The story will soon be immortalized in the upcoming film starring Salma Hayek.

    A young, highly intelligent man named Christian Longo, on the FBI's Ten Most Wanted list for killing his entire family, has recently been captured in Mexico, where he'd taken on a new identity -- Michael Finkel of the New York Times.The next day, on page A-3 of the Times, comes another bit of troubling news: a note, written by the paper's editors, explaining that Finkel has falsified parts of an investigative article and has been fired. This unlikely confluence sets the stage for a bizarre and intense relationship. After Longo's arrest, the only journalist the accused murderer will speak with is the real Michael Finkel. And as the months until Longo's trial tick away, the two men talk for dozens of hours on the telephone, meet in the jailhouse visiting room, and exchange nearly a thousand pages of handwritten letters.With Longo insisting he can prove his innocence, Finkel strives to uncover what really happened to Longo's family, and his quest becomes less a reporting job than a psychological cat-and-mouse game -- sometimes redemptively honest, other times slyly manipulative. Finkel's pursuit pays off only at the end, when Longo, after a lifetime of deception, finally says what he wouldn't even admit in court -- the whole, true story. Or so it seems.

    Here is the unspeakable stuff of which Barker's vision was formed: a wonderfully eclectic and wide-ranging collection of nightmares from the literature and film. Meet serial killers and serious authors, outlaw directors and rebel artists, legendary monsters and movie stars from Psycho to Silence of the Lambs. From exorcisms to zombie dances, chaos to cannibalism, Lovecraft to Elm Street, Dracula to Deuteronomy, discover the dark and grisly world of Clive Barker.

    Now Dani Filth and Gavin Baddeley lay bare the fascinating underworld of contemporary culture. Dissecting the Satanic sources that have influenced and informed Cradle of Filth, with a roadmap to every significant landmark in the domains of darkness, including the arcane secrets of Black Magic, via the sex rites of vampirism. Artfully combining Hammer horror style schlock, dripping with eroticism, backed by authentic Black Arts info and a wicked sense of humor, this will dazzle devoted disciples of darkness. Contributors include actor Christopher Lee and Satanist Anton LaVey, to serial killer expert Robert Ressler and necrophile Karen Greenlee.

    Everyone said he was a good kid: a bit of a clown, maybe not too serious about his studies, but sweet and kind and quick to make friends. When, as a clean-cut teenager, he signed up with the army, the people of Reeds Springs, Missouri, expected to hear nothing but good things about R.J. and Lexie Mease's eldest son.It wouldn't work out that way. Darrell Mease would end up on the front lines of the Vietnam War and would come home a drug addict. Over the personally tumultuous, drifting decades that followed, he'd make a new name for himself in the Ozarks: as a tough drug dealer. Then, in 1987, he gunned down a 69-year-old meth kingpin, his wife, and their 20-year-old paraplegic grandson. After a desperate cross-country escape, he was captured, hauled back to Missouri, and sentenced to death for his crimes.In jail, Mease experienced a religious conversion, and he made a shocking prediction: he would be saved by miraculous intervention.No one believed it would happen. But it did. On January 27, 1999, Pope John Paul II visited St. Louis and spoke to Missouri's then-governor, Mel Carnahan. It was the same date that authorities had set for Mease's execution. The pope asked that he be spared. Carnahan agreed.

    On Stalin's orders, purged rivals were airbrushed from group portraits, and crowd scenes were altered to depict even greater legions of the faithful. In one famous image, several Party members disappeared from an official photograph, to be replaced by a sylvan glade. For the past three decades, author and photohistorian David King has assembled the world's largest archive of photographs, posters, and paintings from the Soviet era. His collection has grown to more than a quarter of a million images, the best of which have been selected for The Commissar Vanishes. The efforts of the Kremlin airbrushers were often unintentionally hilarious. A 1919 photograph showing a large crowd of Bolsheviks clustered around Lenin, for example, became, with the aid of the retoucher, an intimate portrait of Lenin and Stalin sitting alone, and then, in a later version, of Stalin by himself. The Commissar Vanishes is nothing less than the history of the Soviet Union, as retold through falsified images, many of them published here for the first time outside Russia. In each case, the juxtaposition of the original and the doctored images yields a terrifying - and often tragically funny - insight into one of the darkest chapters of modern history.

    Assigned by Louis XIV, Nicolas de La Reynie begins by clearing the streets of filth, and installing lanterns throughout Paris, turning it into the City of Light.The fearless La Reynie pursues criminals through the labyrinthine neighborhoods of the city. He unearths a tightly knit cabal of poisoners, witches, and renegade priests. As he exposes their unholy work, he soon learns that no one is safe from black magic - not even the Sun King. In a world where a royal glance can turn success into disgrace, the distance between the quietly back-stabbing world of the king’s court, and the criminal underground proves disturbingly short. Nobles settle scores by employing witches to craft poisons, and by hiring priests to perform dark rituals in Paris' most illustrious churches and cathedrals.As La Reynie continues his investigations, he is haunted by a single question: Could Louis’ mistresses be involved in such nefarious plots? The pragmatic, and principled, La Reynie must decide just how far he will go to protect his king.From secret courtrooms to torture chambers, City of Light, City of Poison is a gripping true-crime tale of deception and murder. Based on thousands of pages of court transcripts, and La Reynie’s compulsive note-taking, as well as on letters and diaries, Tucker’s riveting narrative makes the fascinating, real-life characters breathe on the page.

    As oil boom money poured into Anchorage, the city quickly became a prime destination for the seedier elements of society: prostitutes, pimps, con men, and criminals of all breeds looking to cash in. However, something even worse lurked in their midst.   To all who knew him, Robert Hansen was a typical hardworking businessman, husband, and father. But hidden beneath the veneer of mild respectability was a monster whose depraved appetites could not be sated. From 1971 to 1983, Hansen was a human predator, stalking women on the edges of Anchorage society—women whose disappearances would cause scant outcry, but whose gruesome fates would shock the nation. After his arrest, Hansen confessed to seventeen brutal murders, though authorities suspect there were more than thirty victims.   Alaska State Trooper Walter Gilmour and writer Leland E. Hale tell the story of Hansen’s twisted depredations—from the dark urges that drove his madness to the women who died at his hand and finally to the authorities who captured and convicted the killer who came to be known as the “Butcher Baker.”

    In an unforgettable portrait of a brilliant con artist, acclaimed journalist Worrall takes readers into the haunting mind of Mark Hofmann, one of the most daring literary forgers and most remorseless murderers of the late 20th century.

    Panzram was born in 1891 on a Minnesota farm and died in 1930 on the gallows at the U.S.Penitentiary, Fort Leavenworth, Kansas. Imprisoned for most of his life from the age of twelve and brutally punished, Panzram's keen insight into the arbitrary cruelty of his fellow human being is graphically illustrated with a litany of prison abuses, as well as the details of his own sordid, tragic life. Panzram arrives as a gripping warning from America's past to new prison-industrial complex era. The authors add an historical and sociological framework for Panzram's words.

    Rita Buonanno remembers the words exactly: " If anything happens to me don't think it was an accident." Helle Crafts was last seen on November 18, 1986. In the style of a brilliant detective novel, Arthur Herzog skillfully re-creates the hour-by-hour circumstantial details that inform this grisly true-crime narrative. We observe dispassionate Richard Crafts as he buys a truck with a pintle hook for towing heavy equipment, promised for delivery before November 18. A day later he reserves a Badger Brush Bandit woodchipper.

    Buy this book and blow your mind!

    This case-study approach -- based on years of immersion in the killers' diaries, confessions, psychiatric interviews, statements to the press, videotapes, and photographs -- led the way in defining serial and mass murders not as the acts of alien creatures with deranged minds but rather as personalized protests by alienated men against the society that they believe has excluded them. Leyton also provides an analysis of the Washington, D.C. sniper case. While uncovering the central themes of modern culture that motivated their deeds, Leyton provides vivid and chilling portraits of Edmund Kemper, Ted Bundy, Albert DeSalvo, and David Berkowitz, serial murderers whose prolonged killing campaigns provided them revenge against the world and celebrity careers; and other mass murderers whose brief but horrific murder sprees constituted their own enigmatic suicide notes. The author shows that the motives of multiple murderers are not simply sexual or psychotic; but rise from the very core of American mass culture.

      Robert Peernock appeared to have the ideal life. Working as a pyrotechnics engineer and computer expert and coming home to his wife and daughter, Peernock projected the American dream. Even when he and his wife separated, it seemed amicable, just a small bump for the well-to-do family. But there was madness in his house: in private, Peernock was violent, subtly manipulative, and bordering on psychotic. But the horrifying details of his home life would only come to light after Peernock finally lost all control.   Peernock had come home, brutally beat both his wife and daughter, force fed them alcohol, and deliberately sent them to their death behind the wheel, staging it to look like a drunk driving accident. He didn’t foresee that his daughter would survive, and even with years of abuse, her attempted murder, and horrendous injuries, he never anticipated that she would speak so powerfully against him.   Throughout his trial, Peernock claimed a massive government conspiracy against him. He hired and fired lawyers multiple times, deadlocking juries and spinning a web of lies. New York Times bestselling author Anthony Flacco chronicles the sensational trial and all the terror that preceded it, looking deep into the mind of a deranged killer whose American dream was a waking nightmare for those trapped within it.

    His disturbing narrative opens up an entire culture, revealing the dark side of Renaissance man and politician Lorenzo de' Medici.On a Sunday in April 1478, assassins attacked Lorenzo and his brother as they attended Mass in the cathedral of Florence. Lorenzo scrambled to safety as Giuliano bled to death on the cathedral floor. April Blood moves outward in time and space from that murderous event, unfolding a story of tangledpassions, ambition, treachery, and revenge. The conspiracy was led by one of the city's most noble clans, the Pazzi, financiers who feared and resented the Medici's swaggering new role as political bosses--but the web of intrigue spread through all of Italy. Bankers, mercenaries, the Duke of Urbino, the King of Naples, and Pope Sixtus IV entered secretly into the plot. Florence was plunged into a peninsular war, and Lorenzo was soon fighting for his own and his family's survival.The failed assassination doomed the Pazzi. Medici revenge was swift and brutal--plotters were hanged or beheaded, innocents were hacked to pieces, and bodies were put out to dangle from the windows of the government palace. All remaining members of the larger Pazzi clan were forced to change theirsurname, and every public sign or symbol of the family was expunged or destroyed.April Blood offers us a fresh portrait of Renaissance Florence, where dazzling artistic achievements went side by side with violence, craft, and bare-knuckle politics. At the center of the canvas is the figure of Lorenzo the Magnificent--poet, statesman, connoisseur, patron of the arts, and ruthlessboss of bosses. This extraordinarily vivid account of a turning point in the Italian Renaissance is bound to become a lasting work of history.