The result easily demonstrated, then as now, the massive achievement of the writer whom Carolyn Kizer called "one of the most passionate, energetic, and honest poets living."

    The resulting collection is the essential starting place for new readers, the quarry for those familiar with his work. Among the new poems is "Easter Morning," which the critic Helen Vendler called "a classic poem . . . a revelation."

    The Metamorphoses of Ovid stands with the works of Homer, Virgil, Dante, and Milton as a classic of world poetry; Hughes translated twenty-four of its stories with great power and directness. The result is the liveliest twentieth-century version of the classic, at once a delight for the Latinist and an appealing introduction to Ovid for the general reader.

    There was no apparent motive for the crime, and there were almost no clues. As Truman Capote reconstructs the murder and the investigation that led to the capture, trial, and execution of the killers, he generates both mesmerizing suspense and astonishing empathy. At the center of his study are the amoral young killers Perry Smith and Dick Hickcock, who, vividly drawn by Capote, are shown to be reprehensible yet entirely and frighteningly human. In Cold Blood is a seminal work of modern prose, a remarkable synthesis of journalistic skill and powerfully evocative narrative.

    This is a theatrical book of dilapidated houses and overgrown gardens, of passageways and thresholds, edges, prosceniums, unearthings, and root systems. The unstable property lines here rove from heaven to hell, troubling proportion and upsetting propriety in the name of unfathomable propagation. Are all the gates in this book folly? Are the walls too easily scaled to hold anything back or impose self-confinement? What won't a poem do to get to the other side?

    He leads a life full of gambling and booze but also finds love. These poems are full of lechery and romance as he struggles to mature.

    Making use of an astonishing cache of little-studied material, including documents, objects, and portraits only just discovered, Jill Lepore brings Jane Franklin to life in a way that illuminates not only this one extraordinary woman but an entire world. Lepore's life of Jane Franklin, with its strikingly original vantage on Benjamin Franklin, is at once a wholly different account of the founding and one of the great untold stories of American history and letters.

    Supposedly prevented from winning, the precocious child who dreamed of becoming a doctor was changed irrevocably. Her story, told in a poignant nonlinear narrative, illustrates the power of a pivotal moment in a life.

    The historical body of evidence that remains from the Salem witch trials of 1692 touched the hands, mind, and imagination of poet Nicole Cooley, compelling her to seek entry to an inaccessible past of lies. The Afflicted Girls, so named after the young women who claimed to be victims of witchcraft, spans the centuries to give voice to those both audible and silent on history's pages--accusers and accused of several kinds: wife and husband, servant and master, congregant and minister, and, not least, bewitched and witch. Piercing, enchanting, Cooley's poems form a remarkable narrative, one that displays the enormous cultural power the Salem witch trials retain in twenty-first-century America.

    In 1909, Clementine Churchill steps off a train with her new husband, Winston. An angry woman emerges from the crowd to attack, shoving him in the direction of an oncoming train. Just before he stumbles, Clementine grabs him by his suit jacket. This will not be the last time Clementine Churchill saves her husband.Lady Clementine is the ferocious story of the brilliant and ambitious woman beside Winston Churchill, the story of a partner who did not flinch through the sweeping darkness of war, and who would not surrender either to expectations or to enemies.

    Greenstreet's highly original CASE SENSITIVE posits a female central character who writes chapbooks that become the sections in this book. What happens in the book I want to read? Greenstreet asked herself. And how would it sound? Everything the character is reading, remembering, and dreaming turns up in what she writes, duly referenced with notes. Using natural language charged with concision and precise syntax, Greenstreet has created a memorable and lasting first collection. A poem intrigue of the highest order. Greenstreet has made a brilliant beginning with this first book--Kathleen Fraser. A beautiful dwelling of ideas. CASE SENSITIVE suggests that there need be no divide between the associative connections of poetry and the extended thinking of the essay. This is a book full of luminous footnotes, details, and attentive readings. CASE SENSITIVE strings together a series of moments to create something resonate, large, and inclusive--Juliana Spahr.

    Spontaneous and frank, they are unusual for their narrative interest: Montgomery's gifts as a storyteller are as much evidence here as in her novels.This first volume of the immensely successful Selected Journals of L.M. Montgomery launched in 1985, takes Montgomery to 1910, the year before her marriage, when she left Prince Edward Island. The autobiographical content will fascinate every devoted reader of the Anne books. But the Montgomery journals are especially interesting because they provide a unique social history and the privilege of viewing closely the life of a remarkable woman. Comprising perhaps the most vivid and detailed memoir in Canadian letters, the journals join Anne of Green Gables in ensuring Montgomery's lasting place in Canadian literature. This volume is a rich and engrossing prelude to the whole.

    At the heart of this story is Ruth Anne Boatwright, known simply as Bone, a bastard child who observes the world around her with a mercilessly keen perspective. When her stepfather Daddy Glen, "cold as death, mean as a snake," becomes increasingly more vicious toward her, Bone finds herself caught in a family triangle that tests the loyalty of her mother, Anney—and leads to a final, harrowing encounter from which there can be no turning back.

    The manner is what Goethe called 'a cultured comic language'-a genre which he regarded as not possible in Geman and which he felt Byron managed superbly.

    She begins with “how to” poems addressing everyday matters such as being hopeful, married, divorced; shearing a sheep; praying to unreliable gods; doing nothing at all; and of course, flying. Next come rafts of poems about making peace (or not) with the complicated bonds of friendship and family, and making peace (or not) with death, in the many ways it finds us. Some poems reflect on the redemptive powers of art and poetry itself; others consider where everything begins.Closing the book are poems that celebrate natural wonders—birdsong and ghost-flowers, ruthless ants, clever shellfish, coral reefs, deadly deserts, and thousand-year-old beech trees—all speaking to the daring project of belonging to an untamed world beyond ourselves.Altogether, these are poems about transcendence: finding breath and lightness in life and the everyday acts of living. It’s all terribly easy and, as the title suggests, not entirely possible. Or at least, it is never quite finished.