Those who turn to poetry to become confidants for another's stories and secrets will not be disappointed.”—Publishers Weekly“In her fifth book of poetry, Bass addresses everything from Saturn’s rings and Newton’s law of gravitation to wasps and Pablo Neruda. Her words are nostalgic, vivid, and visceral. Bass arrives at the truth of human carnality rooted in the extraordinary need and promise of the individual. Bass shows us that we are as radiant as we are ephemeral, that in transience glistens resilient history and the remarkable fluidity of connection. By the collection’s end—following her musings on suicide and generosity, desire and repetition—it becomes lucidly clear that Bass is not only a poet but also a philosopher and a storyteller.”—BooklistEllen Bass brings a deft touch as she continues her ongoing interrogations of crucial moral issues of our times, while simultaneously delighting in endearing human absurdities. From the start of Like a Beggar, Bass asks her readers to relax, even though "bad things are going to happen," because the "bad" gets mined for all manner of goodness.From "Another Story":After dinner, we're drinking scotch at the kitchen table.Janet and I just watched a NOVA specialand we're explaining to her motherthe age and size of the universe—the hundred billion stars in the hundred billion galaxies.Dotty lives at Dominican Oaks, making her way down the long hall.How about the sun? she asks, a little farmshit in the endlessness.I gather up a cantaloupe, a lime, a cherry,and start revolving this salad around the chicken carcass.This is the best scotch I ever tasted, Dotty says,even though we gave her the Maker's Markwhile we're drinking Glendronach...Ellen Bass's poetry includes  Like A Beggar (Copper Canyon Press, 2014), The Human Line  (Copper Canyon Press, 2007), which was named a Notable Book by the San Francisco Chronicle, and Mules of Love (BOA, 2002), which won the Lambda Literary Award.  She co-edited (with Florence Howe) the groundbreaking No More Masks! An Anthology of Poems by Women (Doubleday, 1973). Her work has frequently been published in The New Yorker, American Poetry Review, The New Republic, The Sun  and many other journals. She is co-author of several non-fiction books, including The Courage to Heal: A Guide for Women Survivors of Child Sexual Abuse (HarperCollins, 1988, 2008) which has sold over a million copies and been translated into twelve languages. She is part of the core faculty of the MFA writing program at Pacific University.

    The regulars are telling stories to while away the dark hours, when the door bursts open on a grievously wounded stranger. In his arms is the lifeless body of a small child. Hours later, the girl stirs, takes a breath and returns to life. Is it a miracle? Is it magic? Or can science provide an explanation? These questions have many answers, some of them quite dark indeed.Those who dwell on the river bank apply all their ingenuity to solving the puzzle of the girl who died and lived again, yet as the days pass the mystery only deepens. The child herself is mute and unable to answer the essential questions: Who is she? Where did she come from? And to whom does she belong? But answers proliferate nonetheless.Three families are keen to claim her. A wealthy young mother knows the girl is her kidnapped daughter, missing for two years. A farming family reeling from the discovery of their son’s secret liaison, stand ready to welcome their granddaughter. The parson’s housekeeper, humble and isolated, sees in the child the image of her younger sister. But the return of a lost child is not without complications and no matter how heartbreaking the past losses, no matter how precious the child herself, this girl cannot be everyone’s. Each family has mysteries of its own, and many secrets must be revealed before the girl’s identity can be known.Once Upon a River is a glorious tapestry of a book that combines folklore and science, magic and myth. Suspenseful, romantic, and richly atmospheric, the beginning of this novel will sweep you away on a powerful current of storytelling, transporting you through worlds both real and imagined, to the triumphant conclusion whose depths will continue to give up their treasures long after the last page is turned.

    A wily cat, a strange romance, detestable daughters: the great American poet Marianne Moore retells three stories originally written by Charles Perrault to amuse the niece of Louis XIV.Modern readers may be surprised to find that the prince does not wake Sleeping Beauty with a kiss - the more he cares, the less willing he is to intrude - and that his mother is descended from ogres.Characterised by vivid imagery, uncluttered prose, inventive alliteration and a sly sceptic's wit, Moore's versions do more than tell a tale: 'Having seen a problem solved,' she writes, each one leaves 'a pattern of order in the mind.'Bringing together past, present and future in our ninetieth year, Faber Stories is a celebratory compendium of collectable work.

    Source: Wikipedia. Pages: 30. Not illustrated. Free updates online. Purchase includes a free trial membership in the publisher's book club where you can select from more than a million books without charge. Excerpt: Talking to Dragons is a young adult fantasy novel, the fourth and final book in the Enchanted Forest Chronicles by Patricia Wrede. It is told in first person from the point of view of sixteen-year-old Daystar, son of Cimorene, a woman who lives at the edge of the Enchanted Forest. Cimorene raises Daystar and teaches him legends about the Enchanted forest, swordsmanship, spells, and magical protocols. One day, Antorell, a member of the Society of Wizards, who has a grudge against Cimorene tries to assault them. Then, Cimorene melts Antorell with a spell, which raises many questions in Daystar's mind because he didn't know that his mother could do any magic. However, Cimorene refuses to answer Daystar's questions, and goes into the Enchanted Forest to retrieve a sword, and gives it to Daystar. She then sends him into the forest telling him not to come back until he can "tell her why he had to leave." When Daystar enters the forest, he meets a talking golden lizard named Suz, who tells Daystar that the sword Cimorene gave him is the Sword of the Sleeping King. Daystar, confused about what all this can mean, is instructed by Suz to "follow the sword." Trying to find a place to spend the night, he enters the middle of a ring of hedges and finds a young fire witch named Shiara, who can sometimes do fire magic but can only do it periodically. The wizards heard about her lack of control and kidnapped her. However, she burned the Head Wizard's staff, ran away to the Enchanted Forest, and got caught in the middle of the hedges. Daystar tells Shiara about his quest, and she decides to accompany him. Afterwards, when Daystar shows Shiara...More: http: //booksllc.net/?id=689457

    Lewis Carroll was the pen name and, it could be claimed, the alter ego of the Reverend Charles Lutwidge Dodgson, a mathematician, writer and photographer. His creations, especially "Alice's Adventures in Wonderland" and "Through the Looking Glass and What Alice Found There," have been translated into countless languages and are as loved now as they have ever been. His neologisms ("curiouser and curiouser") and turns of phrase have forever infiltrated and enriched our language and culture.

    He dreamed of the Viking ideal, sailing to distant shores and battling honorable foes. Laden with gold, he would return home in glory. The same life of adventure that his grandfather, Ulfrik Ormsson, experienced awaited him. It proved a false dream. Along with his cousin and best friend, Yngvar discovers a world unlike the sagas of the great heroes. He encounters murder and treachery. Raiding is nothing more than merciless theft. True riches remain elusive and sea kings dominate the waves. Yngvar trusts to his honor and courage to carry him. Yet powerful enemies swarm all around him. Fate guides him into the teeth of a clash between two of history's mightiest jarls. He will require all his cunning and daring to survive. So begins a new saga of Viking adventure and war. Join the shield wall once more and witness the fierce history of the Norsemen.

    Whether he is wrestling with the mundane, history and its disasters, or sexual love, he can sound both classical and contemporary, with the modern austerity of Cavafy and Bishop. Often exploring the darker places of the heart, his sonnets do not lie down obediently, but spark with an honest self-awareness.Cole's lucid, empathetic poems--with lyrical beauty and ethical depth--seem to transmute the anxious perplexities of our time.

    It is a strange and tender parable of two maddening obsessions; parenting and art-making' - Max Porter 'Strange, moving and musical, it's a delight' - A. L. Kennedy I am writing this account, in another man's book, by candlelight, inside the belly of a fish. I have been eaten. I have been eaten, yet I am living still. From the acclaimed author of Little comes this beautiful and haunting imagining of the years Geppetto spends within the belly of a sea beast.Drawing upon the Pinocchio story while creating something entirely his own, Carey tells an unforgettable tale of fatherly love and loss, pride and regret, and of the sustaining power of art and imagination.

    A shockingly assured first collection from young poet Jesse Ball, its elegant lines and penetrating voice present a poetic symphony instead of a simple succession of individual, barely-linked poems. Craftsmanship defines this collection; it is full of perfect line-breaks, tenderly selected words, and inventive pairings. Just as impressive is the breadth and ingenuity of its recurring themes, which crescendo as Ball leads us through his fantastic world, quietly opening doors.In five separate sections we meet beekeepers and parsons, a young woman named Anna in a thin, linen dress and an old scribe transferring the eponymous March Book. We witness a Willy Loman-esque worker who "ran out in the noon street / shirt sleeves rolled, and hurried after / that which might have passed" only to be told that there's nothing between him and "the suddenness of age." While these images achingly inform us of our delicate place in the physical world, others remind us why we still yearn to awake in it every day and "make pillows with the down / of stolen geese," "build / rooms in terms of the hours of the day." Like a patient Virgil, insistent and confident, Ball escorts us through his mind, and we're lucky to follow.

    Curiously, this labor of love started with the author’s signature: Faced with the daunting task of providing autographs for multiple copies of one of her poetry collections, Absolute Trust in the Goodness of the Earth, Walker turned an act of repetition into an act of inspiration. For each autograph became something more than a name: a thoughtful reflection, an impromptu sketch, a heartfelt poem. The result is this spontaneous burst of the unexpected. A Poem Traveled Down My Arm is a lovely collection of insights and drawings—by turns charming and humorous, provocative and profound—that represent the wisdom of one of today’s most beloved writers. The essence of Walker’s independent spirit emanates from words and images that are simple but deep in meaning. An empowering approach to life...the inspiration to live completely in the moment...the chance to nurture one’s creativity and peace of mind—all these beautiful elements are evoked by this unusual and original book.From the Hardcover edition.

    By turns sassy and serious, the poems can seem to sprint in two directions at once, managing to make the reader laugh at the same time they are struck by the emotional strength of the work. "Charming, inviting, beguiling and delightful poems in the language of someone who seems alive speaking refreshing riddles to herself." SHEILA HETI"Uptalk is a book of transcribed whale songs. Some scientists gave a whale a microphone and she took it home and stayed up all night under the covers talking to herself about faces and word-parts. I am delighted that Kimmy took it upon herself to transcribe this unique document of marine biology, and my heart goes out to the brilliant, charming whale author, wherever she may be." SARA WOODS

    I read his work with awe and admiration.”—Ben Marcus “Joe Wenderoth's brave new poetic talent is like nothing so much as a live wire writing its own epitaph in sparks. [His poems] throb brilliantly with a sense of the 'too much.' . . . But in Wenderoth's case the too much is the too little or the too ordinary—a very remarkable discovery to have made so late in the history of poetry. Philip Larkin and a few American poets have approached it, but Wenderoth's instrument is sharper than theirs; he makes quick cuts in the meat of the ordinary, which is the meat of the impossible.”—Cal Bedient This clear-eyed new work from a favorite young poet is searching and solemn, dissatisfied with artificial condolences and pat maxims. Joe Wenderoth’s determination in the face of harsh realities is what rescues us, and him, from hopelessness. “Luck” So a screaming woke you just in time An animal’s scream, or animals’. What kind of animal it was doesn’t matter, and cannot, in any case, be determined. The point is you are saved. Your mouth has been opened. Joe Wenderoth grew up near Baltimore and is the author of five books of prose and poetry. He teaches at the University of California, Davis.

    A talented baker, all she wants is to open a shop with her best friend. But according to her mother, such a goal is unthinkable for the young woman who could be the next queen.Then Cath meets Jest, the handsome and mysterious court joker. For the first time, she feels the pull of true attraction. At the risk of offending the king and infuriating her parents, she and Jest enter into an intense, secret courtship. Cath is determined to define her own destiny and fall in love on her terms. But in a land thriving with magic, madness, and monsters, fate has other plans.In her first stand-alone teen novel, the New York Times-bestselling author dazzles us with a prequel to Alice's Adventures in Wonderland.

    Valente's first full-length poetry collection, where freaks, emperors, bodhisattvas, beasts, witches, wicked stepmothers, Greek heroes, told seductively and wickedly in poem and prose, jostle and vie for supremacy . .

    Rich with historical context and a deeply engaging personal narrative.