hearts. Boldly pulling back the curtain of patriarchy to show that "God" is not a boy's name and that we have never lived in a one-parent family, Rachel reminds us that our Mother has never ceased to nourish and love us." -Carol Lynn Pearson, author of Mother Wove the Morning, and The Ghost of Eternal Polygamy"Rachel Hunt Steenblik is Mormonism's most essential and necessary poet since Carol Lynn Pearson. Out of her hunger for a mother God, she has made food for us all. Out of her losses, she has made milk. It's what women's bodies know how to do, of course. But Rachel, oh honey, few of us do it so openly, so truthfully, so plainly, so well. Come, come, everyone-Mormon or not, brothers, sisters, kindred-and take these words. I am so proud that this book will teach the world what Mormon women know-perhaps uniquely-about God."-Joanna Brooks, author of Book of Mormon Girl.

    Charles Bernstein here proves them alive and well in poems elegiac, defiant, and resilient to the point of approaching song. Heir to the democratic and poetic sensibilities of Walt Whitman and Allen Ginsberg, Bernstein has always crafted verse that responds to its historical moment, but no previous collection of his poems so specifically addresses the events of its time as Girly Man, whichfeatures works written on the evening of September 11, 2001, and in response to the war in Iraq. Here, Bernstein speaks out, combining self-deprecating humor with incisive philosophical and political thinking. Composed of works of very different forms and moods—etchings from moments of acute crisis, comic excursions, formal excavations, confrontations with the cultural illogics of contemporary political consciousness—the poems work as an ensemble, each part contributing something necessary to an unrealizable and unrepresentable whole. Indeed, representation—and related claims to truth and moral certainty—is an active concern throughout the book. The poems of Girly Man may be oblique, satiric, or elusive, but their sense is emphatic. Indeed, Bernstein’s poetry performsits ideas so that they can be experienced as well as understood. A passionate defense of contingency, resistance, and multiplicity, Girly Man is a provocative and aesthetically challenging collection of radical verse from one of America’s most controversial poets.

    RIVER FLOW contains over one hundred poems selected from five previously published works, together with twenty-three new poems, including a tribute to an Ethiopian woman navigating her first escalator, a meditation of love and benediction for his young daughter, and a cycle of Irish poems that convey his deep love of the land and life-long appreciation for its wisdom. Within its covers are poems to be read and reread, poems that are sure to become companions on our own passage through the turbulent waters of a well-lived, well-loved life.

    For nearly fifty years he delivered impassioned sermons in Utah and elsewhere, mixing religion with ultraconservative right-wing political views and conspiracy theories. His teachings inspired Mormon extremists to stockpile weapons, predict the end of the world, and commit acts of violence against their government. The First Presidency rebuked him, his fellow apostles wanted him disciplined, and grassroots Mormons called for his removal from the Quorum of the Twelve. Yet Benson was beloved by millions of Latter-day Saints, who praised him for his stances against communism, socialism, and the welfare state, and admired his service as secretary of agriculture under President Dwight D. Eisenhower. Using previously restricted documents from archives across the United States, Matthew L. Harris breaks new ground as the first to evaluate why Benson embraced a radical form of conservatism, and how under his leadership Mormons became the most reliable supporters of the Republican Party of any religious group in America.

    Dunn's landscape at the end of the century embraces the spectrum of urgencies and obsessions that we live with and for. It's a landscape that we share with citizens and spies, revelers and mourners, women who weep, men who keep secrets, and especially with the poet himself.

    ‘Hiraeth - A home that never was’ by Mansi Narula Kashyap is a collection of poetry and prose about a home that the author believes does not exist in the real world but still cast a shadow or instil a sense of belongingness towards the same. Each poem will enhance the reader’s imagination, coaxing them to understand the depth of a home that never was.“For just a moment, my heart believes.The home that never was,Still makes me homesick.I do not even remember when we started building it brick by brick?The thieves have come and robbed us of all that we had,Trust, loyalty and love are now just in twisted weaves.”

    S. Poet Laureate Ted Kooser at the top of his imaginative and storytelling powers. Here are the richly metaphorical, imagistically masterful, clear and accessible poems for which he has become widely known. Kooser writes for an audience of everyday readers and believes poets "need to write poetry that doesn't make people feel stupid." Each poem in Red Stilts strives to reveal the complex beauties of the ordinary, of the world that's right under our noses. Right under Kooser's nose is rural America, most specifically the Great Plains, with its isolated villages, struggling economy, hard-working people and multiple beauties that surpass everything wrecked, wrong, or in error.

    Here is a volume of poetry approaching Carolyn Forche's The Angel of History as a stark meditation on Blanchot's sense of writing as the "desired, undesired torment which endures everything." Levine engages the traditional resources of lyric poetry in an exploration of historical and cultural landscapes ravaged by imponderable events. Enola Gay's "mission" can seem spiritual, imaginative, and militaristic as the speaker in these poems surveys marshes and fields and a land on the edge of disintegration. Levine sifts the psychological residue that accumulates in the wake of unspeakable acts and so negotiates that terrain between the banality of language and the need to stand witness and to speak. Levine's stunning second book, with its grave cultural implications and its surveillance of a distinctly postmodern malaise, offers multiple readings. Here are compact poems with uncanny power, rhythm, and a strange, formal beauty echoing and renewing the legacy of Wallace Stevens for a new era.

    

    This time Brown takes a "readable" takes an in-depth look at such topics as: How did the plan of slvation originate? Where did the premortal Grand Council take place? What was the premortal status of Lucifer? What actually happened to Adam's and Eve's bodies when they partook of the forbidden fruit? Why didn't the Lord create a fallen world to begin with? Why did we need to get physical bodies? Why do children need to be sealed to their parents? What gifts or abilities will we have in the Spirit World? What are the prerequisites for exaltation? Can a person progress between degrees of glory after resurrection has take place? What will happen to the sons of perdition once they are cast into outer darkness? And much more. AN opened minded and courageous study of [God] and His divine plan with respect to our salvation will be the most interesting and permanently rewarding of all ventures. Hugh Brown How much do we really know about the plan of salvation? What have ancient and modern prophets revealed about the great plan of deliverance? Matthew Brown discusses the doctrines associated with the creation, the fall, and the atonement. A thought-provoking, in-depth, and thoroughly readable book on the plan of salvation