This miserable experience (being mistaken for another, dragged about a cold foreign place, appalled by a species’ end) is narrated— all in a single sentence—as a sad looping tale, a howl more or less, in a dreary wintry Berlin bar to a patently bored bartender.The Last Wolf is Krasznahorkai in a maddening nutshell—with the narrator trapped in his own experience (having internalized the extermination of the last creature of its kind and “ locked Extremadura in the depths of his own cold, empty, hollow heart ”)—enfolding the reader in the exact same sort of entrapment to and beyond the end, with its first full-stop period of the book.Herman, “a peerless virtuoso of trapping who guards the splendid mysteries of an ancient craft gradually sinking into permanent oblivion,” is asked to clear a forest’s last “noxious beasts.” In Herman I: The Game Warden, he begins with great zeal, although in time he “suspects that maybe he was ‘on the wrong scent.’” Herman switches sides, deciding to track entirely new game...In Herman II: The Death of a Craft, the same situation is viewed by strange visitors to the region. Hyper-sexualized aristocratic officers on a very extended leave are enjoying a saturnalia with a bevy of beauties in the town nearest the forest. With a sense of effete irony, they interrupt their orgies to pitch in with the manhunt of poor Herman, and in the end, “only we are left to relish the magic bouquet of this escapade...”

    However, when it comes to the question of Gaston Lachaille, very rich, and very bored, Gigi does not want to obey the rules.In 'The Cat', a story of burgeoning sexuality and blossoming love, an exquisite strong-minded Russian Blue is struggling for mastery of Alain with his seductive fiancée, Camille.

    Imaginative and intelligent, Alberta is a misfit trapped in a stiflingly provincial town in the far north of Norway whose only affinity is for her extrovert brother Jacob.

    The novel follows them through adolescence, as Johannes struggles with the social hierarchy and becomes a successful author, and Victoria is forced into marrying Otto, a lieutenant, to save the troubled family economy.A lyrical excursion into unconsummated love, love that is described memorably as 'Blood and Blossoms'.

    A prizewinning tour de force when it was published in France, Violaine Huisman’s remarkable debut novel is about a daughter’s inextinguishable love for her magnetic, mercurial mother. Beautiful and charismatic, Catherine, a.k.a. “Maman,” smokes too much, drives too fast, laughs too hard, and loves too extravagantly. During a joyful and chaotic childhood in Paris, her daughter Violaine wouldn’t have it any other way. But when Maman is hospitalized after a third divorce and a breakdown, everything changes. Even as Violaine and her sister long for their mother’s return, once she’s back Maman’s violent mood swings and flagrant disregard for personal boundaries soon turn their home into an emotional landmine. As the story of Catherine’s own traumatic childhood and adolescence unfolds, the pieces come together to form an indelible portrait of a mother as irresistible as she is impossible, as triumphant as she is transgressive. With spectacular ferocity of language, a streak of dark humor, and stunning emotional bravery, The Book of Mother is an exquisitely wrought story of a mother’s dizzying heights and devastating lows, and a daughter who must hold her memory close in order to let go.

    Assuming her isolation to be the result of a military experiment gone awry, she begins the terrifying work of survival and self-renewal. This novel is at once a simple and moving tale and a disturbing meditation on humanity.

    He is his country's most influential political cartoonist, the consciousness of a nation. A man capable of repealing laws, overturning judges' decisions, destroying politicians' careers with his art. His weapons are pen and ink. Those in power fear him and pay him homage.At sixty-five, after four decades of a brilliant career, he's at the height of his powers. But this all changes when he's paid an unexpected visit from a young woman who upends his sense of personal history and forces him to re-evaluate his life and work, questioning his position in the world.In Reputations, Juan Gabriel Vásquez examines the weight of the past, how a public persona intersects with private histories, and the burdens and surprises of memory. In this intimate novel, Vásquez plumbs universal experiences to create a masterful story, one that reverberates long after you turn the final page.

    With their democracy facing the wrecking ball, most well-off Germans turn inward, focusing on their own lives. Britta, a wife, mother, and successful businesswoman, ignores the daily news and concentrates on her family and her work running a clinic specializing in suicide prevention. But her legitimate business is connected to a secret and far more lucrative operation known as The Bridge, an outfit that supplies terrorist organizations looking to employ suicide bombers. Using a complex candidate-identifying algorithm designed by Babak, a brilliant programmer and Britta's only employee, The Bridge has effectively cornered the market, and terrorism almost never takes place without Britta's services--which is why news of a thwarted suicide attack in Leipzig comes as a shock. Then The Bridge's database is stolen and a colleague at the clinic murdered, driving Britta, Babak, and their latest recruit into hiding. On their heels is a new terrorist organization called Empty Hearts, a group unlike any they've encountered before. Part suspenseful thriller, part wickedly effective social satire, Empty Hearts is a novel for our times, examining urgent questions of morality, politics, and culture, and presenting a startling vision of a future where empathy is a thing of the past.

    1962) is a lecturer at the University of Rennes II and research professor of literature and Romance studies at Duke University. She joined the Oulipo in 2000, becoming the first member to join born after the Oulipo was founded. Garréta won France's prestigious Prix Médicis in 2002, awarded each year to an author whose "fame does not yet match their talent," for her novel Pas un jour.Emma Ramadan is a graduate of Brown University and received her master's in literary translation from the American University of Paris. Her translation of Anne Parian's Monospace is forthcoming from La Presse. She is currently on a Fulbright Fellowship for literary translation in Morocco.

    Presenting itself as an investigation into the suicide of a close friend—perhaps real, perhaps fictional—more than twenty years earlier, Levé gives us, little by little, a striking portrait of a man, with all his talents and flaws, who chose to reject his life, and all the people who loved him, in favor of oblivion. Gradually, through Levé’s casually obsessive, pointillist, beautiful ruminations, we come to know a stoic, sensible, thoughtful man who bears more than a slight psychological resemblance to Levé himself. But Suicide is more than just a compendium of memories of an old friend; it is a near-exhaustive catalog of the ramifications and effects of the act of suicide, and a unique and melancholy farewell to life.

    A gifted woman with a rare talent for math, she has never mastered the art of making friends. At nineteen, she moves to Oslo to attend university. There she meets Jakob, a brilliant older teacher who becomes fascinated by Rakel’s quick mind. Jakob is struck by the similarities between Rakel and Sofja Kovalevskaja, the first woman to become a professor of mathematics, and the subject of the novel he is writing. Just as Kovalevskaja was close to her much older advisor, Rakel and Jakob are drawn to each other and eventually become lovers, although he is already married.In the years to come, Rakel's academic career soars, but her health declines, and from her bedside she spends hours imagining Sofja’s life while trying to understand her own. With a gaze both naive and mercilessly sharp, she examines what may be her life's only love story, looking for patterns and answers in numbers, music, and literature. Extraordinarily wise and penetrating, Lean Your Loneliness Slowly Against Mine explores the intricacies of the human heart, the complicated equation that is love, and the search to find meaning and connections when you need them most.Translated from the Norwegian by Alison McCullough

    They have been charged by their commanders to track down and bring back for execution 'one of them' - a Jew. Having flushed out the young man hiding in the woods, they decide to rest in an abandoned house before continuing their journey back to the camp. As they prepare food, they are joined by a passing Pole whose outspoken anti-Semitism adds tension to an already charged atmosphere. Before long, the group's sympathies have splintered as they consider the moral implications of their murderous mission and confront their own consciences to ask themselves: should the Jew be offered food? And, having shared their meal, should he be taken back, or set free?

    Written in diary form, it tells the tale of an unhappy, passionate young man hopelessly in love with Charlotte, the wife of a friend - a man who he alternately admires and detests. 'The Sorrows of Young Werther' became an important part of the 'Sturm und Drang movement, and greatly influenced later 'Romanticism'. The work is semi-autobiographical - in 1772, two years before the novel was published, Goethe had passed through a similar tempestuous period, when he lost his heart to Charlotte Buff, who was at that time engaged to his friend Johann Christian Kestner.

    But after being diagnosed with a terminal brain tumor he finds himself with a gun to his temple, ready to pull the trigger. Then the doorbell rings.A stranger makes him a proposition: why not kill two deserving men before dying? The first target is a criminal, and the second is a man with terminal cancer who, like Ted, wants to die. After executing these kills, Ted will become someone else's next target, like a kind of suicidal daisy chain. Ted understands the stranger's logic: it's easier for a victim's family to deal with a murder than with a suicide. However, after killing his targets, Ted's reality begins to unravel. KILL THE NEXT ONE, an immersive psychological thriller from an exciting new voice.

    It’s 28-year-old Ayami’s final day at her box-office job in Seoul’s audio theater. Her night is spent walking the sweltering streets of the city with her former boss in search of Yeoni, their missing elderly friend, and her day is spent looking after a mysterious, visiting poet. Their conversations take in art, love, food, and the inaccessible country to the north. Almost immediately, in the heat of Seoul at the height of the summer, order gives way to chaos as the edges of reality start to fray, with Ayami becoming an unwitting escort into a fever-dream of increasingly tangled threads, all the while images of the characters’ overlapping realities repeat, collide, change, and reassert themselves in this masterful work that upends the very structure of fiction and narrative storytelling and burns itself upon the soul of the reader. By one of the boldest and most innovative voices in contemporary Korean literature, and brilliantly realized in English by International Man Booker­–winning translator Deborah Smith, Bae Suah’s hypnotic and wholly original novel asks whether more than one version of ourselves can exist at once, demonstrating the malleable nature of reality as we know it.