Written when the speaker, Little Dog, is in his late twenties, the letter unearths a family's history that began before he was born — a history whose epicenter is rooted in Vietnam — and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation. At once a witness to the fraught yet undeniable love between a single mother and her son, it is also a brutally honest exploration of race, class, and masculinity. Asking questions central to our American moment, immersed as we are in addiction, violence, and trauma, but undergirded by compassion and tenderness, On Earth We're Briefly Gorgeous is as much about the power of telling one's own story as it is about the obliterating silence of not being heard.With stunning urgency and grace, Ocean Vuong writes of people caught between disparate worlds, and asks how we heal and rescue one another without forsaking who we are. The question of how to survive, and how to make of it a kind of joy, powers the most important debut novel of many years.

    Then a growing darkness threatens the kingdom and uncovers the lie at the centre of her whole life--a single pact that changes everything.Throwing off convention, she joins Rafe, a handsome, charming newcomer, on a quest to save her kingdom. Except he doesn't know she has a mission of her own--to discover the truth about her identity. Increasingly drawn to Rafe's strength and good humour, Marie is torn by her double purpose. With time running out and death and destruction looming, Marie will have to unravel the bargains that surround her and choose where her true allegiance lies.In this twist on the classic fairy tale, Rumpelstiltskin, a hidden identity is just one of the things Marie will have to unravel. Novella 3.5 - A Midwinter's Wedding: A Retelling of The Frog Prince Princess Cordelia is used to being overshadowed by her many brothers and sisters. So when she's offered the chance to attend her brother's wedding in a faraway kingdom, she leaps at it. In Northhelm, she'll finally have the chance to stand out. And maybe, just maybe, she'll even find romance.But not everything in the Northhelmian court is as it appears. With her brother distracted by the wedding, only Ferdinand, the ugliest man at court, will listen to Cordelia's concerns. An observant princess and a strangely amphibious soldier may be the only thing standing between all Four Kingdoms and disaster.Cordelia will have to overcome prejudice, deceit, and danger if she wants to save the day and find romance at A Midwinter's Wedding.A Midwinter's Wedding is a novella of approximately 35,000 words. Book 4 - The Princess Game: A Reimagining of Sleeping Beauty They call her the Sleeping Princess, but Celeste is far from asleep...Celeste has been cursed since her sixteenth birthday--just not in the way the rest of the kingdom thinks. All they see is her breath-taking beauty, marred by her foolishness. Only she knows that she retains her brilliant mind. And it's a secret she must keep at all costs.Over the years she's grown accustomed to the necessary deception. After all, her life depends on it. And she's even found a way to protect her kingdom, working from the shadows. But now a dangerous new threat has emerged, one that Celeste can't defeat alone. She needs the help of a newly-arrived prince. One who's altogether too handsome and too charming. Somehow she needs to keep her secret, save her kingdom, and find a way to free herself from the curse. The last thing she has time to do is sleep.In this reimagining of the classic fairy tale, Sleeping Beauty, it's only the princess' mind that is asleep. And sometimes appearances can be deceiving.If you enjoy clean romance, adventure and intrigue, then try The Four Kingdoms series now! Each of these young adult fairy tale retellings can be read as a standalone story. However, for greatest enjoyment, they should be read in order.

    The book and the dream are the poet’s primary objects of investigation here. Through deft, quietly authoritative lyrics, Fisher meditates on the problems and possibilities—the frail craft—of perception for the reader, the dreamer, maintaining that “if the eye can love—and it can, it does—then I held you and was held.” In her foreword to the book, Louise Glück writes that Fisher’s poetry is “haunting, elusive, luminous, its greatest mystery how plain-spoken it is. Sensory impressions, which usually serve as emblems of or connections to emotion, seem suddenly in this work a language of mind, their function neither metonymic nor dramatic. They are like the dye with which a scientist injects his specimen, to track some response or behavior. Fisher uses the sense this way, to observe how being is converted into thinking.”

    Young Vincent Malloy's vivid imagination takes him on a macabre journey into a fantastical and weird world in which his home is filled with spiders and bats, his aunt becomes an exhibit in his wax museum, and his beautiful wife is buried in his mother's flower bed.

    Archeophonics, defined as the archeology of lost sound, is one way of understanding the role and the task of poetry: to recover the buried sounds and shapes of languages in the tradition of the art, and the multitude of private connections that lie undisclosed in one's emotional memory. The book takes seriously the opening epigraph by the late great James Schuyler: "poetry, like music, is not just song." It recognizes that the poem is not a decorative art object but a means of organizing the world, in the words of anthropologist Clifford Geertz, "into transient examples of shaped behavior." Archeophonics is a series of discrete poems that are linked by repeated phrases and words, and its themes and nothing less than joy, outrage, loss, transhistorical thought, and day-to-day life. It is a private book of public and civic concerns.

    Against the backdrop of the war on drugs and the 1992 Los Angeles Riots, a Korean girl comes of age in her parents' bodega in the Queensbridge projects, offering a singular perspective on our nation of immigrants and the tensions pulsing in the margins where they live and work.In Su Hwang's rich lyrical and narrative poetics, the bodega and its surrounding neighborhoods are cast not as mere setting, but as an ecosystem of human interactions where a dollar passed from one stranger to another is an act of peaceful revolution, and desperate acts of violence are "the price / of doing business in the projects where we / were trapped inside human cages--binding us / in a strange circus where atoms of haves / and have-nots always forcefully collide." These poems also reveal stark contrasts in the domestic lives of immigrants, as the speaker's own family must navigate the many personal, cultural, and generational chasms that arise from having to assume a hyphenated identity--lending a voice to the traumatic toll invisibility, assimilation, and sacrifice take on so many pursuing the American Dream."We each suffer alone in / tandem," Hwang declares, but in Bodega, she has written an antidote to this solitary hurt--an incisive poetic debut that acknowledges and gives shape to anguish as much as it cherishes human life, suggesting frameworks for how we might collectively move forward with awareness and compassion.

    Published in 1862, this phantasmagoric tale of two maidens seduced by lewd goblin men provides a startling glimpse into the depths of the Victorian psyche. Full color throughout .

    As a poet who has achieved success in the realms of both grassroots popularity and national critical attention, Kocot is poised to claim her place as America’s boldest new poetic voice.

    It wasn't until he met Renee that he realized that he was something different - something dangerous. He is a Mage. Led into a world of corruption and power Devon soon learns that there is always a price for power.

    Complemented by striking cover art from Carrie Mae Weems, these stunning poems tackle racism, sexism, genocide, displacement, heartbreak, and grief, but also love, motherhood, spirituality, and Black joy.Praise for Aja Monet:“[Monet] is the true definition of an artist.”—Harry Belafonte“In Paris, she walked out onto the stage, opened her mouth and spoke. At the first utterance I heard that rare something that said this is special and knew immediately that Aja Monet was one of the Ones who will mark the sound of the ages. She brings depth of voice to the voiceless, and through her we sing a powerful song.”—Carrie Mae WeemsOf Cuban-Jamaican descent, Aja Monet is an internationally established poet, performer, singer, songwriter, educator, and human rights advocate. Monet is also the youngest person to win the legendary Nuyorican Poet’s Café Grand Slam title.

    With echoes of Gwendolyn Brooks and Sonia Sanchez, Mans writes to call herself—and us—home. Each poem explores what it means to be a daughter of Newark, and America--and the painful, joyous path to adulthood as a young, queer Black woman.Black Girl, Call Home is a love letter to the wandering Black girl and a vital companion to any woman on a journey to find truth, belonging, and healing.

    That Wagner is in love with the world and its transactions--perceptions, superficial and otherwise; childbearing, painful and otherwise; gains, financial and otherwise--allows for a poetry that is full of song yet brazenly topical.

    Hailed by Robert Hass as "a fiercely gifted young poet," Claudia Rankine has welded the cerebral and the spiritual, the sensual and the grotesque. With a fierce intelligence and daunting honesty, Rankine writes about her vulnerability by looking at those closest to her. Whether writing about the man she fell in love with, or the country she's come to that is not her home, what remains long after, in searing echo, is her voice -- its beguiling cadence and vivid physicality.

    "Merwin writes, " J.D. McClatchy has said in THE NEW YORKER, "with one of the most distinctive and original voices in American poetry."

    —from "The Doomsday Clock"The Last Two Seconds is an astonishing confrontation with time—our experience of it as measured out by our perceptions, our lives, and our machines. In these poems, full of vivid imagery and imaginative logic, Mary Jo Bang captures the difficulties inherent in being human in the twenty-first century, when we set our watches by nuclear disasters, species collapse, pollution, mounting inequalities, warring nations, and our own mortality. This is brilliant and profound work by an essential poet of our time.